Kiaf.org는 Internet Explorer 브라우저를 더 이상 지원하지 않습니다. Edge, Chrome 등의 최신 브라우저를 이용하시기 바랍니다.

When Nature Becomes a Landscape

KIM Jae Hyeon

The artist’s natural landscape is to complete the painting by maintaining feelings and emotions when the urge to draw it without forgetting to be imprinted in an instant occurs. Using the diversity delivered from nature, the artist draws natural rather than shape, the difference when entering there or facing from afar, and when he encounters trees are different when they take light.

김재현, 자연인상2206, 2022, oil on canvas, 97.0×97.0

At this time, the inner feeling of experiencing nature is connected to the psychological element rather than the shape. The work to capture the scenery attracted to the mind meets the delicate brush touch. In a horizontal composition, the inside of the screen is cut out as if it is close-up from the artist’s viewfinder to show a situation on the canvas as if it were the center.

김재현, 아카시아42, 2023, oil on canvas, 53.0×53.0

It is a contrast between light and darkness and becomes a beautiful landscape. The calm wind, air, and blue colors are delivered to the visitors as they become paintings.

김재현, 아카시아36, 2023, oil on canvas, 116.8×80.3

Works are largely distinguished as “Forest Impression,” “Natural Impression,” and “Acacia.” The forest impression is a painting of when he looks at nature (forest), and the natural impression is drawn when he enters nature and receives the feeling. Works are largely distinguished as “Forest Impression,” “Natural Impression,” and “Acacia.” The forest impression is a painting of when he looks at nature (forest), and the natural impression is drawn when he enters nature and receives the feeling.

김재현, 라일락04, 2023, oil on canvas, 65.1×65.1

The idea that each of the dots represented by the leaves met in nature at the time of painting the natural image as a deeper and enlarged image than other series completed the acacia series. As an artist, dot drawing was important to express his own visualized experience in his own way, and unconscious brush touch is revealed as his own sensory element by refraining from perspective, three-dimensional space and eye-friendly composition as much as possible.

Gallery Doll
87 Samcheongro, Jongrogu, Seoul
+82 2 739 1405, 6

WEB     INSTAGRAM

Share
Share