![\"\"](\"https:\/\/static-edge.kiaf.org\/web\/2025\/05\/15172620\/1-1.jpg\")
<\/p>\nMOON Insoo<\/p>\n
Hyeonryul \u73fe\u5f8b: The Logic of the Present, the Paradigm of the Now<\/p>\n
For the artist, expression is a part of daily life.
\nAn artwork is not merely the result of physical or chemical processes that fill the canvas with materials and techniques\u2014it emerges from everyday experiences such as breathing and thinking.
\nArt, therefore, goes beyond reproducing aesthetic or societal demands; it is a personal impulse and playful effort to saturate everyday life.
\nFurthermore, rather than asserting ambiguity, the artwork communicates meaning through its very presence to contemporary viewers.
\nUltimately, through the act of viewing, art becomes a natural part of the audience\u2019s own daily life\u2014this transformation is the true artistic act.<\/p>\n
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Installation View (1)<\/em><\/p>\n Moon In-soo\u2019s interpretation of the value of virtue lies in harmonizing the internal and external realms, thereby leveling their artistic significance. Moon Insoo, Hyunryul, 2025, 90.9×72.7cm ,Mixed media<\/em><\/p>\n Moon Insoo , (30\ud638) Hyunryul, mixed media, 2025<\/em><\/p>\n When the work fails to become a mirror, it risks remaining mere self-indulgence or being reduced to just one of countless discarded byproducts\u2014a self-directed warning. Moon Insoo , (30\ud638) Hyunryul, mixed media, 2025<\/em><\/p>\n Moon Insoo , (30\ud638) Hyunryul, 2025,90.9×72.7cm, Mixed media<\/em><\/p>\n Just as Richard Serra\u2019s simple yet powerful steel sculptures allow us to experience steel not merely as material, but as the \u201cminimum of form\u201d or the \u201cvitalization of the inanimate,\u201d Moon In-soo similarly evokes a sense of life through an inanimate approach\u2014eliciting the expectation of the living from the non-living.<\/p>\n \u00a0<\/p>\n Duru artspace WEB<\/a>\u00a0 \u00a0INSTAGRAM<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","categories":[50,51],"class_list":["post-50538","insights","type-insights","status-publish","hentry","category-insight","category-stories"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ko","en"],"languages":{"ko":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights\/50538","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights"}],"about":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/types\/insights"}],"wp:attachment":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/media?parent=50538"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/categories?post=50538"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nThe equations\u2014artist and society, art and society, artist and art\u2014are fundamentally fair, with no single element outweighing the others as a more substantial or realistic subject matter.
\nFrom this, we can begin to clearly understand Moon In-soo\u2019s perspective: that artistic practice must serve as a mirror to both the artist and society.<\/p>\n![\"\"](\"https:\/\/static-edge.kiaf.org\/web\/2025\/05\/15172618\/2.-%ED%98%84%EC%9C%A8202590.9x72.7cmMixed-media.png\")
<\/p>\n![\"\"](\"https:\/\/static-edge.kiaf.org\/web\/2025\/05\/15172617\/3.-Moon-Insoo-30%ED%98%B8-Hyunryul-mixed-media-2025-4.jpg\")
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\nMoon In-soo conveys this conviction not through direct speech but through a highly symbolic and intuitive approach.
\nHis rebar-and-concrete works did not begin with a clearly defined purpose. Rather, he likely felt a sense of awe toward the grandeur and facade of architectural structures, and the dull tones and rust stains of the exposed rebar added a sense of gritty realism.
\nThough cement and rebar are seemingly incompatible materials, they exist with a clear presence\u2014each bearing its own meaning and supporting the other. From the space between them emerges the human experience, shaped through diverse forms of life.
\nHis works originate from a highly grounded mode of thinking\u2014rooted in the immediacy of the lived world. This condition provides the artist with a direct and powerful motivation for creation.
\nThus, his works exist not as objects with a distinct \u201cscent,\u201d but rather as odorless masses. Though composed of mineral materials, they are mountain-like\u2014unyielding and ever-standing, refusing to adapt or change with the seasons. Simply standing tall is enough.<\/p>\n![\"\"](\"https:\/\/static-edge.kiaf.org\/web\/2025\/05\/15172616\/4.-Moon-Insoo-30%ED%98%B8-Hyunryul-mixed-media-2025-5.jpg\")
<\/p>\n![\"\"](\"https:\/\/static-edge.kiaf.org\/web\/2025\/05\/15172615\/5.-%ED%98%84%EC%9C%A8202590.9x72.7cmMixed-media.jpg\")
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\n5, Jahamun-ro 45-gil, Jongno-gu, Seoul, South Korea
\n02 720 0345<\/p>\n