\nVery Korean but Very Cosmic<\/strong><\/p>\n
Bottari is main topic of Kimsooja\u2019s works. We will see the Bottari at Kiaf SEOUL this time. <\/strong><\/p>\n I am presenting a series of the light-boxes that represent my historical work, \u201cCities on the Move\u201d(1997\/2001). I\u2019m also presenting my new sculpture, \u201cDeductive Object\u201d(2022) which is another kind of Bottari. The egg-shaped sculpture is inspired by a brahmanda stone known as \u2018the cosmic egg\u2019. The cosmic egg symbolizes totality that encompasses birth and death. I conceived of this piece as both a Bottari and a body. In this work, a black stone absorbs ambient light as it suspended above a mirror \u2018enfolding\u2019 the physical space.<\/p>\n What is the reason why the Bottari penetrates the entire art practices and is still valid?<\/strong><\/p>\n I explore the conditions of life and death with my body. It is in \u201cBottari\u201d(1992) that the question \ufb01rst became visible. And it has been expanded in many different forms. Using my body as a Bottari, I had the breathing sound performances in various spaces. In \u201cTo Breath-A Mirror Woman\u201d(2006) at the Crystal Palace, Reina So\ufb01a in Madrid, I presented a synesthetic Bottari in which the light surrounding the palace and my breathing resonate. At that time, a translucent diffraction grating \ufb01lm was covering the glazed dome and the whole of walls of the crystal palace to make rainbow light, and mirrors were covering its \ufb02oor to re\ufb02ect the light. The light surrounding the space was extended spectrum, starting from the Obangsaek.<\/p>\n Is the Obangsaek of Yin-Yang and Five-Elements also a condition of existential question? <\/strong><\/p>\n The Obangsaek make us sense the seasons, taste, directionality, and sounds. It embodies the practice of Bottari aesthetics. And the primary color combination presents a strong visual aesthetic. Although the original color spectrum is no longer used in contemporary Korean culture, but the metaphorical potency of Obangseak remains important to me. The Obangseak palette will continue to evolve with light.<\/p>\n Does it mean to raise a universal voice through the cultural speci\ufb01city of Korea? I think it resonates today when racial hatred is rampant.<\/strong><\/p>\n The conditions of life have been my fundamental questions from both individual and collective perspectives. The Ybulbo(or bedcover), is a typical example. We all go through life and death being born, loving and dying on the Ybulbo. Ybulbo is connected to Bottari emphasizing and multiplying as social and global issues. The racism, violence, war, and migration that we are witnessing today have always been hidden in Bottaries. I think it ought to be discussed in a shared context within global society.<\/p>\n Interview by Heaseung Kang, published on Kiaf 2022 Catalogue<\/span><\/p>\n","protected":false},"featured_media":0,"template":"","categories":[50,52],"class_list":["post-29361","insights","type-insights","status-publish","hentry","category-insight","category-articles"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ko","en"],"languages":{"ko":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights\/29361","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights"}],"about":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/types\/insights"}],"wp:attachment":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/media?parent=29361"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/categories?post=29361"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nThe artist, who tracked the city she had moved to as a child on a truck full of bottaries(bundles),
\nreleased a video work documenting her journey, \u201cCities on the Move: 2727 Kilometers Bottari Truck\u201d(1997).
\nAnd she achieved international fame through the work.
\nBottari, inspired by her own luggage bag, was the reality of the life of city dwellers who wandered around like strangers.
\nKimsooja packed Bottari again. It may be a tangible object, or it may be a symbolic meaning that encompasses different things.<\/p>\n![\"\"](\"https:\/\/static-edge.kiaf.org\/web\/2023\/03\/19000244\/1_Kimsooja_Axel-Vervoordt-Gallery-Sebastian-Schutyser-2018-scaled.jpg\")
![\"\"](\"https:\/\/static-edge.kiaf.org\/web\/2023\/03\/19000240\/2_Kimsooja-%EA%B9%80%EC%88%98%EC%9E%90-Deductive-Object-2016-Fiberglass-steel-paint-and-mirror-220-%C3%97-121-%C3%97-121-cm-Gangoji-Temple-Japan-Courtesy-of-the-artist-and-Axel-Ver-scaled.jpg\")
![\"\"](\"https:\/\/static-edge.kiaf.org\/web\/2023\/03\/19000240\/3_Kimsooja-%EA%B9%80%EC%88%98%EC%9E%90-Cities-on-the-Move-2727km-Bottari-Truck-Artist-Facing-Mountain-1997-2001-Lightbox-184-%C3%97-123-%C3%97-19-cm-Courtesy-of-the-artist-and-Axel-Ve-scaled.jpg\")
![\"\"](\"https:\/\/static-edge.kiaf.org\/web\/2023\/03\/19000240\/4_Kimsooja%EA%B9%80%EC%88%98%EC%9E%90To-Breathe-%E2%80%93-A-Mirror-Woman2006Translucent-%EF%AC%81lter-mirror-and-sound-installation-site-speci%EF%AC%81c-Palacio-de-Cristal-Parque-del-Retiro-in-M-scaled.jpg\"){kind=spacer}