{"id":38267,"date":"2024-01-15T11:52:24","date_gmt":"2024-01-15T02:52:24","guid":{"rendered":"https:\/\/kiaf.org\/?post_type=insights&p=38267"},"modified":"2024-01-15T13:18:42","modified_gmt":"2024-01-15T04:18:42","slug":"artificial-emotions","status":"publish","type":"insights","link":"https:\/\/kiaf.org\/en\/insights\/38267","title":{"rendered":"ARTIFICIAL EMOTIONS"},"content":{"rendered":"

Li Shurui<\/h3>\n

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Exhibition Poster of ARTIFICAL EMOTIONS at Carl Kosty\u00e1l<\/em><\/h3>\n

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The study of light and color and their cultural connotations constitute the core of Li Shurui’s (b.1981, Chongqing) artistic practice. The artist is convinced that the use of light and color can embody, record, and shape individuals’ needs and spirituality in different cultures and times, which is also related to their collective ideology in a broader sense. In recent years, the artist has developed a more comprehensive system of work methods. Drawing from her life experiences, Li Shurui explores the boundaries of the painted medium, as well as the functional, social and political nature of light and color through a highly personal approach and its extended practice.<\/h3>\n

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Li Shurui, In Praise of Insects, acrylic on canvas, 160h x 250w cm<\/em><\/p>\n

Shurui\u2019s work has been exhibited in a number of group and solo exhibitions in major museums, including \u2018High Light: Splendor Worn Thin in the Recesses of Time\u2019, Long Art Museum, Shanghai (2021); \u2019An Interdisciplinary Exhibition: Spiritual Origin\u2019, Long Museum, Shanghai (2019); \u2018Constellation\u2019, Georgian National Museum, Georgia (2017); \u2018No Man\u2019s Land: Women Artists from the Rubell Family Collection\u2019, National Museum of Women in the Arts, Washington (2016). \u2018No Longer \/ Not Yet\u2019, Minsheng Art Museum, Shanghai, China (2015); \u201928 Chinese\u2019, Asian Art Museum, San Francisco, USA (2015).<\/p>\n

Shurui’s paintings are housed in the public collections of Fosun Foundation, Shanghai; DSL Collection, Paris; Domus Collection, Beijing; John Dodelande Collection, France; Long Art Museum, Shanghai; Sifang Art Museum, Shanghai; The Rubell Family Collection, US; The Estella Collection, US; and Ullens Collection, Beijing.<\/p>\n

CARL KOSTY\u00c1L LONDON
\n12a Savile Row, London W1S 3PQ<\/h3>\n

WEB<\/a>\u00a0 \u00a0 INSTAGRAM<\/a>\u00a0 \u00a0 Artsy<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","categories":[50,51],"class_list":["post-38267","insights","type-insights","status-publish","hentry","category-insight","category-stories"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ko","en"],"languages":{"ko":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights\/38267","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights"}],"about":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/types\/insights"}],"wp:attachment":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/media?parent=38267"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/categories?post=38267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}