{"id":28387,"date":"2023-01-12T16:10:35","date_gmt":"2023-01-12T07:10:35","guid":{"rendered":"https:\/\/kiaf.org\/?post_type=insights&#038;p=28387"},"modified":"2023-01-16T10:32:27","modified_gmt":"2023-01-16T01:32:27","slug":"o-x-and-us","status":"publish","type":"insights","link":"https:\/\/kiaf.org\/en\/insights\/28387","title":{"rendered":"\u201cO\u201d &#038; \u201cX\u201d and Us"},"content":{"rendered":"<p>2022. 12. 17 &#8211; 2023. 2. 11<br \/>\nJunyoung Kang<\/p>\n<figure id=\"attachment_28390\" aria-describedby=\"caption-attachment-28390\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-28390\" src=\"https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-01.png\" alt=\"\" width=\"750\" height=\"495\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-01.png 2884w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-01-300x198.png 300w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-01-1024x676.png 1024w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-01-150x99.png 150w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-01-768x507.png 768w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-01-1536x1014.png 1536w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-01-2048x1352.png 2048w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-28390\" class=\"wp-caption-text\">Installation view, 2GIL29 GALLERY<\/figcaption><\/figure>\n<p>As the last exhibition of 2022, 2GIL29 GALLERY will be holding &lt;\u201cO\u201d &amp; \u201cX\u201d and us&gt; by Junyoung Kang (b.1979) from December 17th to February 11th. In this exhibition, under the theme of \u201cFamily\u201d and \u201cHome,\u201d which penetrate the world of his work, he solves the multi-layered emotions expressed in his autobiographical experience through his formative language and asks serious questions to the audience. Especially, he raises high expectations for the viewers as he will be unveiling works that show his deeper and richer world of art.<\/p>\n<figure id=\"attachment_28391\" aria-describedby=\"caption-attachment-28391\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-28391\" src=\"https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-02.jpg\" alt=\"\" width=\"750\" height=\"933\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-02.jpg 1072w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-02-241x300.jpg 241w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-02-824x1024.jpg 824w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-02-121x150.jpg 121w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-02-768x955.jpg 768w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-28391\" class=\"wp-caption-text\">Junyoung Kang, When the History of Our Choices Becomes Love (You Are More Beautiful than You Think!) 2022, Oil Painting on Canvas, 130x157cm<\/figcaption><\/figure>\n<p>The \u201cHouse,\u201d the basis of this exhibition, is the place where the first relationship of one\u2019s life begins and one\u2019s soil for emotions as it forms complicated emotions in one\u2019s world as complex relations within the family are expressed. In particular, as the artist grew up traveling abroad, the idea of a house is a physical reminder of his grandmother\u2019s arms. As time passed, the artist has now become a father of his family and his childhood memories of his family are recreated through his new perspective.<\/p>\n<figure id=\"attachment_28392\" aria-describedby=\"caption-attachment-28392\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-28392\" src=\"https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-03.png\" alt=\"\" width=\"750\" height=\"578\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-03.png 2486w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-03-300x231.png 300w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-03-1024x789.png 1024w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-03-150x116.png 150w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-03-768x592.png 768w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-03-1536x1184.png 1536w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-03-2048x1578.png 2048w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-28392\" class=\"wp-caption-text\">Junyoung Kang, \u201cO\u201d &amp; \u201cX\u201d and Us (You Are More Beautiful than You Think!), 2022, Oil on wood, 117x91cm<\/figcaption><\/figure>\n<p>In this way, \u201chome\u201d has turned into a major motif that connects the memories from the past and the present that completes an important role in accommodating the love and fullness felt in the family and community that exists within us. It reminds people who are experiencing generational conflicts within their families and the dissolution of family communities as they enter a modern society that suffers from rapid generational change, while asking questions about their relationship with their families, including the conflicting emotions and frustrations that occur. This extends to social concepts, not just the subject of individual thoughts, and gives each person an opportunity to think.<\/p>\n<figure id=\"attachment_28393\" aria-describedby=\"caption-attachment-28393\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-28393\" src=\"https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-04.jpg\" alt=\"\" width=\"750\" height=\"1028\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-04.jpg 955w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-04-219x300.jpg 219w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-04-747x1024.jpg 747w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-04-109x150.jpg 109w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-04-768x1053.jpg 768w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-28393\" class=\"wp-caption-text\">Junyoung Kang, When the History of Our Choices Becomes Love, Mixed media on paper, 27.5 x 37.5 cm<\/figcaption><\/figure>\n<p>In particular, the way the artist expresses his own sense of aesthetics is the most noteworthy part of this exhibition. His most intimate emotions are shown through his instant brushwork, leaving careful layers on the canvas. The brushwork that fills the screen by stacking them over time shapes the layers of overlapping memories and the thick matier acquired throughout opens up a field of intuitive sensation for the viewers. Through the question, the artist asks\u2013that triggers a strong question\u2013with his artworks, I hope everyone gets a chance to reflect and think about the definition of family, which might have been demolished after the pandemic and the following accelerated world.<\/p>\n<figure id=\"attachment_28394\" aria-describedby=\"caption-attachment-28394\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-28394\" src=\"https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-05.jpg\" alt=\"\" width=\"750\" height=\"927\" data-wp-editing=\"1\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-05.jpg 1077w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-05-243x300.jpg 243w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-05-829x1024.jpg 829w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-05-121x150.jpg 121w, https:\/\/static-edge.kiaf.org\/web\/2023\/01\/19000453\/%EB%B3%B8%EB%AC%B8-05-768x949.jpg 768w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-28394\" class=\"wp-caption-text\">Junyoung Kang, When the History of Our Choices Becomes Love, Oil on wood, 135 x 163 cm<\/figcaption><\/figure>\n<p>2GIL29 Gallery<br \/>\nGarosu-gil 35, Gangnam-daero 158gil, Gangnam-gu, Seoul<br \/>\n+82 2 6203 2015<\/p>\n<p><a href=\"https:\/\/www.2gil29gallery.com\/\" target=\"_blank\" rel=\"noopener\">WEB<\/a>\u00a0 \u00a0 <a href=\"https:\/\/www.instagram.com\/2gil29gallery_official\/\" target=\"_blank\" rel=\"noopener\">INSTAGRAM<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","categories":[50,51],"class_list":["post-28387","insights","type-insights","status-publish","hentry","category-insight","category-stories"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ko","en"],"languages":{"ko":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights\/28387","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights"}],"about":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/types\/insights"}],"wp:attachment":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/media?parent=28387"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/categories?post=28387"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}