{"id":28489,"date":"2023-01-18T11:51:25","date_gmt":"2023-01-18T02:51:25","guid":{"rendered":"https:\/\/kiaf.org\/?post_type=insights&#038;p=28489"},"modified":"2023-01-18T17:41:20","modified_gmt":"2023-01-18T08:41:20","slug":"the-other-face-of-material","status":"publish","type":"insights","link":"https:\/\/kiaf.org\/en\/insights\/28489","title":{"rendered":"The Other Face of Material"},"content":{"rendered":"<p>2023. 2. 1 &#8211; 3. 8<br \/>\nGideon Kim, Sisan Lee, Asaran Jeong, Yeonhwa Hur<\/p>\n<p>Seojeong Art is pleased to present \u300a The Other Face of Material \u300b, a group exhibition featuring the works of Gideon Kim, Sisan Lee, Asaran Jeong, and Yeonhwa Hur. This exhibition focuses on the exploration of the boundaries and other sides of objects and phenomena through the eyes of these four artists, with a particular emphasis on their objection to dichotomous distinctions.<\/p>\n<figure id=\"attachment_28492\" aria-describedby=\"caption-attachment-28492\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-28492\" src=\"https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000443\/Gideon-Kim-WMAC2-Steel-Frame-Polyester-Rope-W63xD66xH61cm.jpg\" alt=\"\" width=\"750\" height=\"500\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000443\/Gideon-Kim-WMAC2-Steel-Frame-Polyester-Rope-W63xD66xH61cm.jpg 9504w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000443\/Gideon-Kim-WMAC2-Steel-Frame-Polyester-Rope-W63xD66xH61cm-300x200.jpg 300w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000443\/Gideon-Kim-WMAC2-Steel-Frame-Polyester-Rope-W63xD66xH61cm-1024x683.jpg 1024w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000443\/Gideon-Kim-WMAC2-Steel-Frame-Polyester-Rope-W63xD66xH61cm-150x100.jpg 150w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000443\/Gideon-Kim-WMAC2-Steel-Frame-Polyester-Rope-W63xD66xH61cm-768x512.jpg 768w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-28492\" class=\"wp-caption-text\">Gideon Kim, WMAC#2, Steel Frame, Polyester Rope, W63xD66xH61cm<\/figcaption><\/figure>\n<p>Gideon Kim&#8217;s WM series of sculptures are crafted using wire mesh and rope, forming points, lines, and planes that are fundamental elements of art. These sculptures embody the aesthetics of simplicity and feature regular patterns that create a solid silhouette and sophisticated aesthetic beauty.<\/p>\n<figure id=\"attachment_28495\" aria-describedby=\"caption-attachment-28495\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-28495\" src=\"https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000443\/Sisan-Lee-Proportions-of-stone_tabledetail-cut-stainless-steel-natural-stone-160x175x75cm-2019-scaled.jpg\" alt=\"\" width=\"750\" height=\"1125\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000443\/Sisan-Lee-Proportions-of-stone_tabledetail-cut-stainless-steel-natural-stone-160x175x75cm-2019-scaled.jpg 1707w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000443\/Sisan-Lee-Proportions-of-stone_tabledetail-cut-stainless-steel-natural-stone-160x175x75cm-2019-200x300.jpg 200w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000443\/Sisan-Lee-Proportions-of-stone_tabledetail-cut-stainless-steel-natural-stone-160x175x75cm-2019-683x1024.jpg 683w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000443\/Sisan-Lee-Proportions-of-stone_tabledetail-cut-stainless-steel-natural-stone-160x175x75cm-2019-100x150.jpg 100w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000443\/Sisan-Lee-Proportions-of-stone_tabledetail-cut-stainless-steel-natural-stone-160x175x75cm-2019-768x1152.jpg 768w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000443\/Sisan-Lee-Proportions-of-stone_tabledetail-cut-stainless-steel-natural-stone-160x175x75cm-2019-1024x1536.jpg 1024w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000443\/Sisan-Lee-Proportions-of-stone_tabledetail-cut-stainless-steel-natural-stone-160x175x75cm-2019-1365x2048.jpg 1365w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-28495\" class=\"wp-caption-text\">Sisan Lee, Proportions of stone_table(detail cut), stainless steel, natural stone, 160x175x75cm, 2019<\/figcaption><\/figure>\n<p>Sisan Lee&#8217;s refined artistic language is based on the pure essence of materials. He explores the relationship between nature, human-made artifacts and humans by creating objects, furniture and spaces. Lee often employs stone and stainless steel in his work, and the combination of the two materials emphasizes the individuality of the natural stone and the artificiality of stainless steel, which subsequently brings out the tension between the natural and the artificial.