{"id":40404,"date":"2024-04-22T11:58:27","date_gmt":"2024-04-22T02:58:27","guid":{"rendered":"https:\/\/kiaf.org\/?post_type=insights&#038;p=40404"},"modified":"2024-04-22T11:58:41","modified_gmt":"2024-04-22T02:58:41","slug":"the-builders","status":"publish","type":"insights","link":"https:\/\/kiaf.org\/en\/insights\/40404","title":{"rendered":"THE BUILDERS"},"content":{"rendered":"<p>Michael Aschenbrenner, Jennifer Crescuillo, Amy Lemaire&amp;Nicolas Touron<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-40405\" src=\"https:\/\/static-edge.kiaf.org\/web\/2024\/04\/22205554\/a78ac81b-6a8c-7578-df40-c46942192322.jpg\" alt=\"\" width=\"600\" height=\"450\" \/><\/p>\n<p><em>Installation View of &#8216;The Builders&#8217; at SARAHCROWN\u00a0<\/em><\/p>\n<p>In a world increasingly dominated by technology, artificial intelligence and automation, &#8220;The Builders&#8221; offers refreshing food-for-thought\u2014a celebration of human ingenuity, tactile exploration, and material consciousness.\u00a0<strong>Curated by John Drury,\u00a0<\/strong>the exhibition presents\u00a0<strong>a diverse collection of DIY objects, mixed-medium works, and art made with the latest technological advancements in ceramic making<\/strong> that invite viewers to explore and reconsider what it means when something is hand-made in contemporary art.<\/p>\n<p>At the heart of the exhibition are the <strong>collaborative works of Amy Lemaire and Nicolas Touron.<\/strong>\u00a0Combining\u00a0<strong>three-dimensionally printed porcelain with flame-worked borosilicate glass<\/strong>, Lemaire &amp; Touron craft pieces that blur the boundaries between man-made and natural forms. Their intuitive approach to creation results in works that are both conceptually grounded and visually arresting.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-40406\" src=\"https:\/\/static-edge.kiaf.org\/web\/2024\/04\/22205651\/a1dc1e8a-dc21-cf87-41c6-1b8ef26058a0.jpg\" alt=\"\" width=\"600\" height=\"600\" \/><\/p>\n<p><em>Installation View of &#8216;The Builders&#8217; at SARAHCROWN <\/em><\/p>\n<p><strong>Michael Aschenbrenner&#8217;s<\/strong>\u00a0contributions to &#8220;The Builders&#8221; offer a\u00a0<strong>poignant reflection on the human condition.<\/strong>\u00a0Drawing from his experiences in the Vietnam War, Aschenbrenner&#8217;s assemblage works, particularly his\u00a0<em><strong>Damaged Bone Series<\/strong><\/em>, confront themes of inhumanity and fragility with a raw honesty. Yet, amidst the brutality, there is a\u00a0<strong>profound sense of hope and healing<\/strong>\u00a0permeating Aschenbrenner\u2019s creations.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-40407\" src=\"https:\/\/static-edge.kiaf.org\/web\/2024\/04\/22205800\/f1f2abfc-b55e-b1e3-6256-2c6e5af09494.jpg\" alt=\"\" width=\"600\" height=\"450\" \/><\/p>\n<p><strong>Jennifer Crescuillo&#8217;s<\/strong>\u00a0<strong>hand-built vessels<\/strong>\u00a0and\u00a0<strong>life-cast sculptures<\/strong>\u00a0serve as a testament to the enduring power of simplicity. Through her intuitive making process, Crescuillo captures moments of joy and nostalgia, inviting viewers to contemplate the<strong>\u00a0passage of time and the impermanence of technology<\/strong>. Her works serve as both a reflection and a reminder of the cyclical nature of creation and decay.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-40408\" src=\"https:\/\/static-edge.kiaf.org\/web\/2024\/04\/22205813\/c67d6c0b-2e8e-ac02-2d47-e31fb442f4b4.jpg\" alt=\"\" width=\"600\" height=\"542\" \/><\/p>\n<p><strong>&#8220;The Builders&#8221; is more than just an exhibition<\/strong>\u2014it&#8217;s a reflection of our collective desire to create, to connect, and to leave a lasting impact on the world. As we navigate an increasingly complex and digital landscape, the works presented here remind us of the enduring power of human hands and the profound beauty of intuitive making.<\/p>\n<p>SARAHCROWN<br \/>\n373 Broadway #215 New York, NY 10013.<br \/>\n+1 347-393-4911<\/p>\n<p><a href=\"http:\/\/www.sarahcrown.com\" target=\"_blank\" rel=\"noopener noreferrer\">WEB<\/a> \u00a0<a href=\"https:\/\/www.instagram.com\/sarahcrown_ny\/\" target=\"_blank\" rel=\"noopener noreferrer\">INSTAGRAM<\/a> \u00a0<a href=\"https:\/\/www.artsy.net\/partner\/sarahcrown-new-york-1\" target=\"_blank\" rel=\"noopener\">ARTSY<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","categories":[50,51],"class_list":["post-40404","insights","type-insights","status-publish","hentry","category-insight","category-stories"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ko","en"],"languages":{"ko":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights\/40404","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights"}],"about":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/types\/insights"}],"wp:attachment":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/media?parent=40404"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/categories?post=40404"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}