{"id":14174,"date":"2022-06-13T17:02:47","date_gmt":"2022-06-13T08:02:47","guid":{"rendered":"https:\/\/kiaf.org\/?post_type=insights&p=14174"},"modified":"2022-06-13T17:05:37","modified_gmt":"2022-06-13T08:05:37","slug":"fragment-with-dusty-light","status":"publish","type":"insights","link":"https:\/\/kiaf.org\/en\/insights\/14174","title":{"rendered":"Fragment with Dusty Light"},"content":{"rendered":"

2022. 6. 4 – 7. 10
\nChen Yujun, Rodel Tapaya, Marion Bataillard, Niam, Qin Qi, Wu Wei<\/p>\n

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Niam \/ \u5c3c\u4e9a\u59c6,\u00a0 \u00a0Second Moment of Light \/ \u2f06\u5ea6\u5149\u7ebf, Acrylic on canvas \/ \u5e03\u2faf\u4e19\u70ef, 120 x 120 cm, 2022<\/figcaption><\/figure>\n

Tang Contemporary Art is proud is announce our new group exhibi8on \u201cFragment with Dusty Light\u201d opening on June 4th, 2022. We shall present excellent pieces from seven ar8sts: Chen Yujun, Rodel Tapaya, Marion Bataillard, Niam, Qin Qi and Wu Wei.<\/p>\n

I was trying to love maQer.<\/em>
\nI taped a sign over the mirror:<\/em>
\nYou cannot hate maQer and love form.\u00a0 <\/em><\/p>\n

Louise Gl\u00fcck, \u201cArchaic Fragment\u201d<\/em><\/p>\n

Pure conversa8onal tones are oWen limited, as Gl\u00fcck said in her poem, fragmented records of the new have replaced eternal moments of the old. MaQer and form have become fragmented signs or chao8c slogans, their presenta8on altered completely within di\ufb00erent contexts and repe88ons. The ar8sts from this show use their works to catch glimpses of live and self, presen8ng an obs8nate form of beauty through the touch of maQer and the conversa8ons of form. The regrouping of these fragmented images and textures resulted in Li Qing\u2019s edi8ng of secular landscapes, Rodel Tapaya\u2019s mingling of myth, life and textual tensions, Chen Yujin\u2019s taciturn yet scopious views of life, Qin Qi\u2019s reconstruc8on of the rules of pain8ng, Wu Wei\u2019s sensual touch to the graWing of tradi8onal cultural percep8ons, Niam\u2019s remodeling of scenic and color experimenta8ons, and Ma8on Bataillard\u2019s delicate portrayal of urban delights. Together they build a new visual link from a fragmented cycle; supported by perpetual numerical documenta8ons of maQer and form, they establish visual and narra8ve principles outside the laws of disorder.<\/p>\n

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Chen Yujun \/ \u9648\u5f67\u541b, Room 502 No.171225 \/ 502\u623f\u95f4, No.171225 Acrylic and wood board on canvas \/ \u5e03\u2faf\u4e19\u70ef\u3001\u2f4a\u677f, 65 x 65 cm, 2017<\/figcaption><\/figure>
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Qin Qi \/ \u79e6\u7426, Crabs and lobsters \/ \u867e\u87f9, Oil on canvas \/ \u5e03\u2faf\u6cb9\u753b, 60 x 90 cm, 2022<\/figcaption><\/figure><\/p>\n

Through these works, the capture and depic8on of fragments resemble the rede\ufb01ni8on of residual value. Their dusty light is the wisdom of a reserved mindset. Tantalizing visualiza8ons of a diaspora of fragments draw aQen8on and understanding. There is no change in either observa8on or scenery in a repeated loop, yet we s8ll strive to be that one keen observer, who blurs the boundary between capture and scru8ny. In our pursuit, these works become the unde\ufb01ned anchor points, providing a haven from the worldly sight we are so keen to envision.<\/p>\n

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Rodel Tapaya \/ \u7f57\u5fb7\u5c14\u00b7\u5854\u5e15\u96c5,\u00a0 \u00a0 Remedy \/ \u633d\u6551,\u00a0 Acrylic on canvas \/ \u5e03\u2faf\u4e19\u70ef,\u00a0 193 x 152.4 cm, 2021<\/figcaption><\/figure>\n

Tang Contemporary Art
\n6, Apgujeong-ro 75-gil, Gangnam-gu, Seoul, Korea
\n+82 2 3445 8889<\/p>\n

WEB<\/a>\u00a0 \u00a0 INSTAGRAM<\/a>\u00a0 \u00a0 \u00a0Facebook<\/a>\u00a0 \u00a0 \u00a0Youtube<\/a>\u00a0 \u00a0 \u00a0Artsy<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","categories":[50,51],"class_list":["post-14174","insights","type-insights","status-publish","hentry","category-insight","category-stories"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ko","en"],"languages":{"ko":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights\/14174","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights"}],"about":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/types\/insights"}],"wp:attachment":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/media?parent=14174"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/categories?post=14174"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}