![\"\"](\"https:\/\/static-edge.kiaf.org\/web\/2022\/03\/19001536\/Installation-view_LEE-Jihyun_Red-Scene-1.jpg\")
<\/p>\n2022. 3. 17 – 5. 29
\nLEE Jihyun<\/p>\n
<\/p>\n
Arario Gallery Seoul is pleased to present Red Scene, a solo exhibition by LEE Jihyun (b. 1979). Before the inauguration of the new space in the Autumn of 2022, the exhibition will take place at the temporary exhibition space, the basement of Arario Museum in Space. The most striking aspect of LEE Jihyun\u2019s artworks lie in the layers that offer visual pleasure as a result of the interplay between juxtaposition and collision. As an added charm, each strata stands closely tied to the labyrinthine paths of LEE\u2019s own memory. Her earliest childhood memory, LEE notes, goes back to her mother\u2019s kitchen where the family would spend many an hour together. As a foundational component of LEE\u2019s practice, the motif of mixed memories has developed into a unique concept donned the \u2018Red Scene\u2019 in its instantiation through the specific mechanism of her mother\u2019s kitchen enveloped in a remarkable shade of red. Having served as an anchoring force that bookended LEE\u2019s life as an immigrant for the past decade, the memories of her mother\u2019s kitchen marks the point of departure for Red Scene.<\/p>\n
For LEE, the \u2018Red Scene\u2019 is at once a symbolic presentment of and mechanism for summoning remembered or forgotten memories back to the realm of reality through either willful or unconscious measures. In the exhibition, LEE presents paintings and doll objects that both directly and indirectly visualize this concept, along with a small-size painting series entitled \u2018Fantasma\u2019. The red spaces that intermittently appear throughout the exhibition serve as a boundary between the viewers and the spaces within the paintings; blending reality and fiction, the virtual and the actual, and past and present. Smaller paintings\u2014which illustrate the fleeting thread of reveries that emerge in the process of creating larger works\u2014are intentionally interspersed among the pieces that showcase the ‘Red Scene’. This curatorial setting demonstrates LEE\u2019s distinct artistic method and reflective thought process that incessantly seizes and connects the links between memories and musings at random.<\/p>\n Should each of the paintings be seen as an invitation to the memory spaces that are mediated through the \u2018Red Scene\u2019; then the doll objects, which LEE debuts in this exhibition may be understood as the physical embodiment of mnemonic routinization. Since becoming a mother herself, LEE began to make dolls as her mother once had, in an effort to gather and extend her collection of materialized memories, piece by piece. Sewing up cotton fillings and overlaying them with watercolor, LEE repeats the process of doll-making in her three-dimensional production. The doll objects\u2014along with drawings on ceramics, watercolor on stretched cotton on embroidered hoops, and sundry items from her personal collection\u2014are exhibited in display cases that encapsulate the accumulation of LEE\u2019s memories. This assemblage of ordinary objects light the fuse to rekindle not only LEE\u2019s private remembrances but also the viewers\u2019 personal, or even collective memories.<\/p>\n LEE Jihyun received her BFA and MFA from Sungshin Women’s University (Seoul, Korea) and MFA from School of Visual Arts (New York, USA). Since her first group exhibition in 2000, the artist has participated in a number of international exhibitions across various countries such as Japan, Switzerland, and the USA. She has held a total of nine solo exhibitions at Arario Gallery, Doosan Gallery, Gallery Hyundai and Gallery Sun Contemporary. LEE\u2019s works are featured in institutional collections including the National Museum of Modern and Contemporary Art and Arario Museum. She currently lives and works in the USA.<\/p>\n ARARIO GALLERY SEOUL WEB<\/a>\u00a0 \u00a0 \u00a0INSTAGRAM<\/a>\u00a0 \u00a0 \u00a0Artsy<\/a><\/p>\n <\/p>\n","protected":false},"featured_media":0,"template":"","categories":[50,51],"class_list":["post-12889","insights","type-insights","status-publish","hentry","category-insight","category-stories"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ko","en"],"languages":{"ko":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights\/12889","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/insights"}],"about":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/types\/insights"}],"wp:attachment":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/media?parent=12889"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/categories?post=12889"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/static-edge.kiaf.org\/web\/2022\/03\/19001536\/1.-LEE-Jihyun_Summer-Garage_Kronborg-%EC%97%AC%EB%A6%84%EB%82%A0%EC%9D%98-%EC%B0%A8%EA%B3%A0_%ED%81%AC%EB%A1%A0%EB%B3%B4%EA%B7%B8-2020-Oil-on-canvas-229-x-177.7-cm-1.jpg\")
![\"\"](\"https:\/\/static-edge.kiaf.org\/web\/2022\/03\/19001536\/%EC%9D%B4%EC%A7%80%ED%98%84-LEE-Jihyun_Profile-225x300.jpeg\")
\nB1, Arario Museum in Space, 83, Yulgok-ro, Jongno-gu, Seoul, Korea
\n02 541 5701<\/p>\n