{"id":36016,"date":"2023-10-13T14:26:00","date_gmt":"2023-10-13T05:26:00","guid":{"rendered":"https:\/\/kiaf.org\/?post_type=insights&p=36016"},"modified":"2023-10-13T14:56:37","modified_gmt":"2023-10-13T05:56:37","slug":"jung-jong-mee-resilient-threads-a-tribute-to-women-and-nature","status":"publish","type":"insights","link":"https:\/\/kiaf.org\/en\/insights\/36016","title":{"rendered":"Jung Jong Mee Resilient Threads : A Tribute to Women and Nature"},"content":{"rendered":"

Jung Jong Mee<\/p>\n

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The Columns Gallery Singapore is pleased to announce a solo exhibition of Korean artist Jung Jong Mee.<\/p>\n

Born in 1957 in Korea, Jung Jong Mee is an artist of remarkable talent, celebrated for her mastery of hanji, a traditional Korean paper crafted from the fibers of mulberry trees. Through her experiments with pigment and paper along with her exploration of color, she is an artist who gives a new language to both form and content of Korean painting. Her artistic repertoire is deeply rooted in her profound admiration of the strength and resilience embodied by women. Coming of age in the conservative milieu of Daegu, Jung Jong Mee’s upbringing significantly influenced her artistic path. The nurturing presence of women in her life, particularly her mother and grandmother, fueled her fascination with the female experience. This early exposure cultivated a deep sense of empathy and understanding for the women who played vital roles in shaping her world.<\/p>\n

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Jung Jong Mee Resilient Threads : A Tribute to Women and Nature, Installation View, 2023<\/figcaption><\/figure>\n

At the heart of Jung Jong Mee’s artistic vision is a steadfast belief in the often untapped potential of women and their unique ability to contribute to society in harmony with men. This conviction became the cornerstone of her artistic expression, where she sought out to depict the inherent qualities of Korean women – a seamless blend of resilience and tenderness. Hanji, a traditional Korean paper, became her chosen medium due to its unparalleled combination of strength and tenderness, mirroring the very qualities that defined the women she honors in her art. She found the temperament of Korean women in the mulberry tree. \u201cMrs. Paper Women\u201d is a tribute to all the women who, like the mulberry tree endured wind, rain, and frost. They lived through the glorious history of their land with their whole bodies, constantly sacrificing themselves as fertilizer and giving everything without regret.<\/p>\n

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Jung Jong Mee Resilient Threads : A Tribute to Women and Nature, Installation View, 2023<\/figcaption><\/figure>\n

In her works, Jung Jong Mee passionately portrays Korean mothers, paying homage to their unyielding dedication. Despite the demanding nature of their daily routines, these mothers would labor into the late hours, only illuminated by gentle glows of lanterns. Threading needles with vibrant colored threads, they wove intricate patterns on cloths adorning them with the five cardinal colors, creating exquisite garments that symbolized hope and dedication. “Mrs. Paper Women” is like a ritual of worship to all the women. In particular, in series like \u201cWomen in History -Hwangjini\u201d and \u201cWomen in History – Sinsaimdang\u201d, she reinterprets their portraits based on historical facts. This is a departure from the past practices, when portraits of women mainly reflected societal expectations of classic female figures. She also incorporates the meaning of \u2018Requiem\u2019 into these series, which provides solace to the souls of women who lived difficult lives. Each stitch is a testament to their passion, resilience, and the transformative power they held within society. Through celebrated series like “Mrs. Paper Women” and “Wrapping Cloth Women,” Jung Jong Mee’s art serves as a scroll of homage, reverently cherishing the legacy of mothers who have shaped Korean society.<\/p>\n

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Jung Jong Mee, Song of Fisherman, 2023, Ramie, Pigment, Dyes, Bean emulsion (kongdam), 162 x 130 cm each<\/figcaption><\/figure>\n

“Song of Fisherman” was originally a poem written by the poet Yoon Seon Do during the Joseon Dynasty. This poem portrayed a self-sufficient life, in which he escaped from the secular world to immerse himself in the beauty of nature. Yoon Seon Do’s poetry has been reborn in the form of a painting by Jung Jong Mee. Her “Song of Fisherman” resembles a poem brought to life with paint. She intentionally employs traditional Korean materials and techniques to convey the essence of this beautifully written Korean poem through her work. In her paintings, she reinterprets the beauty of the landscape in a modern context while using the most traditional techniques and materials available.<\/p>\n

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Jung Jong Mee, The Beauty, 2010, Folding screen, Cotton, Pigment, Dyes, Bean emulsion (kongdam), Paper flowers, 168 x 258 cm<\/figcaption><\/figure>\n

\u201cDream in the Peach Garden\u201d was originally painted by the Joseon Dynasty painter An Gyeon with ink-wash on hanji. Jung Jong Mee\u2019s reinterpretation of An Gyeon\u2019s work attempts to modernize the existing beauty by a technique using natural dyes on linen. The core of \u201cDream in the Peach Garden\u201d is the expression of emotions, \u201cthe dream\u201d, through her expression of color. She reinterprets the existing emotions in modern colors and captures them in her work.<\/p>\n

In 2023, she retired after serving 15 years as a professor at the Department of Fine Art in Korea University. Her remarkable artistic contributions have garnered prestigious awards, including the Lee Insung Award in 2012 and the Lee Jungseob Award in 2001. Her works have found homes in renowned institutions such as the National Museum of Modern and Contemporary Art Korea, Seoul Museum of Art, Korea University Museum, and Seoul National University Museum, where they stand proudly, embodying her enduring philosophy and artistic excellence.<\/p>\n

<\/h3>\n

The Columns Gallery
\n22 Lock Road #01-35 Gillman Barracks Singapore 108939
\n+65 9030 7647<\/h3>\n

WEB<\/a>\u00a0 \u00a0 \u00a0INSTAGRAM<\/a> \u00a0 \u00a0YOUTUBE<\/a> \u00a0 ARTSY<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","categories":[50,51],"class_list":["post-36016","insights","type-insights","status-publish","hentry","category-insight","category-stories"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ko","en"],"languages":{"ko":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights\/36016","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights"}],"about":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/types\/insights"}],"wp:attachment":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/media?parent=36016"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/categories?post=36016"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}