{"id":15622,"date":"2022-08-09T16:40:24","date_gmt":"2022-08-09T07:40:24","guid":{"rendered":"https:\/\/kiaf.org\/?post_type=insights&#038;p=15622"},"modified":"2022-08-10T21:56:21","modified_gmt":"2022-08-10T12:56:21","slug":"ropes-of-sand","status":"publish","type":"insights","link":"https:\/\/kiaf.org\/en\/insights\/15622","title":{"rendered":"Ropes of Sand"},"content":{"rendered":"<p>2022. 7. 29 &#8211; 7.31<br \/>\nMr. S<\/p>\n<figure id=\"attachment_15670\" aria-describedby=\"caption-attachment-15670\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-15670\" src=\"https:\/\/static-edge.kiaf.org\/web\/2022\/08\/19000919\/Mr.-S-Glimpse-Behind-The-Mask-2022-acrylic-on-canvas-48-x-36-inches.jpg\" alt=\"\" width=\"750\" height=\"991\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2022\/08\/19000919\/Mr.-S-Glimpse-Behind-The-Mask-2022-acrylic-on-canvas-48-x-36-inches.jpg 1120w, https:\/\/static-edge.kiaf.org\/web\/2022\/08\/19000919\/Mr.-S-Glimpse-Behind-The-Mask-2022-acrylic-on-canvas-48-x-36-inches-227x300.jpg 227w, https:\/\/static-edge.kiaf.org\/web\/2022\/08\/19000919\/Mr.-S-Glimpse-Behind-The-Mask-2022-acrylic-on-canvas-48-x-36-inches-775x1024.jpg 775w, https:\/\/static-edge.kiaf.org\/web\/2022\/08\/19000919\/Mr.-S-Glimpse-Behind-The-Mask-2022-acrylic-on-canvas-48-x-36-inches-114x150.jpg 114w, https:\/\/static-edge.kiaf.org\/web\/2022\/08\/19000919\/Mr.-S-Glimpse-Behind-The-Mask-2022-acrylic-on-canvas-48-x-36-inches-768x1015.jpg 768w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-15670\" class=\"wp-caption-text\">Mr. S, Glimpse Behind The Mask, 2022, acrylic on canvas, 48 x 36 inches<\/figcaption><\/figure>\n<p>ROPES OF SAND: Galerie Stephanie at the first edition of Modern and Contemporary Art Festival (MoCAF)<\/p>\n<p>The theme is transliterated from the Filipino idiom naglulubid ng buhangin which means \u201cto lie,\u201d \u201cto not speak of the truth.\u201d This correlates to the Western figure of speech telling us of something not holding well, that there is weakness perceived in the presented connection of things or gathering of sensibilities.<\/p>\n<figure id=\"attachment_15672\" aria-describedby=\"caption-attachment-15672\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-15672\" src=\"https:\/\/static-edge.kiaf.org\/web\/2022\/08\/19000919\/Mr.-S-Invicible-Mask-Series-No.-4-2022-charcoal-and-graphite-on-paper-12-x-9-inches.jpg\" alt=\"\" width=\"750\" height=\"989\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2022\/08\/19000919\/Mr.-S-Invicible-Mask-Series-No.-4-2022-charcoal-and-graphite-on-paper-12-x-9-inches.jpg 800w, https:\/\/static-edge.kiaf.org\/web\/2022\/08\/19000919\/Mr.-S-Invicible-Mask-Series-No.-4-2022-charcoal-and-graphite-on-paper-12-x-9-inches-227x300.jpg 227w, https:\/\/static-edge.kiaf.org\/web\/2022\/08\/19000919\/Mr.-S-Invicible-Mask-Series-No.-4-2022-charcoal-and-graphite-on-paper-12-x-9-inches-776x1024.jpg 776w, https:\/\/static-edge.kiaf.org\/web\/2022\/08\/19000919\/Mr.-S-Invicible-Mask-Series-No.-4-2022-charcoal-and-graphite-on-paper-12-x-9-inches-114x150.jpg 114w, https:\/\/static-edge.kiaf.org\/web\/2022\/08\/19000919\/Mr.-S-Invicible-Mask-Series-No.-4-2022-charcoal-and-graphite-on-paper-12-x-9-inches-768x1013.jpg 768w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-15672\" class=\"wp-caption-text\">Mr. S, Invincible Mask Series No. 4, 2022, charcoal and graphite on paper, 12 x 9 inches<\/figcaption><\/figure>\n<p>The Galerie Stephanie exhibition &#8220;Ropes of Sand&#8221; conversely binds the works from contemporary international artists exploring the fragile transversals among the imagined, the perceptible, and the unknown. As a collection seen as the artists\u2019 (re)presentations of their lifeways, advocacies or convictions, or experiences, we are invited to tap into our own interpretations and influences on how we define and speak truths.