{"id":37389,"date":"2023-12-06T16:20:12","date_gmt":"2023-12-06T07:20:12","guid":{"rendered":"https:\/\/kiaf.org\/?post_type=insights&#038;p=37389"},"modified":"2023-12-06T16:20:12","modified_gmt":"2023-12-06T07:20:12","slug":"some-books","status":"publish","type":"insights","link":"https:\/\/kiaf.org\/en\/insights\/37389","title":{"rendered":"SOME BOOKS"},"content":{"rendered":"<p>Simon Morley<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-37390 alignnone\" src=\"https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011156\/2023-Acrylic-on-canvas-53-x-41-cm-1024x683.jpg\" alt=\"\" width=\"640\" height=\"427\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011156\/2023-Acrylic-on-canvas-53-x-41-cm-1024x683.jpg 1024w, https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011156\/2023-Acrylic-on-canvas-53-x-41-cm-300x200.jpg 300w, https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011156\/2023-Acrylic-on-canvas-53-x-41-cm-150x100.jpg 150w, https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011156\/2023-Acrylic-on-canvas-53-x-41-cm-768x512.jpg 768w, https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011156\/2023-Acrylic-on-canvas-53-x-41-cm-1536x1024.jpg 1536w, https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011156\/2023-Acrylic-on-canvas-53-x-41-cm-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n<p><em>Song Art Gallery, Simon Morley \u201cSOME BOOKS\u201d exhibition, installation view, 2023<\/em><\/p>\n<p>All the works in this exhibition were made in Korea, where I have lived since 2010. They come from three on-going series. The \u2018Book-Paintings\u2019 are based on covers or title pages of real books which I hand paint in acrylic on rectangular canvases. These works consist of two simple physical properties: a geometric field of colour and a subtle variation in textures. Unlike in the original sources, the text is painted almost the same colour as the ground and is built up in painted layers to produce a relief effect. Another series in the exhibition are works on paper: the \u2018Paragraph-Painting\u2019 series. Here, I paint directly onto book or magazine pages, covering over paragraphs or verses of text or images with geometric areas of flat colour which are the shape and size of the printed area they conceal.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-37391 size-large alignnone\" src=\"https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011201\/Installation-view-2-1024x683.jpg\" alt=\"\" width=\"640\" height=\"427\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011201\/Installation-view-2-1024x683.jpg 1024w, https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011201\/Installation-view-2-300x200.jpg 300w, https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011201\/Installation-view-2-150x100.jpg 150w, https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011201\/Installation-view-2-768x512.jpg 768w, https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011201\/Installation-view-2-1536x1024.jpg 1536w, https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011201\/Installation-view-2-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n<p><em>Song Art Gallery, Simon Morley \u201cSOME BOOKS\u201d exhibition, installation view, 2023<\/em><\/p>\n<p>In this exhibition, the \u2018Book-Paintings\u2019 are selected from works celebrating great Western thinkers and writers of the late nineteenth and first half of the twentieth century: the philosopher Friedrich Nietzsche, the psychologists Sigmund Freud and Carl Jung, the poets T.S. Eliot and Rainer Maria Rilke, and the writer Albert Camus. A triptych of gold \u2018Book-Paintings\u2019 evokes the Western humanist tradition from which these thinkers and writers come. In the \u2019Paragraph-Paintings\u2019 the pages have been torn from the British Film Review for the year 1948 and conceal photographs of movie stars of the era.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-37394 alignnone\" src=\"https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011209\/Simon-Morley-Camus.-La-Peste1947-2023-Acrylic-on-canvas-53-x-41-cm-736x1024.jpg\" alt=\"\" width=\"640\" height=\"890\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011209\/Simon-Morley-Camus.-La-Peste1947-2023-Acrylic-on-canvas-53-x-41-cm-736x1024.jpg 736w, https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011209\/Simon-Morley-Camus.-La-Peste1947-2023-Acrylic-on-canvas-53-x-41-cm-216x300.jpg 216w, https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011209\/Simon-Morley-Camus.-La-Peste1947-2023-Acrylic-on-canvas-53-x-41-cm-108x150.jpg 108w, https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011209\/Simon-Morley-Camus.