{"id":13884,"date":"2022-06-02T17:37:01","date_gmt":"2022-06-02T08:37:01","guid":{"rendered":"https:\/\/kiaf.org\/?post_type=insights&#038;p=13884"},"modified":"2022-06-03T09:38:23","modified_gmt":"2022-06-03T00:38:23","slug":"communion","status":"publish","type":"insights","link":"https:\/\/kiaf.org\/en\/insights\/13884","title":{"rendered":"Communion"},"content":{"rendered":"<p>2022. 5. 20 &#8211; 6. 30<br \/>\nMichael Dotson<\/p>\n<figure id=\"attachment_13888\" aria-describedby=\"caption-attachment-13888\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-13888\" src=\"https:\/\/static-edge.kiaf.org\/web\/2022\/06\/19001309\/Michael-Dotson-Communion-09.jpg\" alt=\"\" width=\"750\" height=\"500\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2022\/06\/19001309\/Michael-Dotson-Communion-09.jpg 7952w, https:\/\/static-edge.kiaf.org\/web\/2022\/06\/19001309\/Michael-Dotson-Communion-09-300x200.jpg 300w, https:\/\/static-edge.kiaf.org\/web\/2022\/06\/19001309\/Michael-Dotson-Communion-09-1024x683.jpg 1024w, https:\/\/static-edge.kiaf.org\/web\/2022\/06\/19001309\/Michael-Dotson-Communion-09-150x100.jpg 150w, https:\/\/static-edge.kiaf.org\/web\/2022\/06\/19001309\/Michael-Dotson-Communion-09-768x512.jpg 768w, https:\/\/static-edge.kiaf.org\/web\/2022\/06\/19001309\/Michael-Dotson-Communion-09-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-13888\" class=\"wp-caption-text\">Installation View<\/figcaption><\/figure>\n<p>Over the Influence Hong Kong is pleased to announce Communion, a new series of paintings and drawings by New York based artist Michal Dotson. This is the artist\u2019s first exhibition in Asia and his second presentation with the gallery.<\/p>\n<p>In this body of work, Dotson shifts away from his signature vibrantly distorted Disney imagery, and steps into the galactic and mysterious world of aliens. The title of the exhibition, Communion, draws from a novel under the same name written by Whitley Strieber in 1987, which recounts the author\u2019s many encounters with extraterrestrial beings.<\/p>\n<figure id=\"attachment_13887\" aria-describedby=\"caption-attachment-13887\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-13887\" src=\"https:\/\/static-edge.kiaf.org\/web\/2022\/06\/19001309\/Michael-Dotson-Communion-02.jpg\" alt=\"\" width=\"750\" height=\"500\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2022\/06\/19001309\/Michael-Dotson-Communion-02.jpg 7952w, https:\/\/static-edge.kiaf.org\/web\/2022\/06\/19001309\/Michael-Dotson-Communion-02-300x200.jpg 300w, https:\/\/static-edge.kiaf.org\/web\/2022\/06\/19001309\/Michael-Dotson-Communion-02-1024x683.jpg 1024w, https:\/\/static-edge.kiaf.org\/web\/2022\/06\/19001309\/Michael-Dotson-Communion-02-150x100.jpg 150w, https:\/\/static-edge.kiaf.org\/web\/2022\/06\/19001309\/Michael-Dotson-Communion-02-768x512.jpg 768w, https:\/\/static-edge.kiaf.org\/web\/2022\/06\/19001309\/Michael-Dotson-Communion-02-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-13887\" class=\"wp-caption-text\">Installation View<\/figcaption><\/figure>\n<p>Communion first evolved while Dotson was quarantined due to contracting Covid-19. Confined to empty quarters, the artist found himself asking, when left alone with drawing tools and nothing else, what does one create? Each work in Communion begins as a fluid, gestural sketch, which Dotson then transfers to photoshop and manipulates. The result is painted in Dotson\u2019s recognizable style-crisp, precise, and electrically saturated. The collection of work is uniformly named &#8220;Close Encounter&#8221; with an assigned number and letter designation, uniting the work as a whole-a community of ghostly aliens, rather than separate entities existing on their own.<\/p>\n<p>Carl Jung once suggested that UFO sightings are a symptom of cultural anxiety, distrust, and fearful projection that is telling of the health of the population. In 1959, Jung wrote Flying Saucers: A Modern Myth of Things Seen in the Sky, one of the psychoanalyst\u2019s last works. To him, claims of interactions with otherworldly creatures is not proof of the existence of extraterrestrial life. Rather, he perceived UFO sightings as a cultural phenomenon and a symptom of something much more troubling within society. Similarly, to Jung, Dotson\u2019s Communion draws on one\u2019s imagination, subtly confronting a darkness that the unconscious carries\u2013all while in a seemingly hallucinatory state.