<\/p>\n<figure id=\"attachment_15671\" aria-describedby=\"caption-attachment-15671\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-15671\" src=\"https:\/\/static-edge.kiaf.org\/web\/2022\/08\/19000919\/Mr.-S-Modern-and-Contemporary-Art-Festival-MoCAF-2022-Exhibiton-View-scaled.jpg\" alt=\"\" width=\"750\" height=\"519\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2022\/08\/19000919\/Mr.-S-Modern-and-Contemporary-Art-Festival-MoCAF-2022-Exhibiton-View-scaled.jpg 2560w, https:\/\/static-edge.kiaf.org\/web\/2022\/08\/19000919\/Mr.-S-Modern-and-Contemporary-Art-Festival-MoCAF-2022-Exhibiton-View-300x208.jpg 300w, https:\/\/static-edge.kiaf.org\/web\/2022\/08\/19000919\/Mr.-S-Modern-and-Contemporary-Art-Festival-MoCAF-2022-Exhibiton-View-1024x709.jpg 1024w, https:\/\/static-edge.kiaf.org\/web\/2022\/08\/19000919\/Mr.-S-Modern-and-Contemporary-Art-Festival-MoCAF-2022-Exhibiton-View-150x104.jpg 150w, https:\/\/static-edge.kiaf.org\/web\/2022\/08\/19000919\/Mr.-S-Modern-and-Contemporary-Art-Festival-MoCAF-2022-Exhibiton-View-768x532.jpg 768w, https:\/\/static-edge.kiaf.org\/web\/2022\/08\/19000919\/Mr.-S-Modern-and-Contemporary-Art-Festival-MoCAF-2022-Exhibiton-View-1536x1064.jpg 1536w, https:\/\/static-edge.kiaf.org\/web\/2022\/08\/19000919\/Mr.-S-Modern-and-Contemporary-Art-Festival-MoCAF-2022-Exhibiton-View-2048x1418.jpg 2048w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-15671\" class=\"wp-caption-text\">Mr. S, Modern and Contemporary Art Festival (MoCAF), 2022, Exhibiton View<\/figcaption><\/figure>\n<p>Featuring works by Roby Dwi ANTONO (ID), Farley DEL ROSARIO (PH, Aileen LANUZA (PH), Genavee LAZARO (PH), Gabby PRADO (PH), Reybert RAMOS (PH), Mr. S (PH), Jomike TEJIDO (PH), Vincent de Pio (PH), and Nunzio Paci (ITA), Galerie Stephanie\u2019s offering for MoCAF bolsters the festival\u2019s commitment to \u201cstrengthen the identity of Filipino art and focus on the Philippines as a global artistic and cultural center that will be recognized all throughout Southeast Asia.\u201d<\/p>\n<p>Galerie Stephanie<br \/>\n4021 4\/F East Wing of Shangri-la Plaza, Mandaluyong City, Metro Manila 1554<br \/>\n+632 7940 5726<\/p>\n<p><a href=\"http:\/\/galeriestephanie.com\" target=\"_blank\" rel=\"noopener\">WEB<\/a>\u00a0 \u00a0 \u00a0 <a href=\"https:\/\/www.instagram.com\/galeriestephanie\/\" target=\"_blank\" rel=\"noopener\">INSTAGRAM<\/a>\u00a0 \u00a0 \u00a0 <a href=\"http:\/\/facebook.com\/Stephanie.Galerie\" target=\"_blank\" rel=\"noopener\">Facebook<\/a>\u00a0 \u00a0 \u00a0<a href=\"https:\/\/www.youtube.com\/channel\/UC78h_QMNRYfw12ANnpKfRdw\" target=\"_blank\" rel=\"noopener\">Artsy<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","categories":[50,51],"class_list":["post-15622","insights","type-insights","status-publish","hentry","category-insight","category-stories"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ko","en"],"languages":{"ko":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights\/15622","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights"}],"about":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/types\/insights"}],"wp:attachment":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/media?parent=15622"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/categories?post=15622"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}