{"id":34923,"date":"2023-08-18T15:08:28","date_gmt":"2023-08-18T06:08:28","guid":{"rendered":"https:\/\/kiaf.org\/?post_type=insights&#038;p=34923"},"modified":"2023-08-18T15:08:28","modified_gmt":"2023-08-18T06:08:28","slug":"palpable-moments","status":"publish","type":"insights","link":"https:\/\/kiaf.org\/en\/insights\/34923","title":{"rendered":"Palpable Moments"},"content":{"rendered":"<p>Hyejeong Kim<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-34924\" src=\"https:\/\/static-edge.kiaf.org\/web\/2023\/08\/18235645\/%EC%9E%91%ED%92%88%EC%82%AC%EC%A7%84%EA%B3%A0%ED%95%B4%EC%83%811-scaled.jpg\" alt=\"\" width=\"600\" height=\"338\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2023\/08\/18235645\/%EC%9E%91%ED%92%88%EC%82%AC%EC%A7%84%EA%B3%A0%ED%95%B4%EC%83%811-scaled.jpg 2560w, https:\/\/static-edge.kiaf.org\/web\/2023\/08\/18235645\/%EC%9E%91%ED%92%88%EC%82%AC%EC%A7%84%EA%B3%A0%ED%95%B4%EC%83%811-300x169.jpg 300w, https:\/\/static-edge.kiaf.org\/web\/2023\/08\/18235645\/%EC%9E%91%ED%92%88%EC%82%AC%EC%A7%84%EA%B3%A0%ED%95%B4%EC%83%811-1024x576.jpg 1024w, https:\/\/static-edge.kiaf.org\/web\/2023\/08\/18235645\/%EC%9E%91%ED%92%88%EC%82%AC%EC%A7%84%EA%B3%A0%ED%95%B4%EC%83%811-150x84.jpg 150w, https:\/\/static-edge.kiaf.org\/web\/2023\/08\/18235645\/%EC%9E%91%ED%92%88%EC%82%AC%EC%A7%84%EA%B3%A0%ED%95%B4%EC%83%811-768x432.jpg 768w, https:\/\/static-edge.kiaf.org\/web\/2023\/08\/18235645\/%EC%9E%91%ED%92%88%EC%82%AC%EC%A7%84%EA%B3%A0%ED%95%B4%EC%83%811-1536x864.jpg 1536w, https:\/\/static-edge.kiaf.org\/web\/2023\/08\/18235645\/%EC%9E%91%ED%92%88%EC%82%AC%EC%A7%84%EA%B3%A0%ED%95%B4%EC%83%811-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>Hyejeong Kim&#8217;s art process involves making pottery on a traditional wheel and then deforming it with her hands, utilising various materials, such as wood, stone, and wire, to vibrantly express her memories and emotions. Through her series &#8220;Carpel&#8221;, the artist reveals her remnants of pain by marking them onto a clay body. Her art leads us to strange beauty.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-34925\" src=\"https:\/\/static-edge.kiaf.org\/web\/2023\/08\/18235645\/%EC%9E%91%ED%92%88%EC%82%AC%EC%A7%84%EA%B3%A0%ED%95%B4%EC%83%812-scaled.jpg\" alt=\"\" width=\"600\" height=\"338\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2023\/08\/18235645\/%EC%9E%91%ED%92%88%EC%82%AC%EC%A7%84%EA%B3%A0%ED%95%B4%EC%83%812-scaled.jpg 2560w, https:\/\/static-edge.kiaf.org\/web\/2023\/08\/18235645\/%EC%9E%91%ED%92%88%EC%82%AC%EC%A7%84%EA%B3%A0%ED%95%B4%EC%83%812-300x169.jpg 300w, https:\/\/static-edge.kiaf.org\/web\/2023\/08\/18235645\/%EC%9E%91%ED%92%88%EC%82%AC%EC%A7%84%EA%B3%A0%ED%95%B4%EC%83%812-1024x576.jpg 1024w, https:\/\/static-edge.kiaf.org\/web\/2023\/08\/18235645\/%EC%9E%91%ED%92%88%EC%82%AC%EC%A7%84%EA%B3%A0%ED%95%B4%EC%83%812-150x84.jpg 150w, https:\/\/static-edge.kiaf.org\/web\/2023\/08\/18235645\/%EC%9E%91%ED%92%88%EC%82%AC%EC%A7%84%EA%B3%A0%ED%95%B4%EC%83%812-768x432.jpg 768w, https:\/\/static-edge.kiaf.org\/web\/2023\/08\/18235645\/%EC%9E%91%ED%92%88%EC%82%AC%EC%A7%84%EA%B3%A0%ED%95%B4%EC%83%812-1536x864.jpg 1536w, https:\/\/static-edge.kiaf.org\/web\/2023\/08\/18235645\/%EC%9E%91%ED%92%88%EC%82%AC%EC%A7%84%EA%B3%A0%ED%95%B4%EC%83%812-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>The exhibition &lt;\uc0b4\uc544 \uc788\ub294 \uc21c\uac04\ub4e4 &#8211; Palpable Moments&gt; extends this exploration toward the presence of life that is here and now, overcoming the narratives of personal experience and memory. Through her new media work, the artist demonstrates what she unearths in her creative process: the background of the work and the elements of meaning contained in her art.<\/p>\n<p>Korea Craft &amp; Design Foundation<\/p>\n<p>Office: (03060) 5F, 53, Yulgok-ro, Jongno-gu, Seoul, Republic of Korea<br \/>\nKCDF Gallery: (03145) 8, Insadong 11-gil, Jongno-gu, Seoul, Republic of Korea<br \/>\n02-732-9382<\/p>\n<p><a href=\"https:\/\/www.kcdf.or.kr\/\" target=\"_blank\" rel=\"noopener noreferrer\">WEB<\/a>\u00a0 \u00a0 \u00a0<a href=\"https:\/\/www.instagram.com\/kcdf_insta\/\" target=\"_blank\" rel=\"noopener noreferrer\">INSTAGRAM<\/a><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/user\/kcdf2011\" target=\"_blank\" rel=\"noopener noreferrer\">YOUTUBE<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","categories":[50,52],"class_list":["post-34923","insights","type-insights","status-publish","hentry","category-insight","category-articles"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ko","en"],"languages":{"ko":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights\/34923","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights"}],"about":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/types\/insights"}],"wp:attachment":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/media?parent=34923"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/categories?post=34923"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}