{"id":6255,"date":"2021-08-27T19:11:55","date_gmt":"2021-08-27T10:11:55","guid":{"rendered":"https:\/\/kiaf.org\/?post_type=insights&#038;p=6255"},"modified":"2021-09-01T14:29:39","modified_gmt":"2021-09-01T05:29:39","slug":"the-space-between","status":"publish","type":"insights","link":"https:\/\/kiaf.org\/en\/insights\/6255","title":{"rendered":"The Space Between"},"content":{"rendered":"<p>2021.6.12 &#8211; 9.11<br \/>\nJohn Baldessari<\/p>\n<figure id=\"attachment_6256\" aria-describedby=\"caption-attachment-6256\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-6256\" src=\"https:\/\/static-edge.kiaf.org\/web\/2021\/08\/19003104\/john-baldessari.jpg\" alt=\"\" width=\"750\" height=\"715\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2021\/08\/19003104\/john-baldessari.jpg 948w, https:\/\/static-edge.kiaf.org\/web\/2021\/08\/19003104\/john-baldessari-300x286.jpg 300w, https:\/\/static-edge.kiaf.org\/web\/2021\/08\/19003104\/john-baldessari-150x143.jpg 150w, https:\/\/static-edge.kiaf.org\/web\/2021\/08\/19003104\/john-baldessari-768x732.jpg 768w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-6256\" class=\"wp-caption-text\">John Baldessari The Space Between Two Cowboys., 2019 Varnished inkjet prints on canvas with acrylic paint 137.5 \u00d7 146.4 \u00d7 3.8 cm 54 1\/8 \u00d7 57 5\/8 \u00d7 1 1\/2 inches \u00a9 John Baldessari 2019. Courtesy Estate of John Baldessari \u00a9 2021. Courtesy Spr\u00fcth Magers. Photo: \u00a9 Joshua White<\/figcaption><\/figure>\n<p>One of the greatest artistic minds of the twentieth and twenty-first centuries, John Baldessari made an indelible mark on contemporary art worldwide through his probing works, his innovative approach to various art mediums, his boundary-pushing, transcendent wit and his mentorship to countless artists and friends over the course of his storied career. Having worked with and learned from John for over thirty years, Monika Spr\u00fcth and Philomene Magers are honored to present his final painting series, The Space Between, at Spr\u00fcth Magers, Los Angeles\u2014an exhibition made ever more poignant by his death in early 2020 at the age of 88, and for being situated in the artist\u2019s home city. The thirty paintings on view, which exhibit Baldessari\u2019s characteristic combination of text and image, testify to the artist\u2019s unending urge to question the manner in which we find meaning amid the multitude of signs, symbols and gestures that structure our lives.<\/p>\n<p>The Space Between (all works 2019) comprises inkjet prints on canvas that reproduce found imagery, overlaid with fields of paint. These brushy passages of white and black acrylic blot out elements of each original scene, and in doing so leave particular people, objects and areas exposed. Below, lines of text bring the eye to elements within this visual network. In The Space Between Two Cowboys., a pair of smiling men dressed in cowboy hats and riding gear rest against two large wagon wheels. A white expanse surrounds them, engulfing the background that presumably once gave them a specific context and, by extension, significance. As the eye shifts between fore- and background, one is left to ponder who these people are and for whom they smile, as well as attend to the visual, textual and cultural markers that lead us to read them as \u201ccowboys\u201d to begin with. In other works, rather than obscuring the in-between spaces with paint, Baldessari flips the script and leaves those spaces visible, occluding individual objects instead. His spatial overlays and excisions at once deflect and direct our attention, while also betraying the processes by which we encode and decode the world around us.<\/p>\n<figure id=\"attachment_6257\" aria-describedby=\"caption-attachment-6257\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-6257\" src=\"https:\/\/static-edge.kiaf.org\/web\/2021\/08\/19003104\/john-baldessari2.jpg\" alt=\"\" width=\"750\" height=\"721\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2021\/08\/19003104\/john-baldessari2.jpg 948w, https:\/\/static-edge.kiaf.org\/web\/2021\/08\/19003104\/john-baldessari2-300x288.jpg 300w, https:\/\/static-edge.kiaf.org\/web\/2021\/08\/19003104\/john-baldessari2-150x144.jpg 150w, https:\/\/static-edge.kiaf.org\/web\/2021\/08\/19003104\/john-baldessari2-768x738.jpg 768w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-6257\" class=\"wp-caption-text\">John Baldessari The Space Between Two Legs., 2019 Varnished inkjet prints on canvas with acrylic paint 137.5 \u00d7 146.4 \u00d7 3.8 cm 54 1\/8 \u00d7 57 5\/8 \u00d7 1 1\/2 inches \u00a9 John Baldessari 2019. Courtesy Estate of John Baldessari \u00a9 2021. Courtesy Spr\u00fcth Magers. Photo: \u00a9 Joshua White<\/figcaption><\/figure>\n<p>In several works, the artist drew unexpected objects into his balance of image and text, such as in The Space Between Two Legs. and The Space Between Head and Edge.; though their titles and captions reference mundane objects, their imagery clearly displays, respectively, a gun and a knife plunged into a character&#8217;s back. As Baldessari explained in a 2009 interview for Art21, \u201cWhen you\u2019re looking at two things, don\u2019t look at them, look between them . . . The space between two things, that\u2019s very important.