{"id":2980,"date":"2020-10-14T16:29:45","date_gmt":"2020-10-14T07:29:45","guid":{"rendered":"https:\/\/kiaf.org\/?post_type=events&#038;p=2980"},"modified":"2021-02-02T10:03:31","modified_gmt":"2021-02-02T01:03:31","slug":"a-little-after-the-millennium","status":"publish","type":"insights","link":"https:\/\/kiaf.org\/en\/insights\/2980","title":{"rendered":"A Little After The Millennium"},"content":{"rendered":"<p>2020.10.20 &#8211; 11.20<br \/>\nLiam Gillick, Rebecca Warren, Markus Amm, Philippe Parreno, Anne Collier, Tobias Rehberger<\/p>\n<p>Gallery Baton has steadily established itself as one of the most influential contemporary art galleries in Korea. Its pristine aesthetic and curatorial program create outstanding exhibitions that reflect noteworthy trends in contemporary art. Founded in 2011, the gallery strives to promote diversity by highlighting established artists and introducing emerging artists onto the world stage. The gallery also runs three alternative spaces, \u2018Chapter II&#8217; \u2018Chapter II Yard\u2019 that provides studio spaces, curatorial support and exhibition opportunities to the selected emerging artists as a nonprofit program while the Observation Deck that serves new media forms including video-based works.<\/p>\n<p>Gallery Baton is pleased to present \u201cA Little After The Millennium\u201d, a group exhibition by internationally acclaimed contemporary artists:Liam Gillick, Rebecca Warren, Markus Amm, Philippe Parreno, Anne Collier, and Tobias Rehberger from Oct. 20th to Nov. 20th. This show is a reflection upon over twenty years of art by artists who all emerged around the year 2000 and each of them offers a unique perspective on what art could have been and what it has become. In a time of crisis we might be able perceive a \u201creal\u201d post-modernism &#8211; a creative collage of self-awareness &#8211; through the works of artists who have always been aware of the instability meaning yet continue to seek truth and beauty through the fog of uncertainty.<\/p>\n<figure id=\"attachment_2981\" aria-describedby=\"caption-attachment-2981\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2981\" src=\"https:\/\/static-edge.kiaf.org\/web\/2020\/10\/19003918\/1.-GB_JS_Installview_13.png\" alt=\"\" width=\"750\" height=\"500\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2020\/10\/19003918\/1.-GB_JS_Installview_13.png 2000w, https:\/\/static-edge.kiaf.org\/web\/2020\/10\/19003918\/1.-GB_JS_Installview_13-300x200.png 300w, https:\/\/static-edge.kiaf.org\/web\/2020\/10\/19003918\/1.-GB_JS_Installview_13-1024x682.png 1024w, https:\/\/static-edge.kiaf.org\/web\/2020\/10\/19003918\/1.-GB_JS_Installview_13-150x100.png 150w, https:\/\/static-edge.kiaf.org\/web\/2020\/10\/19003918\/1.-GB_JS_Installview_13-768x512.png 768w, https:\/\/static-edge.kiaf.org\/web\/2020\/10\/19003918\/1.-GB_JS_Installview_13-1536x1024.png 1536w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-2981\" class=\"wp-caption-text\">installation view of Jinnie Seo, Her Sides of Us, 2020<\/figcaption><\/figure>\n<figure id=\"attachment_2982\" aria-describedby=\"caption-attachment-2982\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2982\" src=\"https:\/\/static-edge.kiaf.org\/web\/2020\/10\/19003918\/2.GB_YSO_Installview_13.png\" alt=\"\" width=\"750\" height=\"500\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2020\/10\/19003918\/2.GB_YSO_Installview_13.png 2000w, https:\/\/static-edge.kiaf.org\/web\/2020\/10\/19003918\/2.GB_YSO_Installview_13-300x200.png 300w, https:\/\/static-edge.kiaf.org\/web\/2020\/10\/19003918\/2.GB_YSO_Installview_13-1024x682.png 1024w, https:\/\/static-edge.kiaf.org\/web\/2020\/10\/19003918\/2.GB_YSO_Installview_13-150x100.png 