{"id":5695,"date":"2021-07-14T11:35:32","date_gmt":"2021-07-14T02:35:32","guid":{"rendered":"https:\/\/kiaf.org\/?post_type=insights&#038;p=5695"},"modified":"2021-07-14T14:30:48","modified_gmt":"2021-07-14T05:30:48","slug":"a-moon-jar-that-blooms-in-a-real-aspiration","status":"publish","type":"insights","link":"https:\/\/kiaf.org\/en\/insights\/5695","title":{"rendered":"A moon jar that blooms in a real aspiration"},"content":{"rendered":"<p>2021. 7. 2 &#8211; 7. 28<\/p>\n<p><iframe loading=\"lazy\" title=\"[\uac24\ub7ec\ub9ac\ub098\uc6b0tv] \uc6b0\ub9ac\ub294 \uc65c \ub2ec\ud56d\uc544\ub9ac\uc5d0 \ub9e4\ub8cc\ub418\ub294\uac00 \uc804\uc2dc\uc7a5 \ud48d\uacbd\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/qf6wBCimeOM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>A moon jar that blooms in a real aspiration<\/p>\n<p>Moon jars rarely appeared in literature or other paintings, but they appeared more than 200 years later in paintings and writings by Kim Hwan-ki. He confessed that he saw the beauty of Korea in this jar, saying, &#8220;Simple circular, simple white is so complicated, and such subtle and mysterious beauty cannot be given off.&#8221;<\/p>\n<figure id=\"attachment_5696\" aria-describedby=\"caption-attachment-5696\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5696\" src=\"https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003234\/%EA%B0%95%EC%9D%B5%EC%A4%91_-Moon-Jar-C25B-170x170cm-2008.jpg\" alt=\"\" width=\"750\" height=\"751\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003234\/%EA%B0%95%EC%9D%B5%EC%A4%91_-Moon-Jar-C25B-170x170cm-2008.jpg 1750w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003234\/%EA%B0%95%EC%9D%B5%EC%A4%91_-Moon-Jar-C25B-170x170cm-2008-300x300.jpg 300w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003234\/%EA%B0%95%EC%9D%B5%EC%A4%91_-Moon-Jar-C25B-170x170cm-2008-1022x1024.jpg 1022w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003234\/%EA%B0%95%EC%9D%B5%EC%A4%91_-Moon-Jar-C25B-170x170cm-2008-150x150.jpg 150w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003234\/%EA%B0%95%EC%9D%B5%EC%A4%91_-Moon-Jar-C25B-170x170cm-2008-768x769.jpg 768w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003234\/%EA%B0%95%EC%9D%B5%EC%A4%91_-Moon-Jar-C25B-170x170cm-2008-1533x1536.jpg 1533w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-5696\" class=\"wp-caption-text\">Kang Ik joong_ Moon Jar C25B, 170x170cm, 2008<\/figcaption><\/figure>\n<p>Considering Kang Ik joong&#8217;s moon jar as &#8220;a vessel containing the sky and the heart,&#8221; he also carried out an art project to connect the division of the two Koreas through the moon jar during the production of the moon jar, saying, &#8220;It was originally two, but it broke through fire and merged into one.&#8221; Under the reality of the divided country, the moon jar is still a &#8220;moon of dreams&#8221; for Kang Ik-jung.<\/p>\n<figure id=\"attachment_5697\" aria-describedby=\"caption-attachment-5697\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5697\" src=\"https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B3%A0%EC%98%81%ED%9B%88_%EC%9B%94%EC%B6%9C-1-157.5x130cm-Acrylic-on-plaster-and-canvas-2020-scaled.jpg\" alt=\"\" width=\"750\" height=\"904\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B3%A0%EC%98%81%ED%9B%88_%EC%9B%94%EC%B6%9C-1-157.5x130cm-Acrylic-on-plaster-and-canvas-2020-scaled.jpg 2123w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B3%A0%EC%98%81%ED%9B%88_%EC%9B%94%EC%B6%9C-1-157.5x130cm-Acrylic-on-plaster-and-canvas-2020-249x300.jpg 249w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B3%A0%EC%98%81%ED%9B%88_%EC%9B%94%EC%B6%9C-1-157.5x130cm-Acrylic-on-plaster-and-canvas-2020-849x1024.jpg 849w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B3%A0%EC%98%81%ED%9B%88_%EC%9B%94%EC%B6%9C-1-157.5x130cm-Acrylic-on-plaster-and-canvas-2020-124x150.jpg 124w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B3%A0%EC%98%81%ED%9B%88_%EC%9B%94%EC%B6%9C-1-157.5x130cm-Acrylic-on-plaster-and-canvas-2020-768x926.jpg 768w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B3%A0%EC%98%81%ED%9B%88_%EC%9B%94%EC%B6%9C-1-157.5x130cm-Acrylic-on-plaster-and-canvas-2020-1274x1536.jpg 1274w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B3%A0%EC%98%81%ED%9B%88_%EC%9B%94%EC%B6%9C-1-157.5x130cm-Acrylic-on-plaster-and-canvas-2020-1698x2048.jpg 1698w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-5697\" class=\"wp-caption-text\">Ko Young hoon_Moonrise-1, 157.5x130cm, Acrylic on plaster and canvas, 2020<\/figcaption><\/figure>\n<p>Ko Young hoon creates the moon jar, &#8220;time swallowed&#8221; that has endured more than 200 years on canvas. Painting reveals that the jar that has been sucked in for such a long time is becoming a creature rather than a simple object. He creates the illusion of the moon jar, the simulacre of the moon jar, in a very refined and ecstatic way.