-La-Peste1947-2023-Acrylic-on-canvas-53-x-41-cm-768x1069.jpg 768w, https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011209\/Simon-Morley-Camus.-La-Peste1947-2023-Acrylic-on-canvas-53-x-41-cm-1104x1536.jpg 1104w, https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011209\/Simon-Morley-Camus.-La-Peste1947-2023-Acrylic-on-canvas-53-x-41-cm.jpg 1437w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n<p><em>Simon Morley, Camus. &#8216;La-Peste'(1947), 2023, Acrylic on canvas, 53 x 41 cm<\/em><\/p>\n<p>There is basic aesthetic pleasure in looking at simple juxtaposed geometric areas of colour, but in my work this pleasure is complicated by the awareness that a text or image has been erased in the case of the \u2018Paragraph-Paintings\u2019, and that what at first looks like a field of colour contains text derived from a book cover of title page in the \u2018Book-Paintings\u2019. In both series, the colours of the paintings may relate to the actual colours of the sources, or they may be prompted by a mood I associate with the source, or derived from the specific season of the year and the place where I painted the work, or simply arrived at intuitively.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-37392 alignnone\" src=\"https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011205\/Installation-view-3-1024x683.jpg\" alt=\"\" width=\"640\" height=\"427\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011205\/Installation-view-3-1024x683.jpg 1024w, https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011205\/Installation-view-3-300x200.jpg 300w, https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011205\/Installation-view-3-150x100.jpg 150w, https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011205\/Installation-view-3-768x512.jpg 768w, https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011205\/Installation-view-3-1536x1024.jpg 1536w, https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011205\/Installation-view-3-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n<p><em>Song Art Gallery, Simon Morley \u201cSOME BOOKS\u201d exhibition, installation view, 2023<\/em><\/p>\n<p>Thirdly, in the exhibition are examples from my \u2018Natural History Painting\u2019 series. Plants and rocks are sourced from around where I live near the DMZ and arranged to spell words, then copied in watercolours, life-size, in <em>trompe l\u2019oeil<\/em> illusionistic style. In this exhibition, the three paintings spell the same word: UTOPIA. This may or may not be an ironic reference to the nation on the other side of the DMZ.<\/p>\n<p style=\"text-align: right;\">Simon Morley. Munsan, Paju-Si, November 2023.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-37393 alignnone\" src=\"https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011207\/Installation-view-4-1024x682.jpg\" alt=\"\" width=\"640\" height=\"426\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011207\/Installation-view-4-1024x682.jpg 1024w, https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011207\/Installation-view-4-300x200.jpg 300w, https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011207\/Installation-view-4-150x100.jpg 150w, https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011207\/Installation-view-4-768x512.jpg 768w, https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011207\/Installation-view-4-1536x1024.jpg 1536w, https:\/\/static-edge.kiaf.org\/web\/2023\/12\/07011207\/Installation-view-4.jpg 2000w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n<p><em>Song Art Gallery, Simon Morley \u201cSOME BOOKS\u201d exhibition, installation view, 2023<\/em><\/p>\n<p>Song Art Gallery<br \/>\nB133 Acrovista Arcade, 188, Seochojungang-ro, Seocho-gu, Seoul<br \/>\n02-3482-7096<\/p>\n<p><a href=\"http:\/\/www.songartgallery.co.kr\" target=\"_blank\" rel=\"noopener noreferrer\">WEB<\/a>\u00a0 \u00a0 \u00a0<a href=\"https:\/\/www.instagram.com\/songart_gallery\/\" target=\"_blank\" rel=\"noopener noreferrer\">INSTAGRAM<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","categories":[50,51],"class_list":["post-37389","insights","type-insights","status-publish","hentry","category-insight","category-stories"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ko","en"],"languages":{"ko":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights\/37389","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights"}],"about":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/types\/insights"}],"wp:attachment":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/media?parent=37389"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/categories?post=37389"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}