{"id":30242,"date":"2023-07-19T13:56:30","date_gmt":"2023-07-19T04:56:30","guid":{"rendered":"https:\/\/kiaf.org\/?post_type=insights&#038;p=30242"},"modified":"2023-07-19T15:33:46","modified_gmt":"2023-07-19T06:33:46","slug":"an-act-of-choice","status":"publish","type":"insights","link":"https:\/\/kiaf.org\/en\/insights\/30242","title":{"rendered":"An Act of Choice"},"content":{"rendered":"<p>2023. 5. 12 &#8211; 6. 3<br \/>\nLouis Appleby, Lim Kaye, Min Haeji<\/p>\n<figure id=\"attachment_30243\" aria-describedby=\"caption-attachment-30243\" style=\"width: 965px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-30243 \" src=\"https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_00-scaled.jpg\" alt=\"\" width=\"965\" height=\"643\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_00-scaled.jpg 2560w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_00-300x200.jpg 300w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_00-1024x683.jpg 1024w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_00-150x100.jpg 150w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_00-768x512.jpg 768w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_00-1536x1024.jpg 1536w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_00-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 965px) 100vw, 965px\" \/><figcaption id=\"caption-attachment-30243\" class=\"wp-caption-text\">Installation view at Duarte Sequeira Seoul<\/figcaption><\/figure>\n<p>Duarte Sequeira Seoul is pleased to announce \u201cAn Act of Choice\u201d, a group exhibition that brings together three artists who share a keen attention to detail through abstraction and figuration. The exhibition explores the act of looking and the idea of going beyond our familiar surroundings, while delving into the relationship between consciousness, organic and technological bodies, and the impact of sociopolitical events.<\/p>\n<figure id=\"attachment_30246\" aria-describedby=\"caption-attachment-30246\" style=\"width: 968px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-30246\" src=\"https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_07-scaled.jpg\" alt=\"\" width=\"968\" height=\"645\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_07-scaled.jpg 2560w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_07-300x200.jpg 300w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_07-1024x683.jpg 1024w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_07-150x100.jpg 150w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_07-768x512.jpg 768w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_07-1536x1024.jpg 1536w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_07-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 968px) 100vw, 968px\" \/><figcaption id=\"caption-attachment-30246\" class=\"wp-caption-text\">Installation view at Duarte Sequeira Seoul<\/figcaption><\/figure>\n<p>Min Haeji (b.1995, Korea)&#8217;s artistic practice revolves around the dialogue between external stimuli and self- awareness, while also addressing significant social issues. Her subjects range from everyday observations to depictions of social, political, and natural crises.<\/p>\n<figure id=\"attachment_30245\" aria-describedby=\"caption-attachment-30245\" style=\"width: 965px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-30245 \" src=\"https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_05-scaled.jpg\" alt=\"\" width=\"965\" height=\"643\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_05-scaled.jpg 2560w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_05-300x200.jpg 300w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_05-1024x683.jpg 1024w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_05-150x100.jpg 150w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_05-768x512.jpg 768w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_05-1536x1024.jpg 1536w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_05-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 965px) 100vw, 965px\" \/><figcaption id=\"caption-attachment-30245\" class=\"wp-caption-text\">Installation view at Duarte Sequeira Seoul<\/figcaption><\/figure>\n<p>Louis Appleby (b.1991, UK)&#8217;s intricate paintings are created by breaking down and rearranging elements to create disconcerting compositions that reflect the current turbulent social environment through the lens of technological bodies.<\/p>\n<figure id=\"attachment_30247\" aria-describedby=\"caption-attachment-30247\" style=\"width: 977px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-30247 \" src=\"https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_11-scaled.jpg\" alt=\"\" width=\"977\" height=\"651\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_11-scaled.jpg 2560w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_11-300x200.jpg 300w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_11-1024x683.jpg 1024w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_11-150x100.jpg 150w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_11-768x512.jpg 768w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_11-1536x1024.jpg 1536w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_11-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 977px) 100vw, 977px\" \/><figcaption id=\"caption-attachment-30247\" class=\"wp-caption-text\">Installation view at Duarte Sequeira Seoul<\/figcaption><\/figure>\n<p>Lim Kaye (b.1999, Hong Kong)&#8217;s paintings, on the other hand, delve into the materiality of the symbolic world, exploring the consumerist obsession with high-level details and textures, while bringing an eternal sense of the overall object portrayed by classical still life painting.<\/p>\n<figure id=\"attachment_30248\" aria-describedby=\"caption-attachment-30248\" style=\"width: 983px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-30248 \" src=\"https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_12-scaled.jpg\" alt=\"\" width=\"983\" height=\"655\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_12-scaled.jpg 2560w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_12-300x200.jpg 300w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_12-1024x683.jpg 1024w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_12-150x100.jpg 150w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_12-768x512.jpg 768w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_12-1536x1024.jpg 1536w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_12-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 983px) 100vw, 983px\" \/><figcaption id=\"caption-attachment-30248\" class=\"wp-caption-text\">Installation view at Duarte Sequeira Seoul<\/figcaption><\/figure>\n<p>The title of the exhibition is inspired by John Berger\u00b4s writing in \u201cWays of Seeing\u201d where he mentions that \u201cWe only see what we look at. To look is an act of choice.\u201d<\/p>\n<figure id=\"attachment_30244\" aria-describedby=\"caption-attachment-30244\" style=\"width: 987px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-30244\" src=\"https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_01-scaled.jpg\" alt=\"\" width=\"987\" height=\"637\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_01-scaled.jpg 2560w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_01-300x194.jpg 300w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_01-1024x661.jpg 1024w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_01-150x97.jpg 150w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_01-768x495.jpg 768w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_01-1536x991.jpg 1536w, https:\/\/static-edge.kiaf.org\/web\/2023\/05\/19000107\/Installation-view-at-Duarte-Sequeira-Seoul_01-2048x1321.jpg 2048w\" sizes=\"auto, (max-width: 987px) 100vw, 987px\" \/><figcaption id=\"caption-attachment-30244\" class=\"wp-caption-text\">Installation view at Duarte Sequeira Seoul<\/figcaption><\/figure>\n<p>Duarte Sequeira<br \/>\n2F, 27, Dosan-daero 54-gil, Gangnam-gu, Seoul<br \/>\n<strong>+82 2 6953 0553<\/strong><\/p>\n<p><a href=\"https:\/\/duartesequeira.com\" target=\"_blank\" rel=\"noopener\">WEB\u00a0 \u00a0 \u00a0<\/a><a href=\"https:\/\/www.instagram.com\/duartesequeiragallery\" target=\"_blank\" rel=\"noopener\">INSTAGRAM<\/a><a href=\"https:\/\/duartesequeira.com\" target=\"_blank\" rel=\"noopener\">\u00a0 \u00a0 \u00a0<\/a><a href=\"https:\/\/www.facebook.com\/galeriaduartesequeira\" target=\"_blank\" rel=\"noopener\">FACEBOOK<\/a>\u00a0 \u00a0 \u00a0<a href=\"https:\/\/www.artsy.net\/partner\/duarte-sequeira\" target=\"_blank\" rel=\"noopener\">ARTSY<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","categories":[50,51],"class_list":["post-30242","insights","type-insights","status-publish","hentry","category-insight","category-stories"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ko","en"],"languages":{"ko":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights\/30242","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights"}],"about":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/types\/insights"}],"wp:attachment":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/media?parent=30242"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/categories?post=30242"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}