![\"\"](\"https:\/\/static-edge.kiaf.org\/web\/2024\/05\/04164230\/%EA%B0%A4%EB%9F%AC%EB%A6%AC-%ED%94%BC%EC%B9%98-%EA%B7%B8%EB%A3%B9%EC%A0%84-%EB%AC%B4%EC%96%B8%EC%9D%98-%EB%8C%80%ED%99%94-%EC%A0%84%EC%8B%9C%EC%A0%84%EA%B2%BD-1-1.jpg\")
<\/p>\nHiroshi Onishi, Yiryang Oh, Oan Kyu, Toshiro Yamaguchi, Shinduk Kang<\/p>\n
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Installation View of ‘Dialogues Beyond Words’<\/em><\/p>\n “Dialogues Beyond Words” presents a curated collection of profound artworks by five distinctive artists: Toshiro Yamaguchi (b. 1956), Onishi Hiroshi (b. 1961-2011), Yiyang Oh (b. 1962), Shinduk Kang(b.1952) and Oan Kyu (b. 1953). This exhibition focuses on the non-verbal, contemplative interactions between the artworks and the viewers, emphasizing the silent yet powerful exchange of ideas and emotions. Each piece delves into abstract interpretations, the tactile nature of art, and the emotional or philosophical explorations communicated through colors, textures, and forms. Together, these works manifest “Dialogues Beyond Words,” as they communicate their essence through visual language alone\u2014conveying emotions, thoughts, and narratives without uttering a single word. This exhibition invites you to immerse yourself in the silent conversations between the artworks and discover the powerful language of art that transcends spoken words.<\/p>\n Oan Kyu,Earlier than Writing, 2008, Ink drawing, Hanji on Panel, 68x120x1.5cm<\/em><\/p>\n Oan Kyu (b. 1953, lives and works in Italy) Yiryang Oh, Existence-wave, b&g.07, 2007, Silicone on canvas, 61x61cm<\/em><\/p>\n Yiryang Oh (b. 1962, lives and works in Korea) Toshiro Yamaguchi, Voice of silence, 2010, Mixed media, 92x92cm<\/em><\/p>\n Toshiro Yamaguchi (b. 1956, lives and works in Spain) Hiroshi Onishi, View of remembrance, 2004, lapis lazuli on canvas, 163x194cm<\/em><\/p>\n Hiroshi Onishi (b. 1961-2011) Shinduk Kang, Ocean, 2011, Stainless steel, 83x30x25cm<\/em><\/p>\n Shinduk Kang (b. 1952, lives and works in Korea) Galerie PICI WEBSITE<\/a>\u00a0 \u00a0\u00a0INSTAGRAM<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","categories":[50,51],"class_list":["post-41112","insights","type-insights","status-publish","hentry","category-insight","category-stories"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ko","en"],"languages":{"ko":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights\/41112","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights"}],"about":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/types\/insights"}],"wp:attachment":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/media?parent=41112"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/categories?post=41112"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/static-edge.kiaf.org\/web\/2024\/05\/04164253\/Oan-KyuEarlier-than-Writing2008Ink-drawing-Hanji-on-Panel68x120x1.5cm.jpg\")
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\n“Earlier than Writing” by Oan Kyu features an intricate array of hand-drawn lines that undulate across a textured, cream-colored background. The lines form rhythmic, wave-like patterns, interrupted occasionally by blotches that resemble ink drops, suggesting an element of human involvement and the unpredictable nature of prehistoric markings. These variations add an organic touch, embodying the exhibition’s theme of silent, visual communication.<\/p>\n![\"\"](\"https:\/\/static-edge.kiaf.org\/web\/2024\/05\/04164409\/Yiryang-Oh-Existence-wave-bg.07-2007-Silicone-on-canvas-61x61cm-1.jpg\")
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\n“Existence Wave” by Yiryang Oh explores the philosophical essence of existence through wave-like textures on contrasting vibrant and muted panels. This artwork represents the continual flux of life’s energies, visualizing different states of being and offering a metaphor for the spectrum of human experiences, aligning seamlessly with the exhibition’s focus on non-verbal expressions.<\/p>\n![\"\"](\"https:\/\/static-edge.kiaf.org\/web\/2024\/05\/04164441\/Toshiro-Yamaguchi-Voice-of-silence-2010-Mixed-media-92x92cm-1.jpg\")
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\n“Voice of Silence” by Toshiro Yamaguchi presents contrasting canvases\u2014 one dark with a textured, grid-like pattern and another off-white with a tactile surface showing signs of wear. This juxtaposition evokes a sense of history and the passage of time, reflecting the silent dialogue theme by conveying deep, meditative qualities through simple yet profound visual languages.<\/p>\n![\"\"](\"https:\/\/static-edge.kiaf.org\/web\/2024\/05\/04164533\/Hiroshi-Onishi-View-of-remembrance-2004-lapis-lazuli-on-canvas-163x194cm.jpeg\")
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\n“View of Remembrance” by Hiroshi Onishi captures an ethereal scene of delicate, intertwining branches in ghostly white and blue hues, creating a sense of depth and complexity. The artwork invites quiet introspection, perfectly encapsulating the serene and contemplative mood ideal for the exhibition’s theme of transcending spoken word through art.<\/p>\n![\"\"](\"https:\/\/static-edge.kiaf.org\/web\/2024\/05\/04164621\/Shinduk-Kang-Ocean-2011-Stainless-steel-83x30x25cm-1.jpg\")
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\n“Ocean” by Shinduk Kang is a stainless steel sculpture that abstracts the human form into fluid, reflective contours reminiscent of water. Its polished surface not only mirrors its surroundings but also encourages viewers to contemplate the interconnectedness of human and natural elements. This sculpture’s dynamic form and reflective quality offer an interactive experience, inviting silent yet profound exchanges between the art and its audience.<\/p>\n
\nPICI Bldg, 25, Dosan-daero 87-gil, Gangnam-gu, Seoul, Korea
\n02-512-2443<\/p>\n