{"id":29248,"date":"2023-02-27T14:47:00","date_gmt":"2023-02-27T05:47:00","guid":{"rendered":"https:\/\/kiaf.org\/?post_type=insights&p=29248"},"modified":"2023-02-27T14:47:00","modified_gmt":"2023-02-27T05:47:00","slug":"dance-of-brush","status":"publish","type":"insights","link":"https:\/\/kiaf.org\/en\/insights\/29248","title":{"rendered":"Dance of Brush"},"content":{"rendered":"

2023.2.4 – 3. 18
\nPark In-kyung<\/p>\n

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Park In-kyung, P\u00b4etales de rose, 2022, Ink on hanji paper, 150 x 200 cm<\/figcaption><\/figure>\n

Galerie Vazieux presents \u00ab Dance of Brush\u00bb, the first solo exhibition in France of the Korean artist Park In-Kyung (born in 1926 in Seoul, currently based in Vaux-sur Seine) since the one at the Cernuschi Museum in 2017.<\/p>\n

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12- Park In-kyung, Untitled, 2019, Ink on hanji paper, 69,5 x 68 cm<\/figcaption><\/figure>\n

Her artistic practice is characterized by the continuity and abundance of her experiments. The 1960s were marked by her tachist studies, which she transformed into large decorative compositions inspired by observing the natural world. Park In-Kyung continues her figurative work initiated in the 1970s, which, through various styles, has led her to the edge of abstraction. In the 1980s, writing became a central element of her research. She uses texts from newspapers, novels, the Bible, or poems for purely plastic and aesthetic purposes.<\/p>\n

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Park In-kyung, Dance of Brush, 2023, Installation View<\/figcaption><\/figure>\n

The exhibition \u00ab Dance of Brush \u00bb combines twenty works, including six large formats, produced over the past fifteen years. Park In-Kyung makes her brush dance and glides the black ink on the smooth surface of the Hanji <\/em>paper. From her fluid movements and assured touches are born simple, almost abstract forms, which come to sing her ode to nature.<\/p>\n

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Park In-kyung, Dance of Brush, 2023, Installation View<\/figcaption><\/figure>\n

Galerie Vazieux
\n5 bis rue du Louvre, 75001 Paris
\n+331 48 00 91 00<\/p>\n

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