<\/p>\n<figure id=\"attachment_13900\" aria-describedby=\"caption-attachment-13900\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-13900\" src=\"https:\/\/static-edge.kiaf.org\/web\/2022\/06\/19001306\/18.MD-22.010-jpg.jpg\" alt=\"\" width=\"750\" height=\"1124\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2022\/06\/19001306\/18.MD-22.010-jpg.jpg 5304w, https:\/\/static-edge.kiaf.org\/web\/2022\/06\/19001306\/18.MD-22.010-jpg-200x300.jpg 200w, https:\/\/static-edge.kiaf.org\/web\/2022\/06\/19001306\/18.MD-22.010-jpg-683x1024.jpg 683w, https:\/\/static-edge.kiaf.org\/web\/2022\/06\/19001306\/18.MD-22.010-jpg-100x150.jpg 100w, https:\/\/static-edge.kiaf.org\/web\/2022\/06\/19001306\/18.MD-22.010-jpg-768x1151.jpg 768w, https:\/\/static-edge.kiaf.org\/web\/2022\/06\/19001306\/18.MD-22.010-jpg-1025x1536.jpg 1025w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-13900\" class=\"wp-caption-text\">Michael Dotson, Close Encounter 006Y, 2022, Acrylic on panel, 61 by 61 cm, 24 by 24 in, Image courtesy of the Artist and Over the Influence<\/figcaption><\/figure>\n<p>Dotson\u2019s pristinely flat surfaces create the illusion of large, organically shaped weightless bodies of otherworldly creatures, suspended with an illusory, levitating presence. The vibrating painted frames act as a grounding force, the only object that seems to have mass. The frames curve around the amorphous bodies, as if the painting itself is their spacecraft, molded specifically for their fluid form. Their empty holes for eyes stare at the viewer, offering an invitation to enter the frame and step into their flying saucer. Subtle chromatic shifts result in the texture of the bodies seeming unclear\u2013perhaps plastic and sticky, or squishy and slick. Smaller works on paper accompany the paintings, illustrating the same creatures but in blotchy wet ink.<\/p>\n<p>Whether depicted through Disney stills, like the artist\u2019s previous work, or the levitating aliens of Communion, Dotson transforms pop culture motifs into psychedelic glitches that invoke a child-like imagination while confronting the darkness of the subconscious.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13901\" src=\"https:\/\/static-edge.kiaf.org\/web\/2022\/06\/19001306\/Michael-Dotson-Studio-portrait-.jpeg\" alt=\"\" width=\"768\" height=\"1024\" srcset=\"https:\/\/static-edge.kiaf.org\/web\/2022\/06\/19001306\/Michael-Dotson-Studio-portrait-.jpeg 768w, https:\/\/static-edge.kiaf.org\/web\/2022\/06\/19001306\/Michael-Dotson-Studio-portrait--225x300.jpeg 225w, https:\/\/static-edge.kiaf.org\/web\/2022\/06\/19001306\/Michael-Dotson-Studio-portrait--113x150.jpeg 113w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/p>\n<p>Over the past decade of his practice, Michael Dotson has used animation stills as the point of departure to begin his paintings. He appropriates the characters with digital technology, thereby taking them out of their original context, and re-inserting them into a completely new narrative. This is his second solo exhibition with Over the Influence.<\/p>\n<p>Over the Influence<br \/>\nG\/F &amp; 1\/F, 159 Hollywood Road Central, Hong Kong<br \/>\n+852 2617 9829<\/p>\n<p><a href=\"https:\/\/overtheinfluence.com\" target=\"_blank\" rel=\"noopener\">WEB<\/a>\u00a0 \u00a0 \u00a0<a href=\"https:\/\/www.instagram.com\/oti.official\/?hl=en\" target=\"_blank\" rel=\"noopener\">INSTAGRAM<\/a>\u00a0 \u00a0 \u00a0<a href=\"https:\/\/www.facebook.com\/overtheinfluencehk\/\" target=\"_blank\" rel=\"noopener\">Facebook<\/a>\u00a0 \u00a0 \u00a0<a href=\"https:\/\/www.artsy.net\/partner\/over-the-influence\" target=\"_blank\" rel=\"noopener\">Artsy<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","categories":[50,51],"class_list":["post-13884","insights","type-insights","status-publish","hentry","category-insight","category-stories"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ko","en"],"languages":{"ko":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights\/13884","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights"}],"about":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/types\/insights"}],"wp:attachment":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/media?parent=13884"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/categories?post=13884"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}