Red And Shiny

Lee Dongwook

ARARIO GALLERY SEOUL presents LEE Dongwook’s (b. 1976) solo exhibition, entitled Red and Shiny, from September 04 (Wed) to October 12 (Sat), 2024. LEE Dongwook’s sculptural works express a keen insight into and critique of the complex and fragile nature of human existence within society. In this exhibition, LEE achieves this through a method of combining small human figures with his personal collection of objects. In his latest exhibition, LEE presents large-scale installations that partially include small figurines and objects that juxtapose different materials to heighten sensory sensitivity and visual aesthetics. His characteristic cynical and cold perspective is particularly evident in his sculptures and installations, where artificial structures and human forms coexist in a chilling and sticky manner. The tension created by the meticulously arranged human figures, remnants, or traces imbues LEE Dongwook’s work with both an immediate aesthetic pleasure and a profound insight into humanity.

LEE Dongwook’s work consistently explores relationships on multiple levels. These relationships can be broadly categorized into two approaches: one that examines the connection between society and the individual, and another that focuses on the sensory aspects, maximizing the intrinsic qualities of specific subjects or the visual properties of materials. The first approach delves into the complex and fragile nature of humanity within society, offering sharp insights and critiques through the arrangement of objects reflecting the artist’s preferences and human figures and structures made from Sculpey—a type of polymer clay. The second approach heightens sensory awareness and aesthetic impact by connecting and juxtaposing similar yet distinct materials, amplifying the visual and tactile experience of the artwork.

This exhibition represents LEE’s latest exploration of the complex relationships that have long interested him. On the 4th floor, LEE presents a large-scale installation titled Shiny (2024), where various materials, all unified by their silver hue, are connected and arranged to create a cohesive work. True to its title, the piece is composed of materials that sparkle and shine, including platinum-coated tree branches, various silver objects, and silver wrapping ribbons. The visual impact of the work comes from the contrast between the natural texture of the wood and the brilliant silver of the platinum that covers it, as well as the subtle differences in how the platinum and silver ribbon reflect light. The beauty of this piece lies in discovering and experiencing these intriguing visual contrasts. As with much of LEE’s work, there is a sense of humanity’s presence and absence within the piece. On the 5th floor, the exhibition continues with LEE’s exploration of contemporary human existence, a theme he has long examined through the depiction of small human figures within specific structures.

However, in these new works, the direct representation of flesh-toned human figures, which LEE frequently portrayed in the past, has been significantly reduced. Instead, the emphasis is placed on the structures themselves, with humans depicted almost as if they are crushed flesh, buried within these constructions, inviting viewers to contemplate the human condition within these confines. Rather than the carefully crafted pink-skinned figures of previous works, this exhibition features rough, mold-cast red figures symbolizing life. As a result, the exhibition offers a visually rich experience, allowing viewers to first enjoy the vibrant interplay of red and shimmering silver elements suggested by the title. After this visual indulgence, viewers are then drawn to discover the human presence within the vast structures and reflect on the relationships that emerge.

ARARIO GALLERY SEOUL
85 Yulgok-ro, Jongno-gu, Seoul, Korea 03058

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[GALLERIES] Arario Gallery Seoul

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