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2022. 5. 29 – 6. 12

Installation view

POLYPTYCHONSZ is the outcome of a 4-month winter residency at Urban Spree, and presents a new series of large format oil and spray paint canvases, all painted in situ in the galerie.”

POLYPTYCHONSZ, the first solo show of the Berlin painter HOWTOKILLAGRAFFITI with the gallery, runs until June 12th, 2022.

Mono Wohnzimmerbild, Photo Credits go to : Lukas K Stiller

« In the Beginning was the Word ».

Howtokillagraffiti’s ingrained mission is literally to kill graffiti. We must take this man to his word. His whole enterprise is to subdue and subvert his tag (« ARTS ») by planting lavish figurative seeds onto a graffiti superstructure, seemingly losing control, opening the floodgates to a whole surreal and – often – dark universe. Like in an abandoned house, the lianas grow, take unexpected turns, take support on the letters, but eventually take over, subdue them and submit them to an unstoppable flow. Suddenly, life explodes into the canvas, shapes emerge from the mud, the agile spray paint stutters and the oil paint vibrantly strikes. Colors. Colors soon irrigate and dominate the space. « Then Color came ».

Piano Popeye, Photo Credits go to : Lukas K Stiller

This profuse materia prima, stemming from personal visions and experiences is patiently laid onto the canvas. The introduction of figurative oil painting to the building blocks of graffiti generates an interesting dialectics on the canvas (fast/slow, to build/to conceal, to attract/to repel).

Installation view

The world of howtokillagraffiti is a dense agglutination of matter and visual elements, shamanic & serpentine characters, surreal visions, ghostly visitations, pathways to parallel worlds. Each canvas, similar to a Borgesian universe, includes the whole world, everything is in everything. His influences are wide. Surrealism? Yes, although… Dadaism? Yes, although… As one art critic said: « there is although in everything he does”. He is where we are not expecting him.

Die Dual Irrenden, Photo Credits go to : Lukas K Stiller

There is still no solution in sight to the initial problem. How to Kill a Graffiti? Canvas after canvas, the graffiti is put to death but never disappears. The question was never if the enterprise could succeed but determining how to do it. The Word is immarcessible. In the Beginning was the Word. At the end too.

Installation view

Urban Spree Gallery
Revaler Str. 99, 10245 Berlin, Germany

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