![\"\"](\"https:\/\/static-edge.kiaf.org\/web\/2020\/11\/19003842\/%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98Untitled-1.jpg\")
<\/p>\n2020.10.22 – 12.6
\nJeong Myungjo \uc815\uba85\uc870<\/p>\n
Artside Gallery holds an exhibition titled \u201cPlay-Ground\u201d from September 22 \u2013 October 22, 2020. In the exhibition, Jeong Myungjo (1970 – ) brings forward matters concerning women and their beauty through \u2018women whose faces aren\u2019t seen.\u2019 She has been well received for her consistent work at home and abroad. Seven years after her solo exhibition \u201cThe Paradox of Beauty\u201d in 2013, she is displaying her more matured pieces at the Artside Gallery.<\/p>\n
<\/p>\n
![\"\"](\"https:\/\/static-edge.kiaf.org\/web\/2020\/11\/19003845\/KakaoTalk_20201117_101334897-scaled.jpg\")
<\/p>\n
![\"\"](\"https:\/\/static-edge.kiaf.org\/web\/2020\/11\/19003845\/KakaoTalk_20201117_101315416-scaled.jpg\")
<\/p>\n
Statement<\/strong> Artside Gallery WEB<\/a>\u00a0 \u00a0 \u00a0INSTAGRAM<\/a>\u00a0 \u00a0 \u00a0Artsy<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","categories":[50,51],"class_list":["post-3186","insights","type-insights","status-publish","hentry","category-insight","category-stories"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ko","en"],"languages":{"ko":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights\/3186","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights"}],"about":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/types\/insights"}],"wp:attachment":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/media?parent=3186"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/categories?post=3186"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nThe title of this exhibition, Play-ground, means a free play of the women portrayed in Joeng\u2019s pieces, and it also implies a free talk between a viewer and a work of art. Viewers see the women who turn their backs on them at a certain distance.<\/p>\n![\"\"](\"https:\/\/static-edge.kiaf.org\/web\/2020\/11\/19003845\/noname02.png\")
\n15, 6-gil, Jahamun-no, Jongno-gu, Seoul, Korea
\n+82 2 725 1020<\/p>\n