{"id":36667,"date":"2023-11-14T10:50:05","date_gmt":"2023-11-14T01:50:05","guid":{"rendered":"https:\/\/kiaf.org\/?post_type=insights&p=36667"},"modified":"2023-11-14T10:54:34","modified_gmt":"2023-11-14T01:54:34","slug":"it-has-always-been-the-beginning","status":"publish","type":"insights","link":"https:\/\/kiaf.org\/en\/insights\/36667","title":{"rendered":"It Has Always Been The Beginning"},"content":{"rendered":"

JUNG Kangja (1942-2017)<\/p>\n

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JUNG Kangja, The Conversation with the Moon, 1997, Oil on canvas, 73x60cm<\/em><\/p>\n

ARARIO GALLERY SEOUL presents a solo exhibition by JUNG Kangja (1942-2017), entitled It Has Always Been The Beginning<\/em>, from 15 November (Wed) until 30 December (Sat) 2023. JUNG is a prominent female avant-garde artist who made a significant mark in the history of contemporary Korean art. As the first generation female performance artist in Korea, her radical actions played a critical role in shaping the experimental art movement in Korea of the 1960s and 1970s. JUNG\u2019s artistic path encountered resistance early on, with the forced closure of her debut solo show Incorporeality (<\/em>1970). This event led her to spend many years abroad, and upon her return to Korea in the 1980s, she continued to create works prolifically for over four decades. Despite the lack of recognition in the domestic art scene for a long time, JUNG continued her artistic activities until her passing, embodying her thoughts in art as the essence and purpose of life. Since the 2000s, the need for research and re-evaluation of JUNG\u2019s work has been raised and recently attempts to reassess her oeuvre have been carried out in various ways within Korea and abroad. This solo exhibition, being held after 5 years since her previous retrospective at ARARIO GALLERY SEOUL and CHEONAN in 2018, focuses on JUNG\u2019s works from 1995 to 2010, showcasing a variety of paintings that highlight her intense and rich color palette and unique spirit of challenge.<\/p>\n

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JUNG Kangja, The Universe Through Knitting, 1995-96, Oil on canvas, 162x130cm<\/em><\/p>\n

Levels B1 and 1 of the gallery shed light on JUNG\u2019s works from the 1990s. From the 1980s to the early 1990s, JUNG traveled to various parts of the world including Central and South America, Africa, South and Southeast Asia, and the South Pacific, a journey to capture the essence of untamed nature and indigenous cultures. JUNG\u2019s pursuit was both a literal journey and a metaphorical exploration of her personal dreams and visions. The works from this period reveal diverse visual experiences gained from her extensive travels, and also delve deeper into her inner contemplations. JUNG created unique vibrant and colorful surrealistic works applied with her own imaginative compositions. Transitioning into the late 1990s, JUNG\u2019s work took a turn towards abstract and transcendent forms. JUNG\u2019s interest became apparent in motifs that symbolized the traditions of her homeland, such as reinterpreting the hanbok<\/em> (traditional Korean dress) as a sculptural element. The various symbols within her canvases implicitly reveal JUNG\u2019s life and philosophy, and her identity and intense sensibility as a female artist. JUNG once said that the hanbok<\/em> skirt is \u201ca flag of Korean women who have been suppressed and infringed upon male chauvinism for thousands of years\u201d and \u201csomething that comes to mind when I think of my mother.\u201d In JUNG\u2019s paintings, the hanbok<\/em> associated with traditional constraints of pressing down the chests of women, sometimes freely unfurls into the sky or is piled up to become a grand monument.<\/p>\n

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JUNG Kangja, Untitled, ca. late 1990s, Oil on canvas, 130x162cm<\/em><\/p>\n

Levels 3 and 4 of the gallery are dedicated to the exploration of JUNG\u2019s works from the 2000s. During this period, JUNG\u2019s works become deep personal reflections, characterized by the integration of primal landscapes and the significant motif of Janus. Janus, considered by JUNG as both a self-representation and an icon, is a recurrent theme in her work. In JUNG\u2019s later works the semicircle is a prominent element, which derives from the circle, the smallest unit of all things in the universe. Together with artificial lines the semicircles fill up JUNG\u2019s paintings, a glimpse into her experiments in reducing all forms to geometric shapes. Through the language of painting, JUNG desired to alleviate the oppressive realities of her time and her own suppressed desires. JUNG aimed to liberate herself through the boundless imaginations unfolded in the infinite free space of the canvas and devoted herself to her work until her passing. The multitude of paintings she has left behind vividly display the life and passion of a female artist who navigated the turbulent times of modern Korean society.<\/p>\n

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JUNG Kangja, Untitled, 2000, Oil on canvas, 61x73cm<\/em><\/p>\n

JUNG Kangja was born in Daegu, Korea and graduated from the Department of Western Painting at Hongik University, Seoul, Korea. JUNG\u2019s artistic activities as a female artist have been introduced in several exhibitions including Reenacting History: Collective Actions and Everyday Gestures<\/em> (National Museum of Modern and Contemporary Art, Gwacheon, Korea, 2017), Asia Women Artists<\/em> (Jeonbuk Museum of Art, Wanju, Korea, 2017), JUNG Kangja: I Want My Last Trip to the Moon<\/em> (ARARIO GALLERY Seoul and Cheonan, Korea, 2018), JUNG Kangja: Dear Dream, Fantasy, and Challenge<\/em> (ARARIO MUSEUM in SPACE, Seoul, Korea, 2023) and Only the Young: Experimental Art in Korea 1960s-1970s<\/em> (National Museum of Modern and Contemporary Art, Seoul, Korea, 2023). The exhibition that recently took place at the National Museum of Modern and Contemporary Art, Seoul, Korea, is currently on display at the Solomon R. Guggenheim Museum, New York, US and is scheduled to tour to the Hammer Museum, Los Angeles, US early next year. JUNG\u2019s works are in public collections in Korea including The National Museum of Modern and Contemporary Art, Seoul Museum of Art, Suwon Museum of Art and ARARIO MUSEUM.<\/p>\n

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JUNG Kangja, It Has Always Been The Beginning, Installation View_Arario Gallery Seoul_3F(2)<\/em><\/p>\n

ARARIO GALLERY SEOUL
\n85 Yulgok-ro, Jongno-gu, Seoul, Korea 03058
\n+82(0)541-5701<\/p>\n

WEB<\/a>\u00a0 \u00a0 \u00a0INSTAGRAM<\/a>\u00a0 \u00a0 \u00a0Artsy<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","categories":[50,51],"class_list":["post-36667","insights","type-insights","status-publish","hentry","category-insight","category-stories"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ko","en"],"languages":{"ko":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights\/36667","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights"}],"about":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/types\/insights"}],"wp:attachment":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/media?parent=36667"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/categories?post=36667"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}