{"id":54305,"date":"2025-07-30T14:00:16","date_gmt":"2025-07-30T05:00:16","guid":{"rendered":"https:\/\/kiaf.org\/?post_type=highlight&#038;p=54305"},"modified":"2025-08-12T15:31:28","modified_gmt":"2025-08-12T06:31:28","slug":"sejin-hong","status":"publish","type":"highlight","link":"https:\/\/kiaf.org\/en\/highlight\/54305","title":{"rendered":"Sejin Hong"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-54306\" src=\"https:\/\/static-edge.kiaf.org\/web\/2025\/07\/29152423\/HIGHLIGHTS-%EC%9E%91%EA%B0%80-%ED%94%84%EB%A1%9C%ED%95%84_%ED%99%8D%EC%84%B8%EC%A7%84.jpg\" alt=\"\" width=\"600\" height=\"450\" \/><\/p>\n<p style=\"text-align: center;\"><em>Sejin Hong<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>Sejin Hong\u2019s work explores how sensory perception is reconfigured through the interplay of technology and environment. Her practice is rooted in a personal experience\u2014having lost her hearing in early childhood and subsequently encountering the world through a cochlear implant. \u201cI came to understand that the senses are not given by nature, but are continuously transformed through technology and surrounding conditions,\u201d she states. Her paintings investigate these layered, fragmented sensory structures through a geometric visual language\u2014revealing how perception often overlaps, diverges, and resists seamless integration.<\/p>\n<p>&nbsp;<\/p>\n<p>Hong received her MFA in Painting from Hongik University, where she also completed the coursework for a doctoral degree. She has steadily built a distinctive body of work, having been selected for major programs including the OCI Museum of Art\u2019s \u2018OCI Young Creatives\u2019 (2020), the Seoul Foundation for Arts and Culture\u2019s \u2018Artist of the Year with Hyosung\u2019 (2021), and the Seoul Museum of Art\u2019s \u2018Emerging Artist\u2019 initiative (2023). She has also participated in prestigious residency programs such as the National Museum of Modern and Contemporary Art (MMCA) Changdong Residency and Geumcheon Art Factory.<\/p>\n<p>&nbsp;<\/p>\n<p>Her compositions often feature imagery reminiscent of mechanical components or industrial landscapes. These serve as visual metaphors for sensory experiences mediated by technology\u2014marked by disruption, distortion, or delay. \u201cThe images in my work are not complete scenes,\u201d she explains, \u201cbut rather partial impressions of sensation\u2014misaligned, juxtaposed, and fragmented.\u201d Smooth artificial color planes and geometric forms resist unification into a single image, instead inviting viewers to encounter perceptual dissonance and unfamiliar affective states.<\/p>\n<p>&nbsp;<\/p>\n<p>The artist confesses that \u201ceach time I begin a new work, I am confronted by a sense of uncertainty, unsure of what form the piece should take.\u201d Yet she adds, \u201cit is within that very process\u2014when images begin to reveal themselves in unexpected ways\u2014that I feel the urge to keep working.\u201d It is the small discoveries that emerge from this uncertainty, along with the encouragement of those around her, that provide the greatest motivation for her continued practice.<\/p>\n<p>At this year\u2019s Kiaf, Hong presents new works that further her inquiry into perceptual gaps and misalignments. She reflects, \u201cSensory experience is not always sharp or coherent.\u201d In fact, it is often within the unnoticed fissures or unconnected fragments that clearer insights can surface. She hopes that viewers will pause in front of her works and, prompted by the unfamiliar forms and the strangeness they evoke, rediscover their own sense of perception in new and personal ways.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-54308 aligncenter\" src=\"https:\/\/static-edge.kiaf.org\/web\/2025\/07\/29152605\/Sectioned-Landscape-oil-on-canvas-125x140cm-2025.jpg\" alt=\"\" width=\"699\" height=\"637\" \/><\/p>\n<p style=\"text-align: center;\"><em>Sectioned Landscape, oil on canvas, 125x140cm, 2025<\/em><\/p>\n","protected":false},"featured_media":0,"parent":0,"template":"","categories":[107],"tags":[],"class_list":["post-54305","highlight","type-highlight","status-publish","hentry","category-107"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["ko","en"],"languages":{"ko":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"\bshow_only_admin":false,"thumbnail":54306,"gallery":"Gallery PLANET","hide_han":false,"hide_eng":false,"artworks":[{"artwork_img":54309,"artwork_desc":"Triangular Wave, oil on canvas, 180x165cm, 2024"},{"artwork_img":54310,"artwork_desc":"Unreachable Beings, oil on canvas, 145.5x227cm, 2024"}],"category":[107]},"_links":{"self":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/highlight\/54305","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/highlight"}],"about":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/types\/highlight"}],"acf:term":[{"embeddable":true,"taxonomy":"category","href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/categories\/107"}],"wp:attachment":[{"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/media?parent=54305"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/categories?post=54305"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kiaf.org\/en\/wp-json\/wp\/v2\/tags?post=54305"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}