{"id":5728,"date":"2021-07-14T18:02:32","date_gmt":"2021-07-14T09:02:32","guid":{"rendered":"https:\/\/kiaf.org\/?post_type=insights&p=5728"},"modified":"2021-07-14T18:10:28","modified_gmt":"2021-07-14T09:10:28","slug":"%ed%99%98%ec%83%81%ec%86%8d%ec%9d%98-%ea%b7%b8%eb%8c%80","status":"publish","type":"insights","link":"https:\/\/kiaf.org\/en\/insights\/5728","title":{"rendered":"\ud658\uc0c1\uc18d\uc758 \uadf8\ub300"},"content":{"rendered":"
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High Art x VSF, “\ud658\uc0c1\uc18d\uc758 \uadf8\ub300”, 2021, installation view, Various Small Fires, Seoul<\/figcaption><\/figure>\n

2021. 06. 26 – 7. 28.<\/p>\n

Never! Time can never be stopped, yo!
\nWhy do you hesitate?
\nWhen there\u2019s only one choice
\nNow is your only chance
\nHere is your only<\/p>\n

Your only place to stay
\nYou are in a fantasy
\nWhen everything is crumbling away
\nYou are still in a fantasy (\u2026)<\/p>\n

– Excerpt from the lyrics of \u201c\ud658\uc0c1\uc18d\uc758 \uadf8\ub300\u201d (You, in The Fantasy) by Seo Taiji & Boys (1992)<\/p>\n

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High Art x VSF, “\ud658\uc0c1\uc18d\uc758 \uadf8\ub300”, 2021, installation view, Various Small Fires, Seoul<\/figcaption><\/figure>\n

Julien Creuzet (b. 1986 in Le Blanc Mesnil, France, lives and works in Montreuil, France) creates protean artworks incorporating poetry, music, sculpture, assemblage, film and animation. Evoking trans-oceanic postcolonial transactions in relation to multiple temporalities the artist places his own inherited past, present and future at the heart of his production. Eluding generalised narratives and cultural reductions, Creuzet\u2019s work often spotlights anachronisms and social realities to construct objects of irreducibility. Akin to relics from the future brought ashore by an oceanic tide, Creuzet’s works materialise as amplified tokens of history, technology, geography and selves. Recent solo exhibitions include: Camden Arts Center, London (upcoming), Document, Chicago, CAN Centre d\u2019art Neuch\u00e2tel, Palais de Tokyo, Paris, Fondation Ricard, Paris, B\u00e9tonsalon, Paris. Group exhibitions include: Manifesta 13, Marseilles, Wiels Contemporary Art Center, Brussels, Museum f\u00fcr Modern Kunst, Frankfurt , Mus\u00e9e d\u2019Art moderne de Paris, Rennes Biennale, Rennes, Gwangju Biennale, Gwangju, Lafayette Anticipations, Paris, Biennale de Lyon, Lyon, Centre Pompidou, Paris. Creuzet is currently nominated for the Prix Marcel Duchamp 2021.<\/p>\n

Aaron Garber-Maikovska\u2019s (b.1978 in Washington DC, USA, lives and works in Los Angeles, USA) works are indeterminate transcripts of performative interrogations, tracing out modes of communication through compulsively kinaesthetic investigations. Improvisational in nature, these transcripts exist as somewhat inexplicable, an impossible combination of dance, lecture, comedy and ultimately painting. Driven by Maikovska\u2019s intense but indiscriminate attention, the artist\u2019s body is placed firmly at an intersection of efficacy and vulnerability \u2014 in one sense as a vehicle to approach new forms and ways of being \u2014 in another as a reflection of one\u2019s subjective and real parameters. Moments of grace, elegance and finesse co-mingle with spurts of unruliness, clumsiness and illegibility. Recent solo exhibitions include: Blum & Poe, Los Angeles, USA, Massimo de Carlo, London, England, C L E A R I N G, New York, USA, High Art, Paris, France, Standard, Oslo. Group exhibitions include: C L E A R I N G, Knokke, Belgium, Nino Mier Gallery, Los Angeles, USA, Deitch\/Gagosian, Miami, USA, Max Hetzler, Berlin, Germany, Les Abattoirs, Toulouse, France, Museum of Contemporary Art, Denver, USA, Bureau, New York, USA.<\/p>\n

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Hun Kyu Kim Not Yet Titled, 2021 Pigment painted on silk 50 3\/8 x 31 1\/2 inches (128 x 80 cm) HKK001<\/figcaption><\/figure>\n

Hun Kyu Kim (b. 1986 in Seoul, South Korea, lives and works in London, England) crafts poignant allegorical pictures employing an almost limitless range of historical inquiry. Vast intricate narrative universes laced with intense imagination reflect upon a post-globalized world grabbling with the effects of technological neoliberalism. Deep hierarchical structures, extreme belief systems and polemics are on full display through detailed narratives often driven by a mosaic of anthropomorphic proxies. An ostensibly fantastical world grounded in the realities of the contemporary condition, Kim\u2019s work functions as an anomaly of sorts, that which is simultaneously illustrative and emblematic, detailed and diagnostic, cute and critical. Recent solo exhibitions include: E-Werk Museum, Freiberg, Germany, The Approach, London, England, White Conduit Project, London, England, Square Gallery, London, England, Hockney Gallery, London, England. Group exhibitions include: HIX Art, London, England, Nunnery Gallery, London, England, The Cello Factory, London, England, Crypt Gallery, London, England, Milena White House, London, England, Rum factory Bow Art, London, England.<\/p>\n

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High Art x VSF, “\ud658\uc0c1\uc18d\uc758 \uadf8\ub300”, 2021, installation view, Various Small Fires, Seoul<\/figcaption><\/figure>\n

Pentti Monkkonen\u2019s (b. 1975 Minneapolis, USA, lives and works in Berlin, Germany) work fuses disparate and even contradictory spheres of knowledge into works of art that live as monstrosities of significance. Utilising a perpetually expanding field of examination, Monkkonen manages to traverse multiple fields of research while discovering unlikely relationships and common threads. Focusing on art\u2019s tendency towards occupying liminal spaces, Monkkonen\u2019s work often exists in vicinity to the boundaries that separate art and everything else in the world as we know it. Recent solo exhibitions include: Schloss (with Liz Craft), Oslo, Norway, Truth and Consequences, Geneva, Switzerland, Jenny\u2019s, Los Angeles, USA, Hammer Museum, Los Angeles, USA. Group exhibitions include: Hammer Museum, Los Angeles, USA, Yuz Museum, Shanghai, China, Tanya Leighton, Berlin, Germany, Centre d\u2019art contemporain, Annemasse, France, Night Gallery, Los Angeles, USA, Bergen Kunsthalle, Bergen, Norway, Bortolami Gallery, New York, USA.<\/p>\n

VARIOUS SMALL FIRES \/ SEOUL
\n79, Dokseodang-ro, Yongsan-gu, Seoul, Korea
\n+82 70 8884 0107<\/p>\n

INSTAGRAM<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","categories":[50,51],"class_list":["post-5728","insights","type-insights","status-publish","hentry","category-insight","category-stories"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ko","en"],"languages":{"ko":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights\/5728","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights"}],"about":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/types\/insights"}],"wp:attachment":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/media?parent=5728"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/categories?post=5728"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}