<\/p>\n<figure id=\"attachment_28493\" aria-describedby=\"caption-attachment-28493\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-28493\" src=\"https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000443\/Asaran-Jeong-Composition-of-Perception-1-light-panel-on-resin-backlit-print-89%C3%97120cm-2022-scaled.jpg\" alt=\"\" width=\"750\" height=\"501\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000443\/Asaran-Jeong-Composition-of-Perception-1-light-panel-on-resin-backlit-print-89%C3%97120cm-2022-scaled.jpg 2560w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000443\/Asaran-Jeong-Composition-of-Perception-1-light-panel-on-resin-backlit-print-89%C3%97120cm-2022-300x200.jpg 300w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000443\/Asaran-Jeong-Composition-of-Perception-1-light-panel-on-resin-backlit-print-89%C3%97120cm-2022-1024x684.jpg 1024w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000443\/Asaran-Jeong-Composition-of-Perception-1-light-panel-on-resin-backlit-print-89%C3%97120cm-2022-150x100.jpg 150w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000443\/Asaran-Jeong-Composition-of-Perception-1-light-panel-on-resin-backlit-print-89%C3%97120cm-2022-768x513.jpg 768w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000443\/Asaran-Jeong-Composition-of-Perception-1-light-panel-on-resin-backlit-print-89%C3%97120cm-2022-1536x1026.jpg 1536w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000443\/Asaran-Jeong-Composition-of-Perception-1-light-panel-on-resin-backlit-print-89%C3%97120cm-2022-2048x1368.jpg 2048w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-28493\" class=\"wp-caption-text\">Asaran Jeong, Composition of Perception #1, light panel on resin, backlit print, 89\u00d7120cm, 2022<\/figcaption><\/figure>\n<p>Asaran Jeong&#8217;s layered works explore the intersection between the real world and the virtual world, and the unseen data that connects them. Jeong views digital data as an illusionary remnant, an ephemeral presence, rather than just a series of virtual coordinates. She uses fluid, flowing forms to express the movement and trajectory of digital data in her art.<\/p>\n<figure id=\"attachment_28494\" aria-describedby=\"caption-attachment-28494\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-28494\" src=\"https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000443\/%ED%97%88%EC%97%B0%ED%99%94-%EB%B2%BC%EB%9D%BD%EB%A7%9E%EC%9D%80%EB%82%A02022-1-scaled.jpg\" alt=\"\" width=\"750\" height=\"500\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000443\/%ED%97%88%EC%97%B0%ED%99%94-%EB%B2%BC%EB%9D%BD%EB%A7%9E%EC%9D%80%EB%82%A02022-1-scaled.jpg 2560w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000443\/%ED%97%88%EC%97%B0%ED%99%94-%EB%B2%BC%EB%9D%BD%EB%A7%9E%EC%9D%80%EB%82%A02022-1-300x200.jpg 300w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000443\/%ED%97%88%EC%97%B0%ED%99%94-%EB%B2%BC%EB%9D%BD%EB%A7%9E%EC%9D%80%EB%82%A02022-1-1024x683.jpg 1024w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000443\/%ED%97%88%EC%97%B0%ED%99%94-%EB%B2%BC%EB%9D%BD%EB%A7%9E%EC%9D%80%EB%82%A02022-1-150x100.jpg 150w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000443\/%ED%97%88%EC%97%B0%ED%99%94-%EB%B2%BC%EB%9D%BD%EB%A7%9E%EC%9D%80%EB%82%A02022-1-768x512.jpg 768w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000443\/%ED%97%88%EC%97%B0%ED%99%94-%EB%B2%BC%EB%9D%BD%EB%A7%9E%EC%9D%80%EB%82%A02022-1-1536x1024.jpg 1536w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000443\/%ED%97%88%EC%97%B0%ED%99%94-%EB%B2%BC%EB%9D%BD%EB%A7%9E%EC%9D%80%EB%82%A02022-1-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-28494\" class=\"wp-caption-text\">Yeonhwa Hur, A Day When I Was Struck by Lightning, 2022<\/figcaption><\/figure>\n<p>Yeonhwa Hur delves into the fluidity of water through various forms of sculpture, silkscreen, and painting. Hur often explores landscapes related to water, seeking out sensations that deviate from the daily experiences of the human body. She imbues seemingly unrelated objects and events with a story, similar to how liquids of different properties naturally blend together. Through this connectedness, Hur aims to break free from compartmentalized spaces in her work.<\/p>\n<p>\u300a The Other Face of Material \u300b is an exhibition that delves into the discovery of the once-hidden, tacit significance of materials, going beyond conventional understanding. We invite audiences to join us as these four artists take us on a journey to uncover the unique qualities and potential\u2014the other face\u2014of various materials.<\/p>\n<p>SEOJUNG ART<br \/>\n12, Bongeunsa-ro 47-gil, Gangnam-gu, Seoul, Korea<br \/>\n1644-1454<\/p>\n<p><a href=\"https:\/\/www.seojung-art.com\/\" target=\"_blank\" rel=\"noopener\">WEB<\/a>\u00a0 \u00a0 \u00a0<a href=\"https:\/\/instagram.com\/seojung_art\" target=\"_blank\" rel=\"noopener\">INSTAGRAM<\/a>\u00a0 \u00a0 \u00a0<a href=\"https:\/\/www.artsy.net\/partner\/seojung-art\" target=\"_blank\" rel=\"noopener\">Artsy<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","categories":[50,51],"class_list":["post-28489","insights","type-insights","status-publish","hentry","category-insight","category-stories"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ko","en"],"languages":{"ko":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights\/28489","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights"}],"about":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/types\/insights"}],"wp:attachment":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/media?parent=28489"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/categories?post=28489"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}