{"id":14383,"date":"2022-07-01T11:43:36","date_gmt":"2022-07-01T02:43:36","guid":{"rendered":"https:\/\/kiaf.org\/?post_type=insights&p=14383"},"modified":"2022-07-01T11:43:47","modified_gmt":"2022-07-01T02:43:47","slug":"araminta-blue-silt","status":"publish","type":"insights","link":"https:\/\/kiaf.org\/en\/insights\/14383","title":{"rendered":"Araminta Blue. Silt"},"content":{"rendered":"

2022. 6. 23 – 7. 30
\nAraminta Blue<\/p>\n

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Installation view<\/figcaption><\/figure>\n

gallery rosenfeld is proud to announce Araminta Blue\u2019s (b. 1990, Cyprus) first solo exhibition \u2018Silt\u2019.<\/p>\n

Over the last 12 months, the artist has been working on an entirely new body of paintings and a selection of works on paper that shall be unveiled across both gallery floors. The exhibition will also feature a large-scale diptych of over 3m that testifies to her increasing ambition.<\/p>\n

Blue\u2019s paintings represent a significant and bold development in her work; no longer are the paintings so centred around the human figure although they are still very present. Abstraction plays a considerable role in furthering the works dealing with feeling and sensation, both of the mind and the body.<\/p>\n

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Araminta Blue. Pearls that were eyes, 2021. oil on canvas. 200x150cm<\/figcaption><\/figure>\n

These artworks trace the artist\u2019s innermost thoughts and feelings relating to her experience of pregnancy and subsequent birth, a state she has recently gone through. In every work there are recurring elements such as water, vegetation and the human figure often buried within the weeds, and other watery debris. The sensation of something slowly emerging, little by little into life, swimming in liquid and yet, often being immersed in weeds is impressive. This voyage has rarely been depicted in a more moving and never in a more original way. It is fascinating to compare the paintings prior to pregnancy and those produced after; suddenly, there is more light and the introduction of brilliant colours, where previously there had been a prevailing darkness and brooding of colours.<\/p>\n

The title \u2018Silt\u2019 relates to the concept that her figures are being carried in an \u201canimated suspension from one space to another\u2026 as if it’s moving from a source, to river mouth, to brackish estuary, to the bottom of the sea\u2026\u201d. Blue describes objects slowly flowing from one source to another space of a different nature. Her canvases invoke infinite fluidity where \u201call melt as a new substance, a thing that is not a thing, constantly in flux\u201d. Blue sees that the act of painting achieves a similar experience through techniques of layering, covering and revealing. \u201cThe masses of moving subject matter are connected through line and colour, spatters of water like freckles, tributaries like veins, colours of bruising from my blood tests” – Araminta Blue.<\/p>\n

As seen in the works featured in the exhibition, Blue\u2019s style is typified in the use of blank spaces in the canvas. She continues to play with empty spaces in her recent works, as she has done with much finesse in the past. Yet this time the difference is found in the figures. The pieces in this exhibition are less illustrative compared to her earlier works. Through abstraction, Blue embraces the intangible realm of the senses and the mind.<\/p>\n

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Araminta Blue. Syrup, 2022. oil on canvas. 220x340cm.<\/figcaption><\/figure>\n

gallery rosenfeld
\n37 Rathbone Street, WC1T 1NZ, London. United Kingdom
\n+44 2076 371133<\/p>\n

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