{"id":42971,"date":"2024-07-02T13:11:29","date_gmt":"2024-07-02T04:11:29","guid":{"rendered":"https:\/\/kiaf.org\/?post_type=insights&#038;p=42971"},"modified":"2024-07-02T13:28:13","modified_gmt":"2024-07-02T04:28:13","slug":"wait-here","status":"publish","type":"insights","link":"https:\/\/kiaf.org\/en\/insights\/42971","title":{"rendered":"Wait Here"},"content":{"rendered":"<p>Lee Maxey<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-42977\" src=\"https:\/\/static-edge.kiaf.org\/web\/2024\/07\/02113032\/Installation-View-2.jpg\" alt=\"\" width=\"600\" height=\"450\" \/><\/p>\n<p><em>Installation view, Lee Maxey, &#8216;Wait Here&#8217;, Olympia, Courtesy Olympia<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-42981\" src=\"https:\/\/static-edge.kiaf.org\/web\/2024\/07\/02130123\/Installation-View-1-1.jpg\" alt=\"\" width=\"600\" height=\"450\" \/><\/p>\n<p><em>Installation view, Lee Maxey, &#8216;Wait Here&#8217;, Olympia, Courtesy Olympia<\/em><\/p>\n<p>Olympia is pleased to announce<em> Wait Here<\/em>, a solo exhibition of fifteen new egg tempera paintings and an artist&#8217;s book by Lee Maxey. This is Maxey&#8217;s second solo exhibition with Olympia. Paranoia underlies Maxey&#8217;s new body of work. Painted in a matter-of-fact naturalism, ordinary objects are filled with an ambiguous, authoritative presence. Games like pick-up sticks and tricky triangle correlate with the weight and composition of religious iconography, while the unsetting gaze of a blood-eyed pigeon encourages us to decipher hidden messages in the work.\u00a0<\/p>\n<p>Olympia<br \/>\n41 Orchard Street,\u00a0New York, USA<br \/>\n+1 917 628 7250<\/p>\n<p><a href=\"http:\/\/www.olympiart.org\" target=\"_blank\" rel=\"noopener\">WEBSITE<\/a> <a href=\"https:\/\/www.instagram.com\/olympiartz?igsh=dWhpZ2RkcWU2M3hj\" target=\"_blank\" rel=\"noopener\">INSTAGRAM<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","categories":[50,51],"class_list":["post-42971","insights","type-insights","status-publish","hentry","category-insight","category-stories"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ko","en"],"languages":{"ko":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights\/42971","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights"}],"about":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/types\/insights"}],"wp:attachment":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/media?parent=42971"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/categories?post=42971"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}