<\/p>\n<figure id=\"attachment_5698\" aria-describedby=\"caption-attachment-5698\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5698\" src=\"https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B5%AC%EB%B3%B8%EC%B0%BD_Vessel-AAM-01-154x123cm-C-print-2011.jpg\" alt=\"\" width=\"750\" height=\"938\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B5%AC%EB%B3%B8%EC%B0%BD_Vessel-AAM-01-154x123cm-C-print-2011.jpg 819w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B5%AC%EB%B3%B8%EC%B0%BD_Vessel-AAM-01-154x123cm-C-print-2011-240x300.jpg 240w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B5%AC%EB%B3%B8%EC%B0%BD_Vessel-AAM-01-154x123cm-C-print-2011-120x150.jpg 120w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B5%AC%EB%B3%B8%EC%B0%BD_Vessel-AAM-01-154x123cm-C-print-2011-768x960.jpg 768w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-5698\" class=\"wp-caption-text\">Koo Bohn chang_Vessel (AAM 01), 154x123cm, C-print, 2011<\/figcaption><\/figure>\n<p>Photos of Koo Bohn chang, a moon jar that seems to have been removed a gloss, make moon jar feel like a creature, especially a human. Because of the texture of the jar surface exposed in the background of the light treated with salmon pink color, the inanimate pottery seemed to have breath and flesh. Even the loose, blurred boundary between pottery and its background shows more clearly the tension as a creature in the environment. he took a picture of pottery, but it was taken as if it were not.<\/p>\n<figure id=\"attachment_5699\" aria-describedby=\"caption-attachment-5699\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5699\" src=\"https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B9%80%EB%8D%95%EC%9A%A9_%ED%98%84-%EB%8B%AC%EC%9D%84-%ED%92%88%EB%8B%A4-130x122cm-Mixed-media-carbonization-on-wood-2019.jpg\" alt=\"\" width=\"750\" height=\"795\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B9%80%EB%8D%95%EC%9A%A9_%ED%98%84-%EB%8B%AC%EC%9D%84-%ED%92%88%EB%8B%A4-130x122cm-Mixed-media-carbonization-on-wood-2019.jpg 1464w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B9%80%EB%8D%95%EC%9A%A9_%ED%98%84-%EB%8B%AC%EC%9D%84-%ED%92%88%EB%8B%A4-130x122cm-Mixed-media-carbonization-on-wood-2019-283x300.jpg 283w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B9%80%EB%8D%95%EC%9A%A9_%ED%98%84-%EB%8B%AC%EC%9D%84-%ED%92%88%EB%8B%A4-130x122cm-Mixed-media-carbonization-on-wood-2019-966x1024.jpg 966w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B9%80%EB%8D%95%EC%9A%A9_%ED%98%84-%EB%8B%AC%EC%9D%84-%ED%92%88%EB%8B%A4-130x122cm-Mixed-media-carbonization-on-wood-2019-141x150.jpg 141w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B9%80%EB%8D%95%EC%9A%A9_%ED%98%84-%EB%8B%AC%EC%9D%84-%ED%92%88%EB%8B%A4-130x122cm-Mixed-media-carbonization-on-wood-2019-768x814.jpg 768w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B9%80%EB%8D%95%EC%9A%A9_%ED%98%84-%EB%8B%AC%EC%9D%84-%ED%92%88%EB%8B%A4-130x122cm-Mixed-media-carbonization-on-wood-2019-1449x1536.jpg 1449w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-5699\" class=\"wp-caption-text\">Kim Duck young_\u7384 &#8211; Moon jar, 130x122cm, Mixed media carbonization on wood, 2019<\/figcaption><\/figure>\n<p>Kim Duck young reveals the time the moon jar holds through the tree. He carved the moon jar on the traces of time piled up in the grain of wood. The time and emotions of pottery were planted by digging into the tree&#8217;s bonds. Kim Deok-yong shows that the sign of the moon jar is flowing away from the signifier of ceramics and is becoming conceptualized.