{"id":57904,"date":"2026-03-23T17:11:13","date_gmt":"2026-03-23T08:11:13","guid":{"rendered":"https:\/\/kiaf.org\/?post_type=insights&#038;p=57904"},"modified":"2026-03-23T17:11:13","modified_gmt":"2026-03-23T08:11:13","slug":"%ec%9e%a0%eb%93%a4%ec%a7%80-%ec%95%8a%eb%8a%94-%ed%98%95%ec%83%81%eb%93%a4-%ec%a1%b4%ec%9e%ac%eb%8a%94-%ec%96%b4%eb%96%bb%ea%b2%8c-%ea%b8%b0%eb%85%90%eb%90%98%eb%8a%94%ea%b0%80","status":"publish","type":"insights","link":"https:\/\/kiaf.org\/en\/insights\/57904","title":{"rendered":"Non-slip shapes, How Existence Is C ommemorated?"},"content":{"rendered":"<p>Park seong yul<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-57910\" src=\"https:\/\/static-edge.kiaf.org\/web\/2026\/03\/23165019\/KakaoTalk_20260226_104105644_05-1.jpg\" alt=\"\" width=\"600\" height=\"450\" \/><\/p>\n<p style=\"text-align: center;\"><em>Installation View (1)<\/em><\/p>\n<p style=\"text-align: justify;\">The invitational exhibition of Park Sung-Yeol, organized by Space NAMU Gallery Aurora, begins with the question: \u201cHow is existence commemorated?\u201d Through monumental faces, animals, and grand architectural structures, the artist explores memory\u2014not as a record fixed in the past, but as something that continues to live and move in the present. The figures on the canvas gaze back at the viewer in silence, prompting a renewed inquiry into the methods of commemoration and the meaning of existence.<\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-57908\" src=\"https:\/\/static-edge.kiaf.org\/web\/2026\/03\/23165017\/Image-163x97cm-oil-on-canvas-2025-%EB%B3%B5%EC%82%AC%EB%B3%B8-1.jpg\" alt=\"\" width=\"600\" height=\"1021\" \/><\/p>\n<p style=\"text-align: center;\"><em>Park seong yul, Image, 163x97cm, oil on canvas, 2025<\/em><\/p>\n<p style=\"text-align: justify;\">Grounded in the solid formal structure and profound realism of Russian Realism, Park Sung-Yeol has developed his practice with a strong sense of form and depth. In recent years, he has expanded the tension within his compositions by introducing expressionistic abstract backgrounds. Rather than fixing heroes and victories like traditional monuments, his figures reveal cracks, erosion, and instability. They resemble faces that have endured the weight of time, rather than expressions of triumph.<\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-57906\" src=\"https:\/\/static-edge.kiaf.org\/web\/2026\/03\/23165014\/Image-163x97cm-oil-on-canvas-2025-1.jpg\" alt=\"\" width=\"600\" height=\"1016\" \/><\/p>\n<p style=\"text-align: center;\"><em>Park seong yul, Image, 163x97cm, oil on canvas, 2025<\/em><\/p>\n<p>If the human face symbolizes history and civilization, animals such as horses, wolves, gorillas, and lions represent instinct and the archetype of life. These two realms overlap within a single canvas, forming multilayered meanings. By superimposing them within the same pictorial space, a heightened sense of tension emerges.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-57905\" src=\"https:\/\/static-edge.kiaf.org\/web\/2026\/03\/23165012\/Image-60.6x60.6cm-oil-on-canvas-2026.-1.jpg\" alt=\"\" width=\"600\" height=\"600\" \/><\/p>\n<p style=\"text-align: center;\"><em>Park seong yul, Image, 60.6&#215;60.6cm, oil on canvas, 2026<\/em><\/p>\n<p>The artist\u2019s distinctive thick impasto, repetitive layering, and scraping processes reveal the sedimentation of time, emphasizing \u201cprocess\u201d over \u201ccompletion.\u201d Instead of delivering a definitive message, he proposes a space that evokes each viewer\u2019s own memories, inviting them to question for themselves what is worthy of remembrance and commemoration.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-57909\" src=\"https:\/\/static-edge.kiaf.org\/web\/2026\/03\/23165018\/KakaoTalk_20260226_104105644_06-1.jpg\" alt=\"\" width=\"600\" height=\"450\" \/><\/p>\n<p style=\"text-align: center;\"><em>Installation View (2)<\/em><\/p>\n<p>This exhibition demonstrates the expanding possibilities of contemporary figurative painting and stands as a space for reflection on the meanings of existence and commemoration.<\/p>\n<p>&nbsp;<\/p>\n<div>SPACENAMU GALLERY AURORA<\/div>\n<div>Chungnyeol-ro 1733, Habuk-myeon, Yangsan-si, Gyeongsangnam-do<\/div>\n<div>055 374 3500<\/div>\n<div>\n<p><a href=\"http:\/\/www.spacenamu.net\/\" target=\"_blank\" rel=\"noopener\">WEBSITE<\/a>\u00a0\u00a0<a href=\"https:\/\/www.instagram.com\/spacenamu\/\" target=\"_blank\" rel=\"noopener\">INSTAGRAM<\/a>\u00a0\u00a0<a href=\"https:\/\/www.youtube.com\/@spacenamu\" target=\"_blank\" rel=\"noopener\">YOUTUBE<\/a>\u00a0<\/p>\n<\/div>\n","protected":false},"featured_media":0,"template":"","categories":[50,51],"class_list":["post-57904","insights","type-insights","status-publish","hentry","category-insight","category-stories"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ko","en"],"languages":{"ko":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights\/57904","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights"}],"about":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/types\/insights"}],"wp:attachment":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/media?parent=57904"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/categories?post=57904"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}