{"id":56764,"date":"2025-10-20T10:41:59","date_gmt":"2025-10-20T01:41:59","guid":{"rendered":"https:\/\/kiaf.org\/?post_type=insights&#038;p=56764"},"modified":"2025-11-10T10:27:41","modified_gmt":"2025-11-10T01:27:41","slug":"the-beauty-of-nostalgia","status":"publish","type":"insights","link":"https:\/\/kiaf.org\/en\/insights\/56764","title":{"rendered":"The Beauty of Nostalgia"},"content":{"rendered":"<p>Lee Hyun Joung<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-56890\" src=\"https:\/\/static-edge.kiaf.org\/web\/2025\/10\/10102533\/Installation-View-1-1.jpg\" alt=\"\" width=\"600\" height=\"450\" \/><\/p>\n<div style=\"text-align: center;\"><em>Installation View (1)<\/em><\/div>\n<div style=\"text-align: justify;\">The Columns Gallery Singapore is pleased to present The Beauty of Nostalgia, a solo exhibition by Korean artist Lee Hyun Joung (b. 1972, Korea), who currently lives and works in Paris, France. Lee invites viewers into a poetic realm where Korean ink on traditional mulberry paper, known as hanji, becomes a profound medium to explore nature, spirituality, and memory. Her delicate compositions expand the expressive possibilities of this material, creating works that evoke both personal reflection and shared cultural resonance.<\/div>\n<div style=\"text-align: justify;\">Following her Singapore debut in January 2024, this exhibition marks Lee\u2019s second solo presentation in the city, deepening her dialogue with Southeast Asian audiences and reaffirming her exploration of time, tradition, and the enduring beauty of nostalgia.<\/div>\n<div>\u00a0<\/div>\n<div style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-56891\" src=\"https:\/\/static-edge.kiaf.org\/web\/2025\/10\/10102534\/Installation-View-2-1.jpg\" alt=\"\" width=\"600\" height=\"450\" \/><\/div>\n<div style=\"text-align: center;\"><em>Installation View 2<\/em><\/div>\n<div style=\"text-align: justify;\">In her painting Great Paths, Lee transcends mere visual aesthetics, unfolding layers of meaning that rekindle dormant historical narratives. Through this work, she offers an intimate and spiritually evocative journey that bridges personal reflection with collective heritage.<\/div>\n<div style=\"text-align: justify;\">Central to her approach is the decision to preserve hanji\u2019s natural relief rather than compressing it. Upon this living surface, she inscribes intricate lines that accentuate and intersect with the paper\u2019s organic architecture, imbuing her works with a dreamlike, almost otherworldly quality. Her compositions evoke the contours of mountains, the rise of geological formations, and the tactile memory of landscapes shaped over time.<\/div>\n<div>\u00a0<\/div>\n<div style=\"text-align: justify;\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-56892 aligncenter\" src=\"https:\/\/static-edge.kiaf.org\/web\/2025\/10\/10102535\/Installation-View-3-1.jpg\" alt=\"\" width=\"600\" height=\"450\" \/><\/p>\n<\/div>\n<div style=\"text-align: center;\"><em>Installation View 3<\/em><\/div>\n<div style=\"text-align: justify;\">Drawn in rhythm with her body, Lee\u2019s lines swell and recede like breath, resembling musical staves or tidal ripples left by the sea\u2019s retreat. For Lee, these forms represent life\u2019s cyclical journey\u2014less a fixed state than a perpetual passage. At once universal and deeply personal, they embody her own narrative while resonating with the shared experience of all who encounter them.<\/div>\n<div>\u00a0<\/div>\n<div style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-56893\" src=\"https:\/\/static-edge.kiaf.org\/web\/2025\/10\/10102536\/Installation-View-4-1.jpg\" alt=\"\" width=\"600\" height=\"450\" \/><\/div>\n<div style=\"text-align: center;\"><em>Installation View 4<\/em><\/div>\n<div style=\"text-align: justify;\">Lee meticulously creates each sheet of hanji by hand. The meditative process of extracting fibers from the inner bark of the mulberry tree and transforming them into paper is not merely preparatory but foundational to her art. As she separates and layers the fibers, forms begin to surface in her consciousness, allowing the material itself to guide the genesis of each work.<\/div>\n<div>\u00a0<\/div>\n<div>The Columns Gallery<\/div>\n<div>22 Lock Road, Gillman Barracks #01 &#8211; 35 Singapore 108939<\/div>\n<div>+65 9030 7647<\/div>\n<div>\n<p><a href=\"http:\/\/www.columnsgallery.com\/\" target=\"_blank\" rel=\"noopener\">WEB<\/a>\u00a0 \u00a0 \u00a0<a href=\"https:\/\/www.instagram.com\/thecolumnsgallery\/\" target=\"_blank\" rel=\"noopener\">Instagram<\/a>\u00a0 \u00a0 \u00a0<a href=\"https:\/\/www.youtube.com\/channel\/UCoAAsjqMFRzCgJcb3eYesIw\" target=\"_blank\" rel=\"noopener\">YouTube<\/a>\u00a0 \u00a0 \u00a0<a href=\"https:\/\/www.artsy.net\/partner\/the-columns-gallery\" target=\"_blank\" rel=\"noopener\">Artsy<\/a><\/p>\n<\/div>\n","protected":false},"featured_media":0,"template":"","categories":[103,50,51],"class_list":["post-56764","insights","type-insights","status-publish","hentry","category-highlights","category-insight","category-stories"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ko","en"],"languages":{"ko":{"title":true,"content":false,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights\/56764","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights"}],"about":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/types\/insights"}],"wp:attachment":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/media?parent=56764"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/categories?post=56764"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}