150w, https:\/\/static-edge.kiaf.org\/web\/2020\/10\/19003918\/2.GB_YSO_Installview_13-768x512.png 768w, https:\/\/static-edge.kiaf.org\/web\/2020\/10\/19003918\/2.GB_YSO_Installview_13-1536x1024.png 1536w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-2982\" class=\"wp-caption-text\">installation view of Yoon Suk One, Enfolding Landscape, 2020<\/figcaption><\/figure>\n<figure id=\"attachment_2983\" aria-describedby=\"caption-attachment-2983\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2983\" src=\"https:\/\/static-edge.kiaf.org\/web\/2020\/10\/19003918\/3.GB_TR_Something-else-is-possible-in-the-Maldives_2020_opened.jpg\" alt=\"\" width=\"750\" height=\"500\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2020\/10\/19003918\/3.GB_TR_Something-else-is-possible-in-the-Maldives_2020_opened.jpg 2000w, https:\/\/static-edge.kiaf.org\/web\/2020\/10\/19003918\/3.GB_TR_Something-else-is-possible-in-the-Maldives_2020_opened-300x200.jpg 300w, https:\/\/static-edge.kiaf.org\/web\/2020\/10\/19003918\/3.GB_TR_Something-else-is-possible-in-the-Maldives_2020_opened-1024x682.jpg 1024w, https:\/\/static-edge.kiaf.org\/web\/2020\/10\/19003918\/3.GB_TR_Something-else-is-possible-in-the-Maldives_2020_opened-150x100.jpg 150w, https:\/\/static-edge.kiaf.org\/web\/2020\/10\/19003918\/3.GB_TR_Something-else-is-possible-in-the-Maldives_2020_opened-768x512.jpg 768w, https:\/\/static-edge.kiaf.org\/web\/2020\/10\/19003918\/3.GB_TR_Something-else-is-possible-in-the-Maldives_2020_opened-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-2983\" class=\"wp-caption-text\">installation view of Tobias Rehberger, Truths that would be maddening without love, 2020<\/figcaption><\/figure>\n<figure id=\"attachment_2984\" aria-describedby=\"caption-attachment-2984\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2984\" src=\"https:\/\/static-edge.kiaf.org\/web\/2020\/10\/19003918\/4.GB_InLieuof-HigherGround.png\" alt=\"\" width=\"750\" height=\"433\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2020\/10\/19003918\/4.GB_InLieuof-HigherGround.png 1505w, https:\/\/static-edge.kiaf.org\/web\/2020\/10\/19003918\/4.GB_InLieuof-HigherGround-300x173.png 300w, https:\/\/static-edge.kiaf.org\/web\/2020\/10\/19003918\/4.GB_InLieuof-HigherGround-1024x591.png 1024w, https:\/\/static-edge.kiaf.org\/web\/2020\/10\/19003918\/4.GB_InLieuof-HigherGround-150x87.png 150w, https:\/\/static-edge.kiaf.org\/web\/2020\/10\/19003918\/4.GB_InLieuof-HigherGround-768x443.png 768w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-2984\" class=\"wp-caption-text\">installation view of In Lieu of Higher Ground, 2020<\/figcaption><\/figure>\n<p style=\"text-align: left;\">GALLERY BATON<br \/>\n116, Dokseodang-ro, Yongsan-gu, Seoul, Korea<br \/>\n+82 2 597 5701<\/p>\n<p><a href=\"http:\/\/gallerybaton.com\/exhibitions\" target=\"_blank\" rel=\"noopener noreferrer\">WEB<\/a>\u00a0 \u00a0 <a href=\"https:\/\/www.instagram.com\/gallerybaton\/\" target=\"_blank\" rel=\"noopener noreferrer\">INSTAGRAM<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","categories":[50,51],"class_list":["post-2980","insights","type-insights","status-publish","hentry","category-insight","category-stories"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ko","en"],"languages":{"ko":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights\/2980","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights"}],"about":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/types\/insights"}],"wp:attachment":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/media?parent=2980"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/categories?post=2980"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}