{"id":36480,"date":"2023-11-06T09:44:40","date_gmt":"2023-11-06T00:44:40","guid":{"rendered":"https:\/\/kiaf.org\/?post_type=insights&#038;p=36480"},"modified":"2023-11-08T17:44:20","modified_gmt":"2023-11-08T08:44:20","slug":"once-then-gone","status":"publish","type":"insights","link":"https:\/\/kiaf.org\/en\/insights\/36480","title":{"rendered":"Once, Then, Gone"},"content":{"rendered":"<p>James Collins, Haroun Hayward, Ella McVeigh, James Owens, Yi To, Cheung Tsz Hin and Alyina Zaidi<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-36487 alignnone\" src=\"https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362245.jpg\" alt=\"\" width=\"600\" height=\"443\" srcset=\"https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362245.jpg 9085w, https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362245-300x222.jpg 300w, https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362245-1024x757.jpg 1024w, https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362245-150x111.jpg 150w, https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362245-768x567.jpg 768w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p><em>Installation View, Newchild\u00a0<\/em><\/p>\n<p>Observation is frequently employed as a crucial method for unraveling the enigmas of reality.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-36488\" src=\"https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362232.jpg\" alt=\"\" width=\"600\" height=\"627\" srcset=\"https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362232.jpg 7421w, https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362232-287x300.jpg 287w, https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362232-979x1024.jpg 979w, https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362232-143x150.jpg 143w, https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362232-768x803.jpg 768w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p><em>Installation View, Newchild<\/em><\/p>\n<p>The artists showcased in the exhibition Once, Then, Gone rely on careful observation of both the natural world and human-made structures to discover pathways towards a direct connection with the divine.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-36489\" src=\"https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362219.jpg\" alt=\"\" width=\"600\" height=\"293\" \/><\/p>\n<p><em>Installation View, Newchild<\/em><\/p>\n<p>Within the intimate scope and the intricate layers of patinas and textures in their works, these artists delve into the delicate balance between abstract representations inspired by nature, non-objective art, and interpretations inspired by geomorphology.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-36490\" src=\"https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362254_.jpg\" alt=\"\" width=\"600\" height=\"451\" \/><\/p>\n<p><em>Installation View, Newchild<\/em><\/p>\n<p>Once, Then, Gone provides a window into the sublime, whether it emerges from human creativity, is intertwined with the natural environment, or is purely aesthetic in nature.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-36491\" src=\"https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362218.jpg\" alt=\"\" width=\"600\" height=\"454\" \/><\/p>\n<p><em>Installation View, Newchild<\/em><\/p>\n<p>In Once, Then, Gone the realms of mysticism hold dominance, crafting narratives that transmute the physical world into a universe of boundless possibilities.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-36492\" src=\"https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362190.jpg\" alt=\"\" width=\"600\" height=\"600\" \/><\/p>\n<p><em>James Collins, Liquid Engineers 57, 2022, Acrylic and Oil on Canvas, 182 x 127cm (framed)<\/em><\/p>\n<p><strong>James Collins <\/strong>suggestively points at symbols and meanings within the logic of painting that transcend specific references to time or illusion.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-36493\" src=\"https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362199.jpg\" alt=\"\" width=\"600\" height=\"600\" \/><\/p>\n<p><em>Ella Mcveigh, Stereoview, 2023, Oil on Canvas, 133 x 112.5cm (framed)<\/em><\/p>\n<p><strong>Ella McVeigh<\/strong>&#8216;s ongoing exploration of spatial dimensions and scale results in gestural paintings that resist easy interpretation.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-36494\" src=\"https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362207.jpg\" alt=\"\" width=\"600\" height=\"600\" \/><\/p>\n<p><em>Haroun Hayward, Craigs birch winter, No.2, 2022, Watercolour on paper, 83.7 x 64 x 4.5cm (framed)<\/em><\/p>\n<p><strong>Haroun Hayward<\/strong>&#8216;s watercolours exude reflections akin to an oasis of light.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-36495\" src=\"https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362193.jpg\" alt=\"\" width=\"600\" height=\"489\" srcset=\"https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362193.jpg 8673w, https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362193-300x245.jpg 300w, https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362193-1024x835.jpg 1024w, https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362193-150x122.jpg 150w, https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362193-768x626.jpg 768w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p><em>Cheung Tsz Hin, Interwined times, 2023, Oil on Canvas, 120 x 150cm<\/em><\/p>\n<p>Hong Kong-based artist <strong>Cheung Tsz Hin<\/strong> weaves nostalgic recollections and vague memories to craft joyful and soft interior scenes.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-36496\" src=\"https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362186.jpg\" alt=\"\" width=\"600\" height=\"600\" srcset=\"https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362186.jpg 8024w, https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362186-300x300.jpg 300w, https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362186-1024x1024.jpg 1024w, https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362186-150x150.jpg 150w, https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362186-768x768.jpg 768w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p><em>James Owens, A Broken foot, 2023, Oil on Canvas, 190 x 220cm\u00a0<\/em><\/p>\n<p>Artists <strong>James Owens<\/strong> and<strong> Yi To <\/strong>conjure works that originate from liminal spaces, with their images appearing to be in a perpetual state of becoming.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-36497\" src=\"https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362196.jpg\" alt=\"\" width=\"600\" height=\"600\" \/><\/p>\n<p><em>James Owens, A Broken foot, 2023, Oil on Canvas, 190 x 220cm\u00a0<\/em><\/p>\n<p>Finally, <strong>Alyina Zaidi<\/strong> infuses her vibrant works with symbolism and animism, offering a glimpse into multiple metaphysical perspectives.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-36498\" src=\"https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362204-scaled.jpg\" alt=\"\" width=\"600\" height=\"602\" srcset=\"https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362204-scaled.jpg 2551w, https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362204-300x300.jpg 300w, https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362204-1020x1024.jpg 1020w, https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362204-150x150.jpg 150w, https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362204-768x771.jpg 768w, https:\/\/kiaf.org\/wp-content\/uploads\/2023\/11\/2023102362204-1531x1536.jpg 1531w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p><em>Alyina Zaidi, Flammable liquid in this pouch, 2023, Acrylic on Canvas, 40 x 40cm<\/em><\/p>\n<p>Newchild<br \/>\nGeuzenstraat 16<br \/>\n+32 456180824<\/p>\n<p><a href=\"https:\/\/www.newchildgallery.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">WEB<\/a>\u00a0 \u00a0 \u00a0<a href=\"https:\/\/www.instagram.com\/newchildgallery\/\" target=\"_blank\" rel=\"noopener noreferrer\">Instagram<\/a>\u00a0 \u00a0 \u00a0<a href=\"https:\/\/www.artsy.net\/partner\/newchild-gallery\" target=\"_blank\" rel=\"noopener\">ARTSY<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","categories":[50,51],"class_list":["post-36480","insights","type-insights","status-publish","hentry","category-insight","category-stories"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ko","en"],"languages":{"ko":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights\/36480","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights"}],"about":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/types\/insights"}],"wp:attachment":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/media?parent=36480"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/categories?post=36480"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}