{"id":57897,"date":"2026-03-19T15:21:56","date_gmt":"2026-03-19T06:21:56","guid":{"rendered":"https:\/\/kiaf.org\/?post_type=insights&#038;p=57897"},"modified":"2026-03-19T15:23:04","modified_gmt":"2026-03-19T06:23:04","slug":"%ec%9e%a0%ec%8b%9c-%ec%97%ac%ea%b8%b0%ec%97%90","status":"publish","type":"insights","link":"https:\/\/kiaf.org\/en\/insights\/57897","title":{"rendered":"A Moment, Here"},"content":{"rendered":"<p>Jun Youngjin\u00b7LEE Sihyeon<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-57902\" src=\"https:\/\/static-edge.kiaf.org\/web\/2026\/03\/19151428\/1.-%EC%A0%84%EC%98%81%EC%A7%84-Painting-on-painting-2420-60.6%C3%9772.7%C3%974.0cm-2024.jpeg\" alt=\"\" width=\"600\" height=\"500\" \/><\/p>\n<p style=\"text-align: center;\"><em>Jun Youngjin, Painting on painting 2420, 60.6\u00d772.7\u00d74.0cm , 2024<\/em><\/p>\n<p style=\"text-align: justify;\">We encounter countless landscapes every day, yet most of these scenes pass by without truly lingering.<\/p>\n<div>In the rapid flow of time, landscapes are often consumed like fleeting images, and we lose the chance to\u00a0look at them slowly and attentively. Yet there are moments when we pause our steps and remain for a\u00a0while. A Moment, Here begins from such a moment \u2014 a pause within the flow of time that allows us to\u00a0look again at the landscapes around us.<\/div>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-57901\" src=\"https:\/\/static-edge.kiaf.org\/web\/2026\/03\/19151427\/2.-%EC%A0%84%EC%98%81%EC%A7%84-Geometric-Scenery-2602-45.5%C3%9753.0%C3%972.0cm-2026.jpeg\" alt=\"\" width=\"600\" height=\"513\" \/><\/p>\n<p style=\"text-align: center;\"><em>Jun Youngjin, Geometric Scenery 2602, 45.5\u00d753.0\u00d72.0cm, 2026<\/em><\/p>\n<p style=\"text-align: justify;\">In Jun Youngjin\u2019s work, the landscape does not appear simply as a subject for representing nature, but as a device that reveals the structure and essence of painting itself. The scenes in his paintings are simplified into geometric compositions of color and planes, where divided fields of color assemble the image like pixels, forming a restrained painterly structure. Through this process of simplification, the landscape is reconsidered through the relationships between color and form. As viewers look at the landscape within the painting, they simultaneously become aware of the painting as an object in itself. Jun\u2019s simple landscapes momentarily suspend our gaze within the complexity of the world and renew our perception of how we look at a landscape.<\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-57900\" src=\"https:\/\/static-edge.kiaf.org\/web\/2026\/03\/19151426\/3.-%EC%9D%B4%EC%8B%9C%ED%98%84-%EB%8B%A8%EB%8B%A8%ED%95%98%EA%B3%A0-%EC%A7%88%EA%B8%B4-Oil-on-canvas-162.2%C3%97130.3-cm-2026.jpg\" alt=\"\" width=\"600\" height=\"751\" \/><\/p>\n<p style=\"text-align: center;\"><em>LEE Sihyeon, \ub2e8\ub2e8\ud558\uace0 \uc9c8\uae34, Oil on canvas, 162.2\u00d7130.3 cm, 2026<\/em><\/p>\n<p style=\"text-align: justify;\">Lee Sihyeon\u2019\u2019s work begins from the sensory experiences the body encounters in nature. Stepping away from the order of the city, the artist enters natural environments and records the energies and sensations encountered there onto the surface of the canvas. For the artist, nature is not merely something to be observed, but a field of experience where the senses awaken. Landscapes emerge through sensations and temperatures absorbed by the body. The rough textures and material qualities that remain on the canvas evoke the tactile experience of nature, inviting viewers not only to look at the landscape but also to dwell within it for a moment.<\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-57899\" src=\"https:\/\/static-edge.kiaf.org\/web\/2026\/03\/19151425\/4.-%EC%9D%B4%EC%8B%9C%ED%98%84-%EC%B2%AD%EC%86%A1-%EB%B3%B4%EB%A3%A8%E5%A0%A1%E5%A3%98-Oil-on-canvas-181.8%C3%97227.3cm-2026.jpeg\" alt=\"\" width=\"600\" height=\"471\" \/><\/p>\n<p style=\"text-align: center;\"><em>LEE Sihyeon, \uccad\uc1a1, \ubcf4\ub8e8\u5821\u58d8, Oil on canvas, 181.8\u00d7227.3cm, 2026<\/em><\/p>\n<p style=\"text-align: justify;\">Although the two artists approach landscape in different ways, viewers encounter a shared experience before their works. While Jun Youngjin\u2019s landscapes pause the viewer\u2019s gaze through simplified structures of color and form, Lee Sihyeon\u2019s landscapes invite the body to linger within the sensory<\/p>\n<div style=\"text-align: justify;\">atmosphere of nature. Through these two distinct approaches, the exhibition encourages us to look again\u00a0at scenes we have long passed by, creating a moment of pause before the landscape.<\/div>\n<div style=\"text-align: justify;\">A Moment, Here proposes a moment of stillness within the rapidly flowing time of everyday life \u2014 a\u00a0moment to pause and look at the landscape anew. Standing before the works, we encounter familiar\u00a0scenes once again and discover new perceptions and sensibilities in this very moment, here.<\/div>\n<div>\u00a0<\/div>\n<div>Gallery FM<\/div>\n<div>2F, 57, Yulgok-ro, Jongno-gu, Seoul, Korea (03060)<\/div>\n<div>+82 2 737 4984<\/div>\n<div>\n<p><a href=\"http:\/\/www.galleryfm.net\/\" target=\"_blank\" rel=\"noopener noreferrer\">WEB<\/a>\u00a0 \u00a0<a href=\"https:\/\/www.instagram.com\/galleryfm_official\/\" target=\"_blank\" rel=\"noopener noreferrer\">Instagram<\/a>\u00a0 \u00a0<a href=\"https:\/\/www.facebook.com\/galleryfm.officlal\" target=\"_blank\" rel=\"noopener\">FACEBOOK<\/a>\u00a0 \u00a0<a href=\"https:\/\/www.artsy.net\/partner\/gallery-fm\" target=\"_blank\" rel=\"noopener\">ARTSY<\/a><\/p>\n<\/div>\n","protected":false},"featured_media":0,"template":"","categories":[50,51],"class_list":["post-57897","insights","type-insights","status-publish","hentry","category-insight","category-stories"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ko","en"],"languages":{"ko":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights\/57897","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights"}],"about":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/types\/insights"}],"wp:attachment":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/media?parent=57897"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/categories?post=57897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}