{"id":3287,"date":"2020-12-02T14:14:18","date_gmt":"2020-12-02T05:14:18","guid":{"rendered":"https:\/\/kiaf.org\/?post_type=events&p=3287"},"modified":"2021-02-02T09:47:15","modified_gmt":"2021-02-02T00:47:15","slug":"the-story-of-things","status":"publish","type":"insights","link":"https:\/\/kiaf.org\/en\/insights\/3287","title":{"rendered":"\u201cThe story of things\u201d"},"content":{"rendered":"

2020.11.25-12.25
\nKIM YOUN HEE<\/p>\n

\"\"
\n\u201cAs an artist I would like to eliminate the symbolic pretty much, for black is interesting not as a color but as a non-color and as the absence of color.\u201d<\/p>\n

\"\"<\/a> \"\"<\/p>\n

\u201c One must turn away from everything else and concentrate on the picture as though peering through a window into the night.\u201d<\/p>\n

\"\"<\/p>\n

\u201cThe one thing to say about art is, its breathlessness, lifelessness, deathlessness, contentlessness, formlessness, spacelessness, and timelessness. This is always the end of art.\u201d<\/p>\n

\"\"<\/p>\n

\u201cThe one question, the one principle, the one crisis in art of the twentieth century centers in the uncompromising \u2018purity\u2019 of art, and in the consciousness that art comes from art only, not from anything else.\u201d<\/p>\n

\"\"<\/p>\n

Gallery MIZ
\n101-B105, 461, Samil-daero, Jongno-gu, Seoul, Korea
\n82 2 722 8005<\/p>\n

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