{"id":5810,"date":"2021-07-22T09:48:54","date_gmt":"2021-07-22T00:48:54","guid":{"rendered":"https:\/\/kiaf.org\/?post_type=insights&p=5810"},"modified":"2021-07-22T09:48:54","modified_gmt":"2021-07-22T00:48:54","slug":"inexistence","status":"publish","type":"insights","link":"https:\/\/kiaf.org\/en\/insights\/5810","title":{"rendered":"INEXISTENCE"},"content":{"rendered":"

2021. 7. 3 – 8. 28
\nETIENNE CHAMBAUD<\/p>\n

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Exhibition view: Etienne Chambaud, Inexistence, Esther Schipper, Berlin (2021) Photo \u00a9 Andrea Rossetti<\/figcaption><\/figure>\n

Esther Schipper is pleased to announce Etienne Chambaud\u2019s exhibition Inexistence, the artist\u2019s first with the gallery. The works included in the exhibitions are a scent and a sound installation, a sculptural work generating a pattern of temperatures, three light installations, glass works, bronze sculptures and modified panel paintings.<\/p>\n

The first work encountered by the visitor is Multiplex, a scent installation invoking familiar spaces but also acting as a subtle disruption. It uses the chemical compounds present both in animal markings and in human environments to create a molecular link between tiger habitat and movie theatre. The work draws on the notion of involuntary memory: the often unconscious association of a place or an experience with a scent.<\/p>\n

The only light source in the exhibition space is provided by the three works from Chambaud\u2019s series Models for Afar. Between a video screen, a lightbox and a lamp suspended from the ceiling, each work from the series emanates softly modulated light formations as it is programmed to simulate the atmospheric and meteorological light conditions of the sky at a specific time and place. Bathed in a red glow, Model for Afar (Solis Lacus, 7 November 1492) the spectator will experience a solar Martian day of the late 15th century. Model for Afar (Regensburg, 5 November 333 BCE), on the other hand, takes as point of departure a painting by Albrecht Altdorfer, combining the date of its depicted event\u2014Alexander the Great\u2019s battle at Issus in 333 BCE\u2014and Altdorfer\u2019s location when he painted the representation in 1529. A third work shines with the never setting sun of a Canadian arctic summer over the yet unnamed Terror Bay, on 14 July 1789. Yet the staying power of these works doesn\u2019t come from neatly unpacking the web of references hidden in its making. Rather Models for Afar creates an experiential disconnect: the works propose other sites\u2014both temporal and spatial\u2014yet the imaginary travel is grounded by our perceiving body which eventually must return to its own reality.<\/p>\n

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Exhibition view: Etienne Chambaud, Inexistence, Esther Schipper, Berlin (2021) Photo \u00a9 Andrea Rossetti<\/figcaption><\/figure>\n

A glass sculpture from the series Globes that contains and conserves the remains of objects and materials that were destroyed and transformed by the very process of their inclusion in the molten glass, refracts the light from Models for Afar.<\/p>\n

With the installation Fever Chambaud transposes the symptoms of an illness onto an inanimate object: a section of the wall exhibits the temperature pattern of a specific disease. Palpably warm, the development can also be read on the thermometer\u2019s display from where several sensors extend antennae-like across the wall.<\/p>\n

A sound installation entitled Syrinx brings into the gallery space the sound of multiple songbirds. Their intricate vocalizations, synthetized with artificial neural networks, are in a constant process of metamorphosis as each bird\u2019s distinct voice is differently affected by another. The artist gratefully acknowledges the support of Centre National des Arts Plastiques and Fondation des Artistes for the development of Syrinx.<\/p>\n

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Suspended: Model for Afar (Terror Bay, 14 July 1789), 2021, computer simulation, custom made LED screen, 16 x 160 x 160 cm, (6 1\/4 x 63 x 63 in) (EC 116).
Exhibition view: Etienne Chambaud, Inexistence, Esther Schipper, Berlin (2021) Photo \u00a9 Andrea Rossetti\u00a0<\/figcaption><\/figure>\n
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Uncreature, 2021, oil and gold leaf on wood panel, 17 x 14 x 4 cm (6 3\/4 x 5 1\/2 x 1 5\/8 in) (EC 131).
Exhibition view: Etienne Chambaud, Inexistence, Esther Schipper, Berlin (2021) Photo \u00a9 Andrea Rossetti\u00a0<\/figcaption><\/figure>\n

A bronze sculpture from the series Necknot is placed on the floor. Both organic and mathematical, it consists of an assemblage of severed bird\u2019s necks joined together in a continuous knot.<\/p>\n

In a reversal of sort, throughout the exhibition visitors will be confronted with the quiet gazes emanating from Chambaud\u2019s series Uncreatures. The historical icons, panel paintings of religious figures represented against a golden background\u2014the symbol of uncreated light\u2014, have been modified and the figures, except for their eyes, covered entirely with gold leaf. Their gazes act as spatial markers but also, again in an echo to the exhibitions common thread of dislocation and separation, as temporal ones.<\/p>\n

The title, Inexistence, suggests the exhibition as condition of contradictory states, as a site where things and beings could alternatively or simultaneously emerge, change or remain absent. The works in the exhibition share a certain tension between what can be experienced, seen, and known. They manifest as ephemeral sensations\u2014the perceptions of smell, sound, light and warmth\u2014appearing and disappearing. Yet, in the midst of this exhibition, it is also the spectators\u2019 certainty in their position that is being destabilized, as is the necessity of their presence: the synthetic birds will continue to sing their songs long after they have left.<\/p>\n

The exhibition is kindly supported by the Stiftung Kunstfonds, NEUSTART KULTUR program.<\/p>\n

ESTHER SCHIPPER GMBH
\nPOTSDAMER STRASSE 81E, 10785, BERLIN
\n+49 (0)30 374433133<\/p>\n

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