{"id":50233,"date":"2025-05-02T13:56:39","date_gmt":"2025-05-02T04:56:39","guid":{"rendered":"https:\/\/kiaf.org\/?post_type=insights&#038;p=50233"},"modified":"2025-05-02T13:56:54","modified_gmt":"2025-05-02T04:56:54","slug":"chroma-of-emotions","status":"publish","type":"insights","link":"https:\/\/kiaf.org\/en\/insights\/50233","title":{"rendered":"Chroma of Emotions"},"content":{"rendered":"<p>Kim Yeunho \u00b7 Kim Bomin \u00b7 MinjungSee<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-50236\" src=\"https:\/\/static-edge.kiaf.org\/web\/2025\/05\/02134358\/%EA%B0%90%EC%A0%952.jpg\" alt=\"\" width=\"600\" height=\"400\" \/><\/p>\n<p style=\"text-align: center;\"><em>Installation View (1)<\/em><\/p>\n<p style=\"text-align: justify;\">There are colors to every emotion\u2014subtle tones that shift, deepen, and fade with time. In Chroma of Emotions, three artists trace those delicate changes, each unfolding their inner worlds through color, form, and quiet reflection.<\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-50234\" src=\"https:\/\/static-edge.kiaf.org\/web\/2025\/05\/02134356\/%EA%B0%90%EC%A0%953.jpg\" alt=\"\" width=\"600\" height=\"400\" \/><\/p>\n<p style=\"text-align: center;\"><em>Installation View (2)<\/em><\/p>\n<p style=\"text-align: justify;\">Kim Bomin walks through the stillness of the city, capturing solitude not as absence, but as presence. Her geometric spaces and distant figures echo the rhythm of everyday life\u2014restrained, yet filled with unspoken emotion. Her colors do not shout, but linger\u2014measured and evocative.<\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-50237\" src=\"https:\/\/static-edge.kiaf.org\/web\/2025\/05\/02134359\/%EA%B0%90%EC%A0%954.jpg\" alt=\"\" width=\"600\" height=\"400\" \/><\/p>\n<p style=\"text-align: center;\"><em>Installation View (3)<\/em><\/p>\n<p style=\"text-align: justify;\">Kim Yeunho paints from memory and from the soft edge of anxiety, where healing begins. With images of lotus ponds, glowing streetlamps, and imagined landscapes, she creates a world where light gently dissolves fear. Her palette becomes a language of calm, guiding both artist and viewer toward quiet restoration.<\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-50237\" src=\"https:\/\/static-edge.kiaf.org\/web\/2025\/05\/02134359\/%EA%B0%90%EC%A0%954.jpg\" alt=\"\" width=\"600\" height=\"400\" \/><\/p>\n<p style=\"text-align: center;\"><em>Installation View (4)<\/em><\/p>\n<p style=\"text-align: justify;\">MinjungSee turns her gaze to the ephemeral\u2014the light that slips through curtains, the hush of passing time. She gathers fragments of the everyday and sets them into delicate compositions, where what nearly disappears becomes visible again. Her work is a whisper, inviting us to slow down and feel what we often overlook.\u00a0<\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-50235\" src=\"https:\/\/static-edge.kiaf.org\/web\/2025\/05\/02134357\/%EA%B0%90%EC%A0%956.jpg\" alt=\"\" width=\"600\" height=\"400\" \/><\/p>\n<p style=\"text-align: center;\"><em>Installation View (5)<\/em><\/p>\n<p style=\"text-align: justify;\">Together, the three artists offer us a chromatic map of feeling\u2014subtle, lyrical, and deeply human. Chroma of Emotions invites you to enter their shared space of sensitivity, and to rediscover the colors of your own emotional landscape.<\/p>\n<p>&nbsp;<\/p>\n<div>\n<div>DASUN Gallery<\/div>\n<\/div>\n<div>44-18 Yangji Village 4-ro, Gwacheon-si, Gyeonggi-do<\/div>\n<div>02-502-6535<\/div>\n","protected":false},"featured_media":0,"template":"","categories":[50,51],"class_list":["post-50233","insights","type-insights","status-publish","hentry","category-insight","category-stories"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ko","en"],"languages":{"ko":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights\/50233","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights"}],"about":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/types\/insights"}],"wp:attachment":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/media?parent=50233"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/categories?post=50233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}