\u201d His final body of work makes visible the zones between word and image, foreground and background, presence and absence, and symbol and meaning, giving each canvas a poetic ambiguity.<\/p>\n<p>Despite the subtle structural shifts throughout the series, uniting The Space Between\u2019s thirty paintings is Baldessari\u2019s singular approach to his photographic source materials, which he culled from his vast archive of film stills, press images and local ephemera. Certain themes reveal themselves across the series, including the preponderance of body parts\u2014a quintessentially Baldessarian subject\u2014in the form of hands, ears, mouths and arms. Expressive by nature, they perform an array of gestures across the paintings\u2014pointing, grasping, punching, gripping\u2014carefully orchestrated to conjure surreal and evocative, but always open-ended, messages. Handheld implements such as weapons, tools and cameras also take center stage, giving the series a sense of movement, tension and dynamism.<\/p>\n<figure id=\"attachment_6258\" aria-describedby=\"caption-attachment-6258\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-6258\" src=\"https:\/\/static-edge.kiaf.org\/web\/2021\/08\/19003101\/john-baldessari3.jpg\" alt=\"\" width=\"750\" height=\"721\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2021\/08\/19003101\/john-baldessari3.jpg 948w, https:\/\/static-edge.kiaf.org\/web\/2021\/08\/19003101\/john-baldessari3-300x288.jpg 300w, https:\/\/static-edge.kiaf.org\/web\/2021\/08\/19003101\/john-baldessari3-150x144.jpg 150w, https:\/\/static-edge.kiaf.org\/web\/2021\/08\/19003101\/john-baldessari3-768x738.jpg 768w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-6258\" class=\"wp-caption-text\">John Baldessari The Space Between Head and Hand., 2019 Varnished inkjet prints on canvas with acrylic paint 137.5 \u00d7 146.4 \u00d7 3.8 cm 54 1\/8 \u00d7 57 5\/8 \u00d7 1 1\/2 inches \u00a9 John Baldessari 2019. Courtesy Estate of John Baldessari \u00a9 2021. Courtesy Spr\u00fcth Magers. Photo: \u00a9 Joshua White<\/figcaption><\/figure>\n<p>Simultaneously banal, surprising and poignant, Baldessari\u2019s last series beautifully encapsulates the thrust of his artistic project as a whole: To explore the amorphous spaces between things, people and ideas. Baldessari himself occupied a \u201cspace between\u201d\u2014working between painting and photography, art and other disciplines\u2014that can never be filled.<\/p>\n<p>An illustrated catalogue will appear on the occasion of the exhibition, published by Spr\u00fcth Magers and Verlag der Buchhandlung Walther und Franz K\u00f6nig, with contributions from Barbara Bloom, Russell Ferguson, Hans Ulrich Obrist, Cathy Opie and David Salle. Spr\u00fcth Magers also recently announced the gallery&#8217;s global representation of the Estate of John Baldessari. Please visit <a href=\"http:\/\/www.spruethmagers.com\" target=\"_blank\" rel=\"noopener noreferrer\">www.spruethmagers.com<\/a> for more information.<\/p>\n<figure id=\"attachment_6259\" aria-describedby=\"caption-attachment-6259\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-6259\" src=\"https:\/\/static-edge.kiaf.org\/web\/2021\/08\/19003101\/john-baldessari4.jpg\" alt=\"\" width=\"750\" height=\"719\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2021\/08\/19003101\/john-baldessari4.jpg 948w, https:\/\/static-edge.kiaf.org\/web\/2021\/08\/19003101\/john-baldessari4-300x288.jpg 300w, https:\/\/static-edge.kiaf.org\/web\/2021\/08\/19003101\/john-baldessari4-150x144.jpg 150w, https:\/\/static-edge.kiaf.org\/web\/2021\/08\/19003101\/john-baldessari4-768x736.jpg 768w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-6259\" class=\"wp-caption-text\">John Baldessari The Space Between Two Women., 2019 Varnished inkjet prints on canvas with acrylic paint 137.5 \u00d7 146.4 \u00d7 3.8 cm 54 1\/8 \u00d7 57 5\/8 \u00d7 1 1\/2 inches \u00a9 John Baldessari 2019. Courtesy Estate of John Baldessari \u00a9 2021. Courtesy Spr\u00fcth Magers. Photo: \u00a9 Joshua White<\/figcaption><\/figure>\n<p>Spr\u00fcth Magers, Los Angeles<br \/>\n5900 Wilshire Boulevard, Los Angeles, CA 90036<br \/>\n+1 323 \/ 634 0600<\/p>\n<p><a href=\"https:\/\/spruethmagers.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">WEB<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","categories":[50,51],"class_list":["post-6255","insights","type-insights","status-publish","hentry","category-insight","category-stories"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ko","en"],"languages":{"ko":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights\/6255","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights"}],"about":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/types\/insights"}],"wp:attachment":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/media?parent=6255"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/categories?post=6255"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}