<\/p>\n<figure id=\"attachment_5700\" aria-describedby=\"caption-attachment-5700\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5700\" src=\"https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B9%80%EC%9A%A9%EC%A7%84_%E6%B0%A3%EB%A1%9C-%EA%B0%80%EB%93%9D%ED%95%9C-%E5%99%A8-106x106cm-.jpg\" alt=\"\" width=\"750\" height=\"747\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B9%80%EC%9A%A9%EC%A7%84_%E6%B0%A3%EB%A1%9C-%EA%B0%80%EB%93%9D%ED%95%9C-%E5%99%A8-106x106cm-.jpg 2492w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B9%80%EC%9A%A9%EC%A7%84_%E6%B0%A3%EB%A1%9C-%EA%B0%80%EB%93%9D%ED%95%9C-%E5%99%A8-106x106cm--300x300.jpg 300w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B9%80%EC%9A%A9%EC%A7%84_%E6%B0%A3%EB%A1%9C-%EA%B0%80%EB%93%9D%ED%95%9C-%E5%99%A8-106x106cm--1024x1020.jpg 1024w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B9%80%EC%9A%A9%EC%A7%84_%E6%B0%A3%EB%A1%9C-%EA%B0%80%EB%93%9D%ED%95%9C-%E5%99%A8-106x106cm--150x150.jpg 150w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B9%80%EC%9A%A9%EC%A7%84_%E6%B0%A3%EB%A1%9C-%EA%B0%80%EB%93%9D%ED%95%9C-%E5%99%A8-106x106cm--768x765.jpg 768w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B9%80%EC%9A%A9%EC%A7%84_%E6%B0%A3%EB%A1%9C-%EA%B0%80%EB%93%9D%ED%95%9C-%E5%99%A8-106x106cm--1536x1530.jpg 1536w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B9%80%EC%9A%A9%EC%A7%84_%E6%B0%A3%EB%A1%9C-%EA%B0%80%EB%93%9D%ED%95%9C-%E5%99%A8-106x106cm--2048x2041.jpg 2048w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-5700\" class=\"wp-caption-text\">Kim Young jin_Vessels full of spirit, 106x106cm, Wire on canvas, 2020<\/figcaption><\/figure>\n<p>Kim Young jin has implemented moon jar with metal pin. More than tens of thousands of pins are twisted and planted one by one to create the moon jar in a flat three-dimensional form. It looks like a ceramic shape due to optical illusion but it has nothing to do with ceramics. The image of the moon jar is independent of its material properties and reveals its presence on its own.<\/p>\n<figure id=\"attachment_5701\" aria-describedby=\"caption-attachment-5701\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5701\" src=\"https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B9%80%ED%8C%90%EA%B8%B0_7023-%ED%8F%AD43x%EB%86%92%EC%9D%B442.jpg\" alt=\"\" width=\"750\" height=\"773\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B9%80%ED%8C%90%EA%B8%B0_7023-%ED%8F%AD43x%EB%86%92%EC%9D%B442.jpg 1924w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B9%80%ED%8C%90%EA%B8%B0_7023-%ED%8F%AD43x%EB%86%92%EC%9D%B442-291x300.jpg 291w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B9%80%ED%8C%90%EA%B8%B0_7023-%ED%8F%AD43x%EB%86%92%EC%9D%B442-993x1024.jpg 993w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B9%80%ED%8C%90%EA%B8%B0_7023-%ED%8F%AD43x%EB%86%92%EC%9D%B442-145x150.jpg 145w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B9%80%ED%8C%90%EA%B8%B0_7023-%ED%8F%AD43x%EB%86%92%EC%9D%B442-768x792.jpg 768w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EA%B9%80%ED%8C%90%EA%B8%B0_7023-%ED%8F%AD43x%EB%86%92%EC%9D%B442-1490x1536.jpg 1490w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-5701\" class=\"wp-caption-text\">Kim Pan ki_Moon jar, 42x43cm, Ceramic, 2021<\/figcaption><\/figure>\n<figure id=\"attachment_5702\" aria-describedby=\"caption-attachment-5702\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5702\" src=\"https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EC%9D%B4%EC%9A%A9%EC%88%9C_55cmx55cm.jpg\" alt=\"\" width=\"750\" height=\"694\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EC%9D%B4%EC%9A%A9%EC%88%9C_55cmx55cm.jpg 2500w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EC%9D%B4%EC%9A%A9%EC%88%9C_55cmx55cm-300x277.jpg 300w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EC%9D%B4%EC%9A%A9%EC%88%9C_55cmx55cm-1024x947.jpg 1024w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EC%9D%B4%EC%9A%A9%EC%88%9C_55cmx55cm-150x139.jpg 150w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EC%9D%B4%EC%9A%A9%EC%88%9C_55cmx55cm-768x710.jpg 768w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EC%9D%B4%EC%9A%A9%EC%88%9C_55cmx55cm-1536x1420.jpg 1536w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EC%9D%B4%EC%9A%A9%EC%88%9C_55cmx55cm-2048x1894.jpg 2048w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-5702\" class=\"wp-caption-text\">Lee Yong soon_Moon jar, 55cmx55cm, Ceramic, 2021<\/figcaption><\/figure>\n<p>The moon jar boom, which began in the early 2000s, is now at its peak. Kim Pan ki and Lee Yong soon are representative artists who want to approach the moon jar as a reality. It is to show the moon jar that has gone back more than 200 years.<\/p>\n<figure id=\"attachment_5703\" aria-describedby=\"caption-attachment-5703\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5703\" src=\"https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EC%B5%9C%EC%98%81%EC%9A%B1_Karma-20191-17_135x120cm.jpg\" alt=\"\" width=\"750\" height=\"845\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EC%B5%9C%EC%98%81%EC%9A%B1_Karma-20191-17_135x120cm.jpg 2072w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EC%B5%9C%EC%98%81%EC%9A%B1_Karma-20191-17_135x120cm-266x300.jpg 266w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EC%B5%9C%EC%98%81%EC%9A%B1_Karma-20191-17_135x120cm-909x1024.jpg 909w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EC%B5%9C%EC%98%81%EC%9A%B1_Karma-20191-17_135x120cm-133x150.jpg 133w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EC%B5%9C%EC%98%81%EC%9A%B1_Karma-20191-17_135x120cm-768x865.jpg 768w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EC%B5%9C%EC%98%81%EC%9A%B1_Karma-20191-17_135x120cm-1364x1536.jpg 1364w, https:\/\/static-edge.kiaf.org\/web\/2021\/07\/19003231\/%EC%B5%9C%EC%98%81%EC%9A%B1_Karma-20191-17_135x120cm-1818x2048.jpg 1818w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-5703\" class=\"wp-caption-text\">Choi Young wook_Karma 20191-17_135x120cm, Mixed media on canvas, 2021<\/figcaption><\/figure>\n<p>Choi Young wook gives a strong meaning to &#8220;Bing-ryul (\u6c37\u88c2),&#8221; a fine crack on the surface of a moon jar. It shows the metaphor for human life, which revolves around in the relationships and relationships of people who are woven like threads, through the surface of the moon jar. Bing-ryul occurs and disappears depending on the temperature of the glaze on the surface of the pottery, but it also occurs over time.<\/p>\n<p>Bernard Richie called the moon jar in the Korean Pavilion of the British Museum &#8220;natural unconsciousness,&#8221; while Choi Soon woo called it &#8220;immature and innocent beauty,&#8221; and &#8220;an quiet beauty&#8221; and &#8220;loose eldest daughter-in-law and slow&#8221; because of the irreproachable taste of the circle. Yoo Hong-joon also called it &#8220;the height of Korean beauty.&#8221; Most of these expressions are embodied in the basic logic and language of folklore advocated by Yanagi Munayoshi. These expressions come from the tradition of aesthetic standardization of the simple, natural world of &#8220;inorganic techniques&#8221; based on the strident feeling of Lao Tzu&#8217;s &#8220;daegyo-jok.&#8221; Artists such as Ko Young hoon and Koo Bohn chang are crossing the boundaries of Korean beauty defined by Munayoshi, realizing their contemporary artistic vision by formally accepting objects from more than 200 years ago called moon jars, just as Picasso or Matisse achieved new formative innovations through Africa&#8217;s primitive masks or medieval arabesque patterns.<\/p>\n<p>Kim Woong gi (Art Criticism)<\/p>\n<p>gallery NoW<br \/>\n16, Eonju-ro 152-gil, Gangnam-gu, Seoul, Korea<br \/>\n+82 2 725 2930<\/p>\n<p><a href=\"http:\/\/gallery-now.com\/new_html\/intro.htm\" target=\"_blank\" rel=\"noopener noreferrer\">WEB<\/a>\u00a0 \u00a0 \u00a0<a href=\"https:\/\/www.instagram.com\/gallerynowseoul\/\" target=\"_blank\" rel=\"noopener noreferrer\">INSTAGRAM<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","categories":[50,51],"class_list":["post-5695","insights","type-insights","status-publish","hentry","category-insight","category-stories"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ko","en"],"languages":{"ko":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights\/5695","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights"}],"about":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/types\/insights"}],"wp:attachment":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/media?parent=5695"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/categories?post=5695"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}