{"id":41592,"date":"2024-06-25T17:17:46","date_gmt":"2024-06-25T08:17:46","guid":{"rendered":"https:\/\/kiaf.org\/?post_type=insights&#038;p=41592"},"modified":"2024-07-19T16:12:09","modified_gmt":"2024-07-19T07:12:09","slug":"the-female-gaze-der-weibliche-blick","status":"publish","type":"insights","link":"https:\/\/kiaf.org\/en\/insights\/41592","title":{"rendered":"The Female Gaze | Der weibliche Blick"},"content":{"rendered":"<p>Lita Cabellut, Beate Debus, Sonja Edle von Hoe\u00dfle, Amy Ernst, Leonor Fini, Regina G\u00f6tz, Chunqing Huang, Kim Du Rye, Monika Linhard, Rissa, Ann-Christine Woehrl, Cathalijn Wouters<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-42749\" src=\"https:\/\/static-edge.kiaf.org\/web\/2024\/06\/25171154\/Installation-view-THE-FEMALE-GAZE-at-DIE-GALERIE-works-by-Ann-Chrisitne-Woehrl.jpg\" alt=\"\" width=\"5080\" height=\"2858\" \/><\/p>\n<p><em>Installation View of &#8216;THE FEMALE GAZE&#8217; at DIE GALERIE, works by Ann-Chrisitne Woehrl<\/em><\/p>\n<p>With the exhibition The Female Gaze, DIE GALERIE encourages the viewer to venture a change of perspective. The group exhibition featuring twelve female artists draws the attention to female positions in art. The &#8220;female gaze&#8221; can be understood as a term for a women-specific view both in terms of art production and in relation to the representation of women in art.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-42750\" src=\"https:\/\/static-edge.kiaf.org\/web\/2024\/06\/25171315\/Lita-Cabelut_Mine_2023_Mixed-media-on-canvas_115x100-cm.jpg\" alt=\"\" width=\"600\" height=\"690\" \/><\/p>\n<p><em>Lita Cabelut, Mine, 2023, Mixed media on canvas, 115&#215;100 cm<\/em><\/p>\n<p>The international exhibition presents sculptures by Beate Debus and Sonja Edle von Hoe\u00dfle, an installation by Monika Linhard, photographs by Ann-Christine Woehrl as well as paintings and drawings by Rissa, Chunqing Huang, Kim Du Rye, Lita Cabellut, Cathalijn Wouters, Regina G\u00f6tz, Amy Ernst and Leonor Fini. The juxtaposition of female artists from the gallery with new faces brings together a wide range of different styles, materials and techniques; abstraction and figuration interact with each other and result into new, surprising synergies.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-42751\" src=\"https:\/\/static-edge.kiaf.org\/web\/2024\/06\/25171426\/Cathalijn_Wouters_The-Scent-Of-A-Woman-Like-The-Scent-Of-A-Rose_2015_20-Drawings-Camouflaged-on-Linnen_190-x160.jpg\" alt=\"\" width=\"600\" height=\"725\" \/><\/p>\n<p><em>Cathalijn Wouters, The Scent Of A Woman Like The Scent Of A Rose, 2015, 20 Drawings Camouflaged on Linnen, 190 x160<\/em><\/p>\n<p>Also thematically, the involved artists express individual positions: From the investigation of self-identity to the exploration of the female body in painting and sculpture, from the connection with nature and the environment to the examination of foreign civilisations and socially sensitive women&#8217;s topics all the way to self-expression through gestural abstraction, each artist directs her attention to very individual fields of interest. The abundance of artistic media in which the artists express their creativity contributes to an extremely diverse and multifaceted presentation. The exhibition at DIE GALERIE reflects the richness and versatility of female art and clearly demonstrates that there is no such thing as a singular &#8220;female gaze&#8221;.<\/p>\n<p>&nbsp;<\/p>\n<p>DIE GALERIE<br \/>\nGr\u00fcneburgweg 123, 60323 Frankfurt am Main<br \/>\n+49 69 97 14 71 0<\/p>\n<p><a href=\"http:\/\/www.die-galerie.com\" target=\"_blank\" rel=\"noopener\">WEBSITE<\/a>\u00a0 <a href=\"https:\/\/www.instagram.com\/die_galerie_\/\" target=\"_blank\" rel=\"noopener\">INSTAGRAM<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","categories":[50,51],"class_list":["post-41592","insights","type-insights","status-publish","hentry","category-insight","category-stories"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ko","en"],"languages":{"ko":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights\/41592","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights"}],"about":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/types\/insights"}],"wp:attachment":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/media?parent=41592"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/categories